Sentences with phrase «channel video installation courtesy»

Stills from: Aernout Mik Tongues and Assistants, 2013 2 channel video installation Courtesy carlier gebauer

Not exact matches

Images: John Akomfrah, Precarity, 2017, Three channel HD colour video installation, 7.1 sound, Dimensions variable, © Smoking Dogs Films; Courtesy Lisson Gallery

Emilija Škarnulyte Øso Lens, 2015 3 channel video, sound and sculpture installation at CAC Photo by Andrej Vasilenko Courtesy the artist

2013 Two - channel video installation, looped (video excerpt) Dimensions variable Courtesy of the artist and The Approach, London

2013 Two - channel video installation, looped Dimensions variable Courtesy of the artist and The Approach, London

Dara Birnbaum, American, born 1946; Installation view, storefront window of H - Hair Salon de Coiffure, NYC, 1980; Technology / Transformation: Wonder Woman, 1978 - 79; video still from single - channel video, color, stereo sound; 5 minutes 50 seconds; Courtesy of The Studio of Dara Birnbaum, New York; Photo: Dara Birnbaum © Dara Birnbaum

Parallax, 2013 3 channel HD video animation with 5.1 surround sound; 15 minutes, 10 seconds Music by Du Yun Installation view, Shahzia Sikander: Ecstasy as Sublime, Heart As Vector, Fondazione MAXXI, Rome, Italy June 22, 2016 - January 15, 2017 Courtesy: Fondazione MAXXI

Muzi Quawson, still from Shawmut Circle, 2011, 3 channel video installation; Courtesy of the artist and Annet Gelink Gallery, Amsterdam.

Yael Bartana Wild Seeds 2005 6 min 40 sec, mini DV & DVD, PAL, color, sound Two channel video and sound installation (projection 1: Image, projection 2: subtitles) Courtesy Annet Gelink Gallery, Amsterdam and Sommer Contemporary Art Gallery, Tel Aviv Photo: Matthew Septimus.

Yang Fudong: East of Que Village, 2007; installation view; 6 - channel video installation, filmed with HDV, black and white, sound; 20:50 min; courtesy of the artist, Marian Goodman Gallery, Paris / New York, and ShanghART Gallery, Shanghai / Beijing / Singapore.

(23.7 cm) diameter Courtesy the artist and bitforms gallery, New York Amor Muñoz Mexican, born 1979 Rhythmic Manufacture, 2015/2017 Watercolor on paper, metronome, table, coverall, clock, and HD video with sound Performance at San Francisco Museum of Modern Art, July 12 — 15, 2017 Dimensions variable Video production: 32K Productions Courtesy the artist Camille Norment American, born 1970 Lull, 2016 Dynamic sound installation with pendulum microphone Dimensions variable Courtesy the Camille Norment Studio O Grivo (Nelson Soares and Marcos Moreira Marcos) Active since 1990, Belo Horizonte, Brazil Cantilena, 2017 Kinetic sound installation (wood, bamboo, MDF, copper pipes, brass rods and sheets, steel rods, violin and guitar strings, nylon wires, iron sheets, galvanized steel sheets, brass paper, electrical wires, and electric motors) Overall dimensions variable San Francisco Museum of Modern Art, Accessions Committee Fund purchase Susan Philipsz Scottish, born 1965 Night and Fog (Clarinet), 2016 Twelve - channel sound installation, 47video with sound Performance at San Francisco Museum of Modern Art, July 12 — 15, 2017 Dimensions variable Video production: 32K Productions Courtesy the artist Camille Norment American, born 1970 Lull, 2016 Dynamic sound installation with pendulum microphone Dimensions variable Courtesy the Camille Norment Studio O Grivo (Nelson Soares and Marcos Moreira Marcos) Active since 1990, Belo Horizonte, Brazil Cantilena, 2017 Kinetic sound installation (wood, bamboo, MDF, copper pipes, brass rods and sheets, steel rods, violin and guitar strings, nylon wires, iron sheets, galvanized steel sheets, brass paper, electrical wires, and electric motors) Overall dimensions variable San Francisco Museum of Modern Art, Accessions Committee Fund purchase Susan Philipsz Scottish, born 1965 Night and Fog (Clarinet), 2016 Twelve - channel sound installation, 47Video production: 32K Productions Courtesy the artist Camille Norment American, born 1970 Lull, 2016 Dynamic sound installation with pendulum microphone Dimensions variable Courtesy the Camille Norment Studio O Grivo (Nelson Soares and Marcos Moreira Marcos) Active since 1990, Belo Horizonte, Brazil Cantilena, 2017 Kinetic sound installation (wood, bamboo, MDF, copper pipes, brass rods and sheets, steel rods, violin and guitar strings, nylon wires, iron sheets, galvanized steel sheets, brass paper, electrical wires, and electric motors) Overall dimensions variable San Francisco Museum of Modern Art, Accessions Committee Fund purchase Susan Philipsz Scottish, born 1965 Night and Fog (Clarinet), 2016 Twelve - channel sound installation, 47 min.

Dara Birnbaum, Tiananmen Square: Break - In Transmission, 1990 Five - channel color video, four - channel stereo sound, surveillance switcher and custom - designed support system, Dimensions variable Installation view at S.M.A.K. - Stedelijk Museum voor Actuele Kunst, Ghent, 2009 Courtesy of the Artist and Marian Goodman Gallery, New York / Paris / London Photo credit and Copyright: Dara Birnbaum

2012 Six - channel video installation (in Russian with English subtitles) Courtesy of the artist

Mariam Ghani, still from The Trespassers (1 channel video, 4 channel audio installation with archive), 2011, courtesy of the artist and RYAN LEE Gallery, New York.

The Present Moment, 2014 (in D) Single - channel HD Video and 19 channel sound installation 21» 30» Courtesy: Galerie Chantal Crousel, Paris; Marian Goodman Gallery, New York; Hauser & Wirth © Anri Sala

Bruce Conner THREE SCREEN RAY, 2006, three - channel video installation, black and white, sound, 5:23 Courtesy Kohn Gallery Courtesy Conner Family Trust © Conner Family Trust

Wu Tsang, We hold where study, 2017, Two - channel color HD video, with sound, 18 min., 56 sec., Installation view: Kunsthalle Münster, May 27 — October 1, 2017, Courtesy the artist and Galerie Isabella Bortolozzi, Berlin., Photo: Roman Mensing

Ernst Caramelle, «Video - Ping - Pong,» 1974, Two - channel, video installation, 2 monitors, 2 media players, metal shelves, ping pong table, paddles, and ping pong balls Reconstruction tale, metal - racks and technical equipment: Ernst Caramelle with Generali Foundation, 2000, Courtesy Generali Foundation Collection, Permanent Loan to the Mueum der Moderne Salzburg, Installation view «Before Projection: Video Sculpture 1974 - 1995,» MIT List Visual Arts Center, 2018, Photo: Peter Harris SVideo - Ping - Pong,» 1974, Two - channel, video installation, 2 monitors, 2 media players, metal shelves, ping pong table, paddles, and ping pong balls Reconstruction tale, metal - racks and technical equipment: Ernst Caramelle with Generali Foundation, 2000, Courtesy Generali Foundation Collection, Permanent Loan to the Mueum der Moderne Salzburg, Installation view «Before Projection: Video Sculpture 1974 - 1995,» MIT List Visual Arts Center, 2018, Photo: Peter Harris Svideo installation, 2 monitors, 2 media players, metal shelves, ping pong table, paddles, and ping pong balls Reconstruction tale, metal - racks and technical equipment: Ernst Caramelle with Generali Foundation, 2000, Courtesy Generali Foundation Collection, Permanent Loan to the Mueum der Moderne Salzburg, Installation view «Before Projection: Video Sculpture 1974 - 1995,» MIT List Visual Arts Center, 2018, Photo: Peter Hinstallation, 2 monitors, 2 media players, metal shelves, ping pong table, paddles, and ping pong balls Reconstruction tale, metal - racks and technical equipment: Ernst Caramelle with Generali Foundation, 2000, Courtesy Generali Foundation Collection, Permanent Loan to the Mueum der Moderne Salzburg, Installation view «Before Projection: Video Sculpture 1974 - 1995,» MIT List Visual Arts Center, 2018, Photo: Peter HInstallation view «Before Projection: Video Sculpture 1974 - 1995,» MIT List Visual Arts Center, 2018, Photo: Peter Harris SVideo Sculpture 1974 - 1995,» MIT List Visual Arts Center, 2018, Photo: Peter Harris Studio

Color, Courtesy of the Artist and Marian Goodman Gallery; John Gerrard, Western Flag (Spindletop Texas), 2017, 2017, simulation, Courtesy the artist and Simon Preston Gallery, New York & Thomas Dane Gallery, London; Arthur Jafa, Love is The Message, The Message is Death, 2016, video, color and black - and - white, sound, Courtesy of the artist and Gavin Brown Enterprise, NY Shirin Neshat, Soliloquy, 1999, Two - channel video / sound installation, Running time: 33 min.

Kader Attia, installation view (left to right): The Debt, 2013, 2 - channel digital video, projection, colour, based on the original 2 - channel slide presentation; The Culture of Fear: An Invention of Evil, 2013, metal shelves, antique magazines, books, metal screws; Kader Attia, Museum of Contemporary Art Australia, Sydney, 2017, courtesy the artist, Galerie Nagel Draxler, Berlin / Cologne, Lehmann Maupin, New York and Hong Kong and Galleria Continua, San Gimignano, Les Moulins, Beijing, Habana.

Hannah Rickards,... a legend, it, it sounds like a legend..., Three - channel video installation, triangular room, 2007, courtesy of the artist, commissioned by The Showroom, supported by Arts Council Grants for the Arts.

Hale Tenger, Balloons on the Sea, 2011, 7 - channel video installation with audio by Serdar Ateser, dimensions variable, Courtesy Green Art Gallery

STAN DOUGLAS, Installation view of «Luanda - Kinshasa,» 2013 (single - channel video projection; color, sound; 6 hours, 1 minute loop), from the 2013 solo exhibition «Luanda - Kinshasa» at David Zwirner, New York Image courtesy David Zwirner, New York / London

Captions: Dara Birnbaum Arabesque, 2011 Four channel video installation, four stero audio, 6 ′ 30 ″ Courtesy the artist and Marian Goodman Gallery, New York — Paris Photo: John Berens

Ming Wong Video still from Next Year / L'Année Prochaine / 明年 Single channel video installation, 17» 40 ″ 2016 Courtesy of the artist, Vitamin Creative Space, Guangzhou and carlier gebauer, BVideo still from Next Year / L'Année Prochaine / 明年 Single channel video installation, 17» 40 ″ 2016 Courtesy of the artist, Vitamin Creative Space, Guangzhou and carlier gebauer, Bvideo installation, 17» 40 ″ 2016 Courtesy of the artist, Vitamin Creative Space, Guangzhou and carlier gebauer, Berlin

Three ‑ channel video installation, color, silent, with three monitors, enameled steel, internally lubricated plastic, and six high ‑ abuse fluorescent lighting fixtures, Dimensions variable Whitney Museum of American Art, New York; purchase, with funds from the Painting and Sculpture Committee 93.33 © Matthew Barney Image courtesy of Matthew Barney Studio

Michael Robinson, Desert States (You Win Again), installation view, 2015, 2 - channel SD color video loops, silent, 3.5 min and 5 min, courtesy of Carrie Secrist Gallery, photo by Clare Britt

Harun Farocki, Parallel I - IV (2012 - 14), still, 2 two - channel videos, 2 one - channel videos, 4 parts video installation: 16 min, 9 min, 7 min, 11 min, Courtesy Harun Farocki Filmproduktion and Greene Naftali, New York