As part of its Autumn Programme, The Mosaic Rooms presents a special screening of Nadia Kaabi - Linke's two
channel video installation NO at Iniva.
It was easy to miss Peter Burr's massive five
channel video installation at 3 Legged Dog Art & Technology.
Not exact matches
I rarely create pieces that exist in multiple forms, but occasionally some subject matter demands that I look
at it both in terms of an experiential and immersive
installation, and also in terms of its emotional, intimate impact, better conveyed in a single -
channel video.
Emilija Škarnulyte Øso Lens, 2015 3
channel video, sound and sculpture
installation at CAC Photo by Andrej Vasilenko Courtesy the artist
On view last year
at Jeu de Paume in Paris (Simpon's first European exhibition), the presentation
at Addison Gallery features «Chess,» 2013, a three -
channel video installation making its U.S. debut.
In conjunction with the exhibition, Michel Auder's three -
channel video installation Untitled (I Was Looking Back to See If You Were Looking Back
At Me to See Me Looking Back at You)(2012 - 14) will be presented in the BCMA's adjoining media galler
At Me to See Me Looking Back
at You)(2012 - 14) will be presented in the BCMA's adjoining media galler
at You)(2012 - 14) will be presented in the BCMA's adjoining media gallery.
Major moments for Breitz in 2017 included the Venice Biennale, for which she was one of two artists selected to represent South Africa (alongside Mohau Modisakeng); the inclusion of a new commission titled I'm Your Man (A Portrait of Leonard Cohen) in an exhibition titled Leonard Cohen: A Crack in Everything
at the Musée d'art contemporain de Montréal; and the premiere of a major new
video work, TLDR (this 13 -
channel video installation is the sequel to Love Story),
at the B3 Biennial of the Moving Image in Frankfurt.
Life and death 7 January Oscar - winning artist / film - maker Steve McQueen's fifth exhibition
at Marian Goodman Gallery, Paris (and the gallery's first for 2016) comprises a two -
channel synchronised
video, Ashes, and a new neon light
installation.
Opening: «Janet Biggs: Within Touching Distance»
at Cristin Tierney Gallery A celebrated and prolific
video artist for the past 20 years, Janet Biggs brings her latest works — a four -
channel video installation and a dual -
channel video — to the immersive exhibition «Within Touching Distance,» which deals with memories in relation to identity.
The Nasher Museum of Art
at Duke University is presenting John Akomfrah's three -
channel video installation Precarity (2017 - 18), a work that it commissioned for its...
Being held in the Kuleli Building
at the Halic Congress Center, September 25 - 28, 2014, Moving Image Istanbul runs in parallel with ArtInternational art fair, and will present a selection of single -
channel videos and
installations from across the globe.
The two -
channel video installation explores questions of empathy, communication, and performance, and was developed through Tribe's close collaboration with professional clinicians, communication experts, and Standardized Patients
at Stanford University and the University of Southern California.
Mediengruppe Bitnik Ashley Madison Angels
at Work in London, 2017 5 -
channel looping
video installation with sound, Full HD, 16:9, 8 min 07 sec, five 40» LCD screens, five trolley stands, five
video players, five cables 150 x 95 x 61 cm
There will be seven
installation works
at Ambika P3: the centrepiece will be NOW (2015), a powerful 8
channel video installation with surround sound originally commissioned for the Venice Biennale 2015.
Ashley Madison Angels
at Work in Berlin, 2017; five -
channel full HD
video installation (16:9, sound; 10:07 loop); LCD screens, trolley stands, cables, pink neon lights; dimensions variable;
installation view.
Booth H32 is an
installation work comprising a three -
channel video work and sculptural ephemera
at Frieze London.
(23.7 cm) diameter Courtesy the artist and bitforms gallery, New York Amor Muñoz Mexican, born 1979 Rhythmic Manufacture, 2015/2017 Watercolor on paper, metronome, table, coverall, clock, and HD
video with sound Performance at San Francisco Museum of Modern Art, July 12 — 15, 2017 Dimensions variable Video production: 32K Productions Courtesy the artist Camille Norment American, born 1970 Lull, 2016 Dynamic sound installation with pendulum microphone Dimensions variable Courtesy the Camille Norment Studio O Grivo (Nelson Soares and Marcos Moreira Marcos) Active since 1990, Belo Horizonte, Brazil Cantilena, 2017 Kinetic sound installation (wood, bamboo, MDF, copper pipes, brass rods and sheets, steel rods, violin and guitar strings, nylon wires, iron sheets, galvanized steel sheets, brass paper, electrical wires, and electric motors) Overall dimensions variable San Francisco Museum of Modern Art, Accessions Committee Fund purchase Susan Philipsz Scottish, born 1965 Night and Fog (Clarinet), 2016 Twelve - channel sound installation, 47
video with sound Performance
at San Francisco Museum of Modern Art, July 12 — 15, 2017 Dimensions variable
Video production: 32K Productions Courtesy the artist Camille Norment American, born 1970 Lull, 2016 Dynamic sound installation with pendulum microphone Dimensions variable Courtesy the Camille Norment Studio O Grivo (Nelson Soares and Marcos Moreira Marcos) Active since 1990, Belo Horizonte, Brazil Cantilena, 2017 Kinetic sound installation (wood, bamboo, MDF, copper pipes, brass rods and sheets, steel rods, violin and guitar strings, nylon wires, iron sheets, galvanized steel sheets, brass paper, electrical wires, and electric motors) Overall dimensions variable San Francisco Museum of Modern Art, Accessions Committee Fund purchase Susan Philipsz Scottish, born 1965 Night and Fog (Clarinet), 2016 Twelve - channel sound installation, 47
Video production: 32K Productions Courtesy the artist Camille Norment American, born 1970 Lull, 2016 Dynamic sound
installation with pendulum microphone Dimensions variable Courtesy the Camille Norment Studio O Grivo (Nelson Soares and Marcos Moreira Marcos) Active since 1990, Belo Horizonte, Brazil Cantilena, 2017 Kinetic sound
installation (wood, bamboo, MDF, copper pipes, brass rods and sheets, steel rods, violin and guitar strings, nylon wires, iron sheets, galvanized steel sheets, brass paper, electrical wires, and electric motors) Overall dimensions variable San Francisco Museum of Modern Art, Accessions Committee Fund purchase Susan Philipsz Scottish, born 1965 Night and Fog (Clarinet), 2016 Twelve -
channel sound
installation, 47 min.
Dara Birnbaum, Tiananmen Square: Break - In Transmission, 1990 Five -
channel color
video, four -
channel stereo sound, surveillance switcher and custom - designed support system, Dimensions variable
Installation view
at S.M.A.K. - Stedelijk Museum voor Actuele Kunst, Ghent, 2009 Courtesy of the Artist and Marian Goodman Gallery, New York / Paris / London Photo credit and Copyright: Dara Birnbaum
JOHN SMITH, The Black Tower, 1985 — 87, still from single -
channel video installation, 24 min,
at Para / Site, Hong Kong, 2012.
In Generation (2016), a two -
channel 45 - minute
video installation first shown
at Participant Inc. in New York and presented here in the Sert Gallery, Keegan interviews his own family members, calling out familiar yet potentially loaded words, such as feminine, masculine, love, race and immigrant.
In a recent show
at ISCP, the artist's first solo show in NYC, Kia Henda exhibited A City Called Mirage, a four -
channel video installation and three photographic series that examines the conceptual underpinnings of building a city in the desert.
Afar, her new three -
channel 9 - minute
video installation opens
at SCAD Museum.
Mariam Ghani, The Trespassers (1
channel video, 4
channel audio
installation with archive), installed
at the KMK in San Sebastian, Spain, for the exhibition El Biblioteca y el Saber in 2014.
Named after John Akomfrah's three -
channel video installation from 2012, the exhibition is curated by Klaus Biesenbach, Lucy Gallun, Thomas Lax, Christian Rettemeyer, Yasmil Raymond, and Elizabeth Henderson from various departments
at the museum.
She has divided the work into two
installations, one
at Telescope in Beijing and the other
at her solo exhibition
at 1000 Plateaus Gallery in Chengdu, which also includes photos, sculptures, and the 7
channel video installation Empty City.
Also in 2015, Wolfgang Tillmans: Book for Architects, a two -
channel video installation, was on view
at The Metropolitan Museum of Art, New York, as well as a solo show of the artist's work
at the Dům Umění — Galerie Současného Umění České Budějovice, Czech Republic.
Since its debut
at the 2015 Venice Biennale, John Akomfrah's panoramic three -
channel video installation
The two -
channel video installation depicts site - specific performances featuring members of the LA Dance Project
at Philip Johnson's Glass House in New Canaan, Connecticut, and the R. M. Schindler House in Los Angeles.
These historically minded works are joined by a four -
channel video installation by the young Chinese contemporary artist Sun Xun, who became known for mixing visualizations of his father's recollections of the Cultural Revolution with scenes from dioramas
at the American Museum of Natural History in his surreal 2015 animation The Time Vivarium.
Since its debut
at the 2015 Venice Biennale, John Akomfrah's panoramic three -
channel video installation Vertigo Sea has garnered accolades for its unflinching look
at historical maritime horrors ranging from the greed of the whaling industry to the cruelty of the slave trade, all while invoking the sublime beauty of the natural landscape.
In June The Refusal of Time, a 5 -
channel video installation with complex soundscape by Philip Miller and a breathing machine, was first presented
at Documenta (13) in Kassel, Germany.
Taking its title from the seminal 1954 essay by African - American author and cultural critic Richard Wright, the
installation juxtaposes two of the artist's
video works: Untitled (Predawn, Osu, Accra, 2010), 2017, a meditative single -
channel work, and Black Power, 2010, a three -
channel work depicting physical training
at an outdoor neighbourhood gym in Accra.
Moving Image March 5 — 8 As its name implies, Moving Image will showcase
video - based artwork, including single -
channel videos, single -
channel projections,
video sculptures, and other larger
video installations from 35 galleries and seven countries
at its usual Waterfront Tunnel space
at 269 11th Avenue.
(Image on top: David Zink Yi, The Strangers, 2014, HD -
Video, 2 - Kanal - Installation, Farbe, Ton / HD video, 2 - channel installation, color, sound, 81», Installation view at the 8th Berlin Biennale for Contemporary Art
Video, 2 - Kanal -
Installation, Farbe, Ton / HD video, 2 - channel installation, color, sound, 81», Installation view at the 8th Berlin Biennale for Contempora
Installation, Farbe, Ton / HD
video, 2 - channel installation, color, sound, 81», Installation view at the 8th Berlin Biennale for Contemporary Art
video, 2 -
channel installation, color, sound, 81», Installation view at the 8th Berlin Biennale for Contempora
installation, color, sound, 81»,
Installation view at the 8th Berlin Biennale for Contempora
Installation view
at the 8th Berlin Biennale for Contemporary Art 29.5.
John Rafman's «Open Heart Warrior» (2016), a three -
channel HD
video, sculptural
installation on display
at Spruth Magers.
Touch Museum
at Young Projects (West Hollywood) November 12, 2015 — February 20, 2016 Julie Weitz's Touch Museum first premiered in the cavernous project space of Young Projects as an immersive experience combining multiple
video installations, an original soundscape by LA - based composer Deru and a Youtube
channel featuring
videos examining the perceptual phenomenon known as Autonomous Sensory Meridian Response (ASMR).
To view Mika Rottenberg's single
channel video installation Lips (Study # 3), 2016
at New York's Andrea Rosen gallery, one peeked through the opening of a sculpture of pouty, red lips installed on a wall.
His exhibition record includes: a one month durational performance during the exhibition Onderweg
at Cultuurcentrum Zwaneberg, Heist - op - den - Berg, Belgium (2017); a solo exhibition
at MART Gallery, Dublin, Ireland (2015); participation with Flux Night 2012 (Nuit Blanche Atlanta, Georgia) with a multi —
channel video installation, Small Meteorites, projected within five vehicles; a city wide art
installation commissioned and curated by the Duncan and Jordanstone College of Art and Design (2011), funded by the Scottish Arts Council; a solo exhibition
at the Monster Truck Gallery in Dublin Ireland (2011); a Triangle Arts Trust residency and solo exhibition
at the Kuona Trust Gallery in Nairobi, Kenya (2011).
Realm of Reverberations is a four -
channel video installation made by Chen Chieh - jen in 2014, that looks
at the darker side of rapid urbanisation and displacement.
New media art is represented
at the exhibition with Gretchen Bender's Wild Dead (1984), a two -
channel dystopian
video installation in the form of a stack of televisions.
Force Field, two
channel video installation, 2006 Exhibited
at: Gallery 2 Chicago, IL, 2006 / Gallery TPW, Toronto, ON Canada 2007 / L'Espace Videographe, Montreal, QU, 2010.
Doug Aitken, Sleepwalkers, 2007, 5
channel video installation, Installation view
installation,
Installation view
Installation view
at MoMA, NY.
In her first exhibition
at DOCUMENT, Welitoff explores the relationship between gesture, distance, and time in an
installation features a single
channel video monitor, a single
channel video projection and two photographs.
The four -
channel video is the third and final chapter of their Incidental Insurgents
installation (2012 — 15) and «furthers their exploration of the liminal space between the political present and its unseen potential direction», as Art Asia Pacific reported
at the time.
Intersections, Claudia Joskowicz's two -
channel video installation and accompanying photographic series
at LMAKprojects, is a straightforward display of her newest
video piece, Every Building on Avenida Alfonso Ugarte — After Ruscha.
The Golden Thread Gallery presents two recent works by Common Culture, Openings Are Always Awkward, first shown
at Solar Galeria de Arte Cinemática, Portugal 2009 and the new multi —
channel video installation I Dreamt I Was A Monkey — And They Made Me Wear Shoes.
The resulting two -
channel video installation debuted
at Goethe - Institut's New York space, Ludlow 38, and went on to feature
at this year's editions of The Armory Show and Art Cologne, and
at Berlin's ACUD Gallery.
In his new single -
channel video installation Love is the Message, the Message is Death
at MoCA Geffen in LA, Arthur Jafa uses the Black gestural sign as a way to demonstrate his project of «black visual intonation.»
MOCA acquired the eight -
channel, multiroom
video projection the year it was made — it won that year's International Prize
at the Venice Biennale — and the
installation was a high point when presented
at the 2000 Whitney Biennial in New York.
For her first solo exhibition
at The Company, Prosch will be re-imagining Travelers» Suite, an ambitious nine -
channel video installation depicting the metaphysical essence of a hotel room and the activities of its transient inhabitants.