Sentences with phrase «channel video installation based»

The best known, Vigil (2002), consisted of a single - channel video installation based on a performance of the same year on a street corner in Vancouver's Downtown Eastside.

Not exact matches

Hors - champs, a two - channel video installation by Vancouver - based artist Stan Douglas, presents a jazz performance staged and recorded in a Paris television studio.

The Nasher Museum presents the major exhibition, John Akomfrah: Precarity, a new three - channel video installation created by John Akomfrah, the London - based artist and filmmaker.

Moving Image March 5 — 8 As its name implies, Moving Image will showcase video - based artwork, including single - channel videos, single - channel projections, video sculptures, and other larger video installations from 35 galleries and seven countries at its usual Waterfront Tunnel space at 269 11th Avenue.

Touch Museum at Young Projects (West Hollywood) November 12, 2015 — February 20, 2016 Julie Weitz's Touch Museum first premiered in the cavernous project space of Young Projects as an immersive experience combining multiple video installations, an original soundscape by LA - based composer Deru and a Youtube channel featuring videos examining the perceptual phenomenon known as Autonomous Sensory Meridian Response (ASMR).

>> > Japanese AIT ARTIST TALK # 73 «Low Relief / Unreal Estate» Artist Talk by Marina Višić and Ksenia Galiaeva from the Netherlands Date: Tuesday, February 27, 2018 Time: 19:00 - 21:00 (18:30 Door open) Venue: Daikanyama AIT Room Support: Mondriaan Fonds, Embassy of the Kingdom of the Netherlands * All admissions with 1 drink / Booking required / Consecutive Japanese translation available Marina Višić / (Left) Studio experimentation with compositions, 2017 / (Center) Bankside Sulphur, 2017, video loop / (Right) Stills from Oriel, 2017, detail of 3 channel video installation Ksenia Galiaeva / (Left and Center) «Mt Knee» / (Right) «Cloudscreens» AIT is very pleased to present the artist talk by Marina Višić and Ksenia Galiaeva, both based in the Netherlands.

Presenting 19 single - channel videos and 9 larger - scale video sculptures / installations, Moving Image has been conceived to offer a viewing experience with the excitement and vitality of a fair, while allowing moving - image - based artworks to be understood and appreciated on their own terms.

In All Things Pass, London - based artist Darren Almond (born 1971) explores the passage of time, juxtaposing a six - channel video installation filmed on the steps of Chand Baori, a spectacular ninth - century well in India, with number paintings, sculptures of stacked timepieces, and photos of a strangely modernist Neolithic stone circle.

The large - scale, six - channel video installation The Secret Agent (2015) is based on Joseph Conrad's 1907 spy novel of the same name.

The exhibition brings together four works: «Looking for Alfred» (2004), an homage to Hitchcock's cameo appearances in his films, with a cast of look - alikes; «Hitchcock didn't have a Belly Button: Interview with Karen Black» (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; «You Tube Me and I Tube You,» a two - channel interaction installation and web project initiated in 2010; and «I may have forever lost my umbrella» (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube videos of the 2011 earthquake and tsunami in Japan, which will be shown in New York for the first time in this exhibition.

The Nasher Museum presents Precarity, a new three - channel video installation created by John Akomfrah, a London - based artist and filmmaker.

Berlin - based Austrian artist Karina Nimmerfall, who spent the past year teaching at Art Center College of Design in Pasadena, California, delivered her «take» on Los Angeles via her three - channel video installation Double Location (The Ambassador Hotel), 2008/2011, just days before returning to Germany this fall.

Image: Mark Soo, Several Circles (detail), 2010, two channel video installation, sound February 12 — March 12, 2011 The first solo exhibition in Berlin of Vancouver - based artist Mark Soo.

Kader Attia, installation view (left to right): The Debt, 2013, 2 - channel digital video, projection, colour, based on the original 2 - channel slide presentation; The Culture of Fear: An Invention of Evil, 2013, metal shelves, antique magazines, books, metal screws; Kader Attia, Museum of Contemporary Art Australia, Sydney, 2017, courtesy the artist, Galerie Nagel Draxler, Berlin / Cologne, Lehmann Maupin, New York and Hong Kong and Galleria Continua, San Gimignano, Les Moulins, Beijing, Habana.

Stand - outs at the highly successful and well - attended 7th edition of abc included: Daniel Steegmann Mangrané's immersive aluminum chain sculpture presented by Esther Schipper; Douglas Coupland's installation of painted globes entitled Optimism vs. Pessimism, which the artist showed with Daniel Faria Gallery; Beijing - based artist Guan Xiao's electrifying three - channel video installation Kraupa - Tuskany Zeidler and Antenna Space's shared booth drew droves of onlookers who often stayed for multiple rotations of the video loop; and at Johann König, Camille Henrot presented her video Coupe / Decalé alongside Desktop Series, a series of small bronze sculptures that reflect on the tension between immateriality and the universal creative space provided by the computer desktop.

The exhibition brings together four works: Looking for Alfred (2005), an homage to Hitchcock's cameo appearances in his films, with a cast of look - alikes; Hitchcock didn't have a Belly Button: Interview with Karen Black (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; You Tube Me and I Tube You, a two - channel interaction installation and web project initiated in 2010; and I may have forever lost my umbrella (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube videos of the 2011 earthquake and tsunami in Japan, which is shown in New York for the first time in this exhibition.

In addition to screenings of single - channel videos taking place in Club SAW, this year's edition will include video - based installations presented in various locations, including the Clarendon Lanes courtyard in the ByWard Market, the SAW outdoor courtyard and Galerie SAW Gallery.

The exhibition features GLENN LIGION, «Live,» 2014 (silent seven channel video installation; Edition of 3 and 1 AP; Duration: 80 minutes, 51 seconds), which is based on the 1982 film «Richard Pryor: Live on the Sunset Strip.»

These will include the installation of a major new work by Scottish artist Christine Borland (b. 1965), recently commissioned by the Institute of Transplantation, Newcastle; a room of painted metal sculptural works by Glasgow - based artist Sara Barker; a photographic series by the South African artist Robin Rhode; a two - channel video by Austrian artist Markus Schinwald; and new works by Edinburgh - based artist Catherine Street.

2005 The Rape of the Sabine Women, single channel High Definition Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video w / Karen Hatch

«After the Fact», 2007, is a series of photogravures based on a 6 channel video installation, «In passing», in which we follow a young woman who anonymously leaves her baby in a hatch at a Berlin hospital.

Works added to the collection of the Solomon R. Guggenheim Museum during 2010 included a 2009 16 mm film, Beau Geste, by Morocco - based Yto Barrada, a 2009 slide - projection installation, In the Near Future, by New York — based Sharon Hayes, a 19 - channel digital video, The Torn First Pages, 2004 — 8, by Indian artist Amar Kanwar, the 2006 interactive piece This Progress by German artist Tino Sehgal and the 2010 sound installation The Shallow Sea by Scottish artist Susan Philipsz.

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