Sentences with phrase «channel video installation by»

The Gap 3 is a one - channel video installation by Snow Yunxue Fu.
IRRESISTIBLE FORCE, a two channel video installation by Sharon Paz, juxtaposes animated silhouettes of conflicting imagery with private sceneries, which are superimposed by patterns reminiscent of the camouflage commonly used by the military.
Joan Jonas: The Shape, the Scent, the Feel of Things On view January 23 — May 1, 2011 Joan Jonas: The Shape, the Scent, the Feel of Thingspresents a complex five - channel video installation by this seminal video and performance artist.
ISHMAEL (2015), a four channel video installation by Nira Pereg has been squired for the Tel Aviv Museum of Art's Collection
These historically minded works are joined by a four - channel video installation by the young Chinese contemporary artist Sun Xun, who became known for mixing visualizations of his father's recollections of the Cultural Revolution with scenes from dioramas at the American Museum of Natural History in his surreal 2015 animation The Time Vivarium.
Question Bridge: Black Males A 5 - channel video installation by Artist Hank Willis Thomas January 27 — May 1, 2016 Opening Reception: January 27 The UMCA is pleased to present Question Bridge: Black Males, a five - channel video installation that aims to represent and redefine black male identity in America, and powerfully exposes the incredible diversity of thought, character, and identity within the black American male demographic, disrupting traditional generalizations.
Phantom Cities, a major 3 - channel video installation by Rita Myers will reopen on November 3 and remain on view through December 16.
Marker, a three - channel video installation by Jacek Malinowski, is a fictional story of a member of an informal alter - globalist group called Markers, who try to free themselves from the fictive world of global capitalism.
Hors - champs, a two - channel video installation by Vancouver - based artist Stan Douglas, presents a jazz performance staged and recorded in a Paris television studio.

Not exact matches

The conversations were adapted as a 4 - channel video installation commissioned by the Marrakech Biennale 2012.
Emilija Škarnulyte Øso Lens, 2015 3 channel video, sound and sculpture installation at CAC Photo by Andrej Vasilenko Courtesy the artist
All Nasher members are invited to explore the galleries before the crowds and enjoy an exclusive talk by Chief Curator Trevor Schoonmaker about John Akomfrah's new three - channel video installation, Precarity.
The title is inspired by John Akomfrah's three - channel video installation The Unfinished Conversation (2012), which is included in the exhibition.
Purple is an immersive six - channel video installation addressing man's relationship to nature and to the planet, created by the British artist and filmmaker John Akomfrah.
Parallax, 2013 3 channel HD video animation with 5.1 surround sound; 15 minutes, 10 seconds Music by Du Yun Installation view, Guggenheim Museum, Bilbao, 2015
The Last Post, 2010 Single channel HD video animation with 5.1 surround sound, 10 minutes Music by Du Yun Installation view, Kogod Courtyard, National Portrait Gallery, Washington D.C., US State Department's Inaugural Medal of Arts Ceremony, 2012
Parallax, 2013 3 channel HD video animation with 5.1 surround sound; 15 minutes, 10 seconds Music by Du Yun Installation view, Shahzia Sikander: Ecstasy as Sublime, Heart As Vector, Fondazione MAXXI, Rome, Italy June 22, 2016 - January 15, 2017 Courtesy: Fondazione MAXXI
The Last Post, 2010 Single channel HD video animation with 5.1 surround sound, 10 minutes Music by Du Yun Installation view, Rockbund Museum Shanghai, 2010
Abboud's three - channel video installation Hide Your Water from the Sun 2016, traces a 1920 study by physician and researcher Dr. Tawfiq Canaan into Palestinian customs and folklore.
Da Corte's groundbreaking video installation Easternsports (2014), made in collaboration with artist Jayson Musson for the ICA Philadelphia, is a dazzling, eccentric four - channel video, installed «in - the - round» on four large, free - standing walls surrounded by colorful carpet tile and linoleum designed by the artist.
The Nasher Museum presents the major exhibition, John Akomfrah: Precarity, a new three - channel video installation created by John Akomfrah, the London - based artist and filmmaker.
«Question Bridge: Black Males in America» documents a five - channel video installation and touring exhibition co-created by Hank Willis Thomas.
Apart from the single photo of Cody, a skater kid Quawson has been following around among other local characters, the exhibition consists only of a three - channel video installation faced by a convenient bench.
It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores, according to the museum.
On March 5, 2015, Moving Image art fair will open again in New York to offer its visitors a unique viewing experience and the vitality of a fair by featuring a selection of international commercial galleries and non-profit institutions presenting single - channel videos, single - channel projections, video sculptures, and other large video installations.
Haris Epaminonda, Chapters, 16 mm film transferred to digital, four - channel video installation, approx. 4 hrs, sound by: Part Wild Horses Mane On Both Sides, 2013
In the first floor galleries, a three - channel video installation features the dancing figure of the artist illuminated by a scanning light source.
Both a five - channel video installation for Documenta 2012, and a live music piece for the Festival d'Avignon that same year, REFUSE THE HOUR — narrated by Kentridge and composed by his longtime collaborator Philip Miller — begins with the myth of -LSB-...]
It includes work spanning the Swiss artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.
Ricerche: three 2013 Single channel HD video 38 minutes Edition of 5 + 1 AP installation view: «Il Palazzo Enciclopedico (The Encyclopedic Palace)» curated by Massimiliano Gioni 55th International Art Exhibition, Venice Biennale June 1 — November 24, 2013
The Green Lantern Press is pleased to present If the hours were already counted, a single - channel, site - specific video installation by Angelika Markul.
«The Chalk Factory» (2017) is an audiovisual installation by Mikhail Karikis comprising 10 video channels and 10 audio channels.
In «Shabby but Thriving,» commissioned by the New Museum, Burns premieres a new two - channel video staged within an installation that explores the subjugation and agency of various bodies.
It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.
Named after John Akomfrah's three - channel video installation from 2012, the exhibition is curated by Klaus Biesenbach, Lucy Gallun, Thomas Lax, Christian Rettemeyer, Yasmil Raymond, and Elizabeth Henderson from various departments at the museum.
Motion Within Motion, a two - channel video installation with immersive sound, is inspired by Persian - Islamic philosophy of change.
Titled in reference to Bruce Nauman's Art Make - Up (1967), Kiss My Nauman (2007) by Iain Forsyth and Jane Pollard is a four - channel video installation where the members of Dressed to Kill, a Kiss tribute group carefully paint their faces in preparation for a performance.
By far the show's strongest work, eGoli is a three - channel video installation.
«Pixel Forest» will be the most comprehensive presentation of Rist's work in New York to date; it spans the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.
The four interrelated «digital playgrounds» that comprise Surveillance, a new four - channel high - definition video installation created in and about historic Madison Square Park by avant - garde filmmaker Ernie Gehr, take inspiration from two seemingly disparate sources.
In June The Refusal of Time, a 5 - channel video installation with complex soundscape by Philip Miller and a breathing machine, was first presented at Documenta (13) in Kassel, Germany.
Taking its title from the seminal 1954 essay by African - American author and cultural critic Richard Wright, the installation juxtaposes two of the artist's video works: Untitled (Predawn, Osu, Accra, 2010), 2017, a meditative single - channel work, and Black Power, 2010, a three - channel work depicting physical training at an outdoor neighbourhood gym in Accra.
In her piece, The Way Beyond Art: Infinite Screens, Genevieve explores the 5 - channel video installation Hearsay of the Soul, 2012, by acclaimed artist and filmmaker Werner Herzog.
We Are the World, as performed by the Hong Kong Federation of Trade Unions Choir, 2017, Video and 8 - channel sound installation.
Touch Museum at Young Projects (West Hollywood) November 12, 2015 — February 20, 2016 Julie Weitz's Touch Museum first premiered in the cavernous project space of Young Projects as an immersive experience combining multiple video installations, an original soundscape by LA - based composer Deru and a Youtube channel featuring videos examining the perceptual phenomenon known as Autonomous Sensory Meridian Response (ASMR).
>> > Japanese AIT ARTIST TALK # 73 «Low Relief / Unreal Estate» Artist Talk by Marina Višić and Ksenia Galiaeva from the Netherlands Date: Tuesday, February 27, 2018 Time: 19:00 - 21:00 (18:30 Door open) Venue: Daikanyama AIT Room Support: Mondriaan Fonds, Embassy of the Kingdom of the Netherlands * All admissions with 1 drink / Booking required / Consecutive Japanese translation available Marina Višić / (Left) Studio experimentation with compositions, 2017 / (Center) Bankside Sulphur, 2017, video loop / (Right) Stills from Oriel, 2017, detail of 3 channel video installation Ksenia Galiaeva / (Left and Center) «Mt Knee» / (Right) «Cloudscreens» AIT is very pleased to present the artist talk by Marina Višić and Ksenia Galiaeva, both based in the Netherlands.
His exhibition record includes: a one month durational performance during the exhibition Onderweg at Cultuurcentrum Zwaneberg, Heist - op - den - Berg, Belgium (2017); a solo exhibition at MART Gallery, Dublin, Ireland (2015); participation with Flux Night 2012 (Nuit Blanche Atlanta, Georgia) with a multi — channel video installation, Small Meteorites, projected within five vehicles; a city wide art installation commissioned and curated by the Duncan and Jordanstone College of Art and Design (2011), funded by the Scottish Arts Council; a solo exhibition at the Monster Truck Gallery in Dublin Ireland (2011); a Triangle Arts Trust residency and solo exhibition at the Kuona Trust Gallery in Nairobi, Kenya (2011).
Realm of Reverberations is a four - channel video installation made by Chen Chieh - jen in 2014, that looks at the darker side of rapid urbanisation and displacement.
Curated by Sharsten Plenge and Paul Young, Lieux - Dits elaborates Ratté's cultivation of video as environment, with pieces such as Common Areas reconfigured as a sprawling room - sized 4 - channel video installation and Fakeaway Haptics presented in a life - size mirrored box.
Two channel video installation in «Elements of Architecture» Central Pavilion, 14th Architecture Biennale Venice, curated by Rem Koolhaas We have been fans of Wolfgang Tillmans» work for years and were interested to see he had
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