Sentences with phrase «channel video installation features»
June 30 — September 17, 2017 This single - channel video installation features Lady Bunny, an iconic drag performer.
http://mag.rochester.edu/
In the first floor galleries, a three - channel video installation features the dancing figure of the artist illuminated by a scanning light source.
The Bad Faith exhibition will feature the first showing of Common Culture's new work I Dreamt I Was A Monkey — And They Made Me Wear Shoes, a multi — channel video installation featuring «ex — TV «soap» actors performing scenes of discrete social interaction» set against a backdrop of high street consumption.
The series also includes a 10 - minute three - channel video installation featuring Elizabeth Banks.
Not exact matches
On view last year at Jeu de Paume in Paris (Simpon's first European exhibition), the presentation at Addison Gallery features «Chess,» 2013, a three - channel video installation making its U.S. debut.
Still, yet, else, further, again features two works, «Hole,» an immersive sculptural installation in the main gallery and «794 mph,» a single channel video projection.
The four - channel, 13 - minute video installation features performers delivering Kruger's insightful, often biting commentary on contemporary society, intercut with her signature provocative text panels and images of fundamentalist religious gatherings.
Lyle Ashton Harris's Once (Now) Again, a site - specific multimedia installation features a three - channel video work comprised of projected images taken from Harris's Ektachrome Archive (photographed 1986 — 2000) as well as three new video works using footage originally recorded on Hi - 8 and MiniDV format in the 1990s.
The Enclave, a six channel immersive video installation, which was featured on CNN and part of the Venice Biennale, built upon his original Infra series.
On March 5, 2015, Moving Image art fair will open again in New York to offer its visitors a unique viewing experience and the vitality of a fair by featuring a selection of international commercial galleries and non-profit institutions presenting single - channel videos, single - channel projections, video sculptures, and other large video installations.
The two - channel video installation depicts site - specific performances featuring members of the LA Dance Project at Philip Johnson's Glass House in New Canaan, Connecticut, and the R. M. Schindler House in Los Angeles.
An extension of Benedict's ongoing investigation into processes of research, collection, extraction and cultivation, this solo exhibition will feature a 4 - channel video installation depicting Benedict's repeated attempts to collect a core sample from the arid, clay - hardened surface of Harper Dry Lake located in Hinkley, CA.
The large scale single - channel video installation Black Friday (2016) features hypnotic renderings of Qatari shopping malls that are often distorted and refracted, creating a dizzying disorientation -LSB-...]
Touch Museum at Young Projects (West Hollywood) November 12, 2015 — February 20, 2016 Julie Weitz's Touch Museum first premiered in the cavernous project space of Young Projects as an immersive experience combining multiple video installations, an original soundscape by LA - based composer Deru and a Youtube channel featuring videos examining the perceptual phenomenon known as Autonomous Sensory Meridian Response (ASMR).
The Five Senses assumes the hybrid form of a five - channel video installation crossed with (studio) performance, featuring a young Claflin, filmed against a bare white wall, invoking the five Aristotelian senses in five performances each lasting about five minutes: hearing, scent, touch, taste, and seeing.
The large scale single - channel video installation Black Friday (2016) features hypnotic renderings of Qatari shopping malls that are often distorted and refracted, creating a dizzying disorientation of space.
mixed media installation featuring a single channel b / w video, color photographs, found objects, cinema billboard, posters and ephemera 2012
Other highlights include Edgar Arceneaux's nine - channel video installation «The Alchemy of Comedy... Stupid» (2006), featuring a performance by comedian David Alan Grier; Tammy Rae Carland's «I'm Dying Up Here» (2011), a series of large - scale color photographs of female stand - up comedians captured mid-act, emphasizing the vulnerability of performance; Stanya Kahn's absurdist, pathos - filled video «Lookin Good, Feelin» Good» (2012), shown alongside a selection of her humorous line drawings; and an installation of Sara Greenberger Rafferty's visceral photographic works, for which she manipulates images from the history of late 20th century comedy.
In her first exhibition at DOCUMENT, Welitoff explores the relationship between gesture, distance, and time in an installation features a single channel video monitor, a single channel video projection and two photographs.
Named after the patron saint of music, the installation features two single channel video projections with footage of the Baltimore Choral Arts Society singing three traditional Christmas carols with new lyrics written by Grigely to convey what he calls «lip misreading» — identical lip formations that produce dissimilar sounds.
Featured works include Ivekovic's historic single - channel videos, performances and sculptural installations as well as a selection from Double Life (1975 - 76), her celebrated series of 64 photocollages.
The Drift Latitudes will feature Chun Hua Catherine Dong's new 4 - channel video They, presented as an immersive multi-projection video installation spanning our entire Main Gallery.
The resulting two - channel video installation debuted at Goethe - Institut's New York space, Ludlow 38, and went on to feature at this year's editions of The Armory Show and Art Cologne, and at Berlin's ACUD Gallery.
The catalogue features an extended interview with the artist, and includes full - page reproductions of all seventeen photographs in the series Hedonic Reversal, as well as installation views of the large - scale Hedonic Reversal installation and El Sisifo, a three - channel video projection.
Once Upon a Time features a selection of video installations and single - channel works by Francis Alÿs, Cao Fei, Pierre Huyghe, Aleksandra Mir, Mika Rottenberg, and Janaina Tschäpe that explore this practice in contemporary art.
Pipilotti Rist: The first time I showed in New York was in 1998 when I was one of six finalists for the Hugo Boss Prize, with my single - channel video installation «Sip My Ocean,» featured at the Guggenheim SoHo.
The show, which was organized by the Foundation for the Exhibition of Photography, Minneapolis, with the Jeu de Paume in Paris and the Haus der Kunst in Munich, will feature a recent three - channel video installation called «Chess.»
An incredibly comprehensive retrospective, «Lorna Simpson «gathers more than three decades of the artist's photography and video works (above)-- probing distillations that question and recast standard notions of race, gender, identity and memory — and features «Chess,» 2013, a three - channel video installation making its U.S. debut.
In his first solo exhibition in the United States, Kiluanji Kia Henda will show «A City Called Mirage» at ISCP, which features an immersive four - channel video installation as well as three interconnected series of photographs.
The exhibition features GLENN LIGION, «Live,» 2014 (silent seven channel video installation; Edition of 3 and 1 AP; Duration: 80 minutes, 51 seconds), which is based on the 1982 film «Richard Pryor: Live on the Sunset Strip.»
2005 The Rape of the Sabine Women, single channel High Definition Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video w / Karen Hatch
The exhibition features a site - specific installation powered by «Emerging Paradigm», a device made by the artist that concentrates several channels of light, sounds and videos into one machine.
«A Very Long Line» by artist collective Postcommodity is an immersive four - channel video and sound installation comprised of four screens of moving images featuring desert landscapes, framed by the constant presence of a fence.
Oursler made his art historical mark in the»70s and»80s with his single - channel videotapes and installations, and later in the»90s with video projections of disembodied facial features onto pillowed forms and sculptural surfaces (even smoke!).