Sentences with phrase «channel video installation for»

An immersive six - channel video installation for The Curve, Barbican, London, UK titled: «John Akomfrah: Purple» is running from 6 October 2017 — 7 January 2018.

Both a five - channel video installation for Documenta 2012, and a live music piece for the Festival d'Avignon that same year, REFUSE THE HOUR — narrated by Kentridge and composed by his longtime collaborator Philip Miller — begins with the myth of -LSB-...]

Not exact matches

Her annual Signal Culture residencies began in 2014 and continue in 2018 The artist's single - channel video works and multi-media installations have been exhibited throughout the USA, Europe, Australia, and Japan, including MOMA, PS1, The Whitney Museum Art, The Kitchen, Postmasters and New Math Gallery, The Bronx Museum for the Arts in NY, MOCA / GA, the Fay Gold Gallery, and The Atlanta Contemporary Art Center where she mounted a large - scale interactive installation environment, «A Thousand Plateaus» in 2001.

, an installation for a two - channel video and teleprompter, will be on view to visitors in the hours leading up to the live event.

Major moments for Breitz in 2017 included the Venice Biennale, for which she was one of two artists selected to represent South Africa (alongside Mohau Modisakeng); the inclusion of a new commission titled I'm Your Man (A Portrait of Leonard Cohen) in an exhibition titled Leonard Cohen: A Crack in Everything at the Musée d'art contemporain de Montréal; and the premiere of a major new video work, TLDR (this 13 - channel video installation is the sequel to Love Story), at the B3 Biennial of the Moving Image in Frankfurt.

Life and death 7 January Oscar - winning artist / film - maker Steve McQueen's fifth exhibition at Marian Goodman Gallery, Paris (and the gallery's first for 2016) comprises a two - channel synchronised video, Ashes, and a new neon light installation.

Opening: «Janet Biggs: Within Touching Distance» at Cristin Tierney Gallery A celebrated and prolific video artist for the past 20 years, Janet Biggs brings her latest works — a four - channel video installation and a dual - channel video — to the immersive exhibition «Within Touching Distance,» which deals with memories in relation to identity.

Da Corte's groundbreaking video installation Easternsports (2014), made in collaboration with artist Jayson Musson for the ICA Philadelphia, is a dazzling, eccentric four - channel video, installed «in - the - round» on four large, free - standing walls surrounded by colorful carpet tile and linoleum designed by the artist.

The Nasher Museum of Art at Duke University is presenting John Akomfrah's three - channel video installation Precarity (2017 - 18), a work that it commissioned for its...

For example, in her two - channel video installation Silent among us / The Wake (2008 - 2011), she shows two ways of looking to natural history museums.

For one day only, the cast of Michelle Handelman's newly commissioned work Hustlers & Empires (2018) activates the three - channel video installation in the Gina and Stuart White Box.

There will be seven installation works at Ambika P3: the centrepiece will be NOW (2015), a powerful 8 channel video installation with surround sound originally commissioned for the Venice Biennale 2015.

f.l.t.r.: Hiwa K, The Existentialist Scene in Kurdistan (Raw Materiality 01), 2017, Multichannel video installation, This Lemon tastes of Apple, 2011, Single - channel HD Video, Installation view, KW Institute for Contemporary Art, 2017, Photo: Frank Spevideo installation, This Lemon tastes of Apple, 2011, Single - channel HD Video, Installation view, KW Institute for Contemporary Art, 2017, Photo: Frinstallation, This Lemon tastes of Apple, 2011, Single - channel HD Video, Installation view, KW Institute for Contemporary Art, 2017, Photo: Frank SpeVideo, Installation view, KW Institute for Contemporary Art, 2017, Photo: FrInstallation view, KW Institute for Contemporary Art, 2017, Photo: Frank Sperling

For the installation Joints 4tet for Ensemble, Atlas brings the resulting films together for the first time, editing the material into four channels of synchronized video and showing them across a choreographed arrangement of ten different sized monitors; some placed on mono - stands, some on rolling carts, and others grouped in paiFor the installation Joints 4tet for Ensemble, Atlas brings the resulting films together for the first time, editing the material into four channels of synchronized video and showing them across a choreographed arrangement of ten different sized monitors; some placed on mono - stands, some on rolling carts, and others grouped in paifor Ensemble, Atlas brings the resulting films together for the first time, editing the material into four channels of synchronized video and showing them across a choreographed arrangement of ten different sized monitors; some placed on mono - stands, some on rolling carts, and others grouped in paifor the first time, editing the material into four channels of synchronized video and showing them across a choreographed arrangement of ten different sized monitors; some placed on mono - stands, some on rolling carts, and others grouped in pairs.

For his work Reason's Oxymoron (2015), an eighteen - channel video installation, Attia created an expansive video library containing interviews with philosophers, ethnologists, historians, psychiatrists, psychoanalysts, musicologists, patients, healers, fetishists, and griots.

For the fourth installment of this exhibition Laure Prouvost presents The Wanderer (The Storage), an ambitious new installation in which the viewer undertakes a labyrinthine journey encountering mysterious fragments of film, sculpture and signage before reaching a final large scale single - channel video.

Mariam Ghani, The Trespassers (1 channel video, 4 channel audio installation with archive), installed at the KMK in San Sebastian, Spain, for the exhibition El Biblioteca y el Saber in 2014.

Also in 2015, Wolfgang Tillmans: Book for Architects, a two - channel video installation, was on view at The Metropolitan Museum of Art, New York, as well as a solo show of the artist's work at the Dům Umění — Galerie Současného Umění České Budějovice, Czech Republic.

Titled in reference to Bruce Nauman's Art Make - Up (1967), Kiss My Nauman (2007) by Iain Forsyth and Jane Pollard is a four - channel video installation where the members of Dressed to Kill, a Kiss tribute group carefully paint their faces in preparation for a performance.

These historically minded works are joined by a four - channel video installation by the young Chinese contemporary artist Sun Xun, who became known for mixing visualizations of his father's recollections of the Cultural Revolution with scenes from dioramas at the American Museum of Natural History in his surreal 2015 animation The Time Vivarium.

Since its debut at the 2015 Venice Biennale, John Akomfrah's panoramic three - channel video installation Vertigo Sea has garnered accolades for its unflinching look at historical maritime horrors ranging from the greed of the whaling industry to the cruelty of the slave trade, all while invoking the sublime beauty of the natural landscape.

(Image on top: David Zink Yi, The Strangers, 2014, HD - Video, 2 - Kanal - Installation, Farbe, Ton / HD video, 2 - channel installation, color, sound, 81», Installation view at the 8th Berlin Biennale for Contemporary Art Video, 2 - Kanal - Installation, Farbe, Ton / HD video, 2 - channel installation, color, sound, 81», Installation view at the 8th Berlin Biennale for ContemporaInstallation, Farbe, Ton / HD video, 2 - channel installation, color, sound, 81», Installation view at the 8th Berlin Biennale for Contemporary Art video, 2 - channel installation, color, sound, 81», Installation view at the 8th Berlin Biennale for Contemporainstallation, color, sound, 81», Installation view at the 8th Berlin Biennale for ContemporaInstallation view at the 8th Berlin Biennale for Contemporary Art 29.5.

Ten Thousand Waves is a 9 - channel video installation which the artist worked on for almost four years.

The 2 - channel video installation Black Moon / Mirrored Malle places an original 1975 interview with Louis Malle about his film «Black Moon» against a shot - for - shot version in which the artist herself plays Malle, enacting a gendered battle of authorship and doubled future within the present.

Two channel video installation in «Elements of Architecture» Central Pavilion, 14th Architecture Biennale Venice, curated by Rem Koolhaas We have been fans of Wolfgang Tillmans» work for years and were interested to see he had

For example, his name appears in Celeste Dupuy - Spencer's drawing Trump Rally (And some of them I assume are good people)(2016), and Postcommodity's four - channel video installation, A Very Long Line (2016), makes palpable the experience of undocumented immigrants blocked by endless fences on the Mexican border, reminding viewers of Trump's pledge to build a wall there.3

Basma Al Sharif 2012 Four channel video installation 19 minutes Film still Commissioned by Sharjah Art Foundation Co-produced with the Arab Fund for Arts and Culture

The installation of Black Friday will be paired with The Future was Desert, Parts 1 & 2 (2016), a two - channel video that pays homage to the desert as a harsh fictional landscape, serving as an impending site for human civilization.

Other highlights include Edgar Arceneaux's nine - channel video installation «The Alchemy of Comedy... Stupid» (2006), featuring a performance by comedian David Alan Grier; Tammy Rae Carland's «I'm Dying Up Here» (2011), a series of large - scale color photographs of female stand - up comedians captured mid-act, emphasizing the vulnerability of performance; Stanya Kahn's absurdist, pathos - filled video «Lookin Good, Feelin» Good» (2012), shown alongside a selection of her humorous line drawings; and an installation of Sara Greenberger Rafferty's visceral photographic works, for which she manipulates images from the history of late 20th century comedy.

ISHMAEL (2015), a four channel video installation by Nira Pereg has been squired for the Tel Aviv Museum of Art's Collection

From Eileen Cowin's five channel video installation, Fear Itself (2014), situated in a darkened walkway, to Guillermo Bert's multi-media neon work, Gentrification (2017), which moves beyond the conceptualism of the 60's into today's activism, and Joey Forsyte's A Band of Voters (2017), an interactive platform for promoting action beyond appreciating the artifacts in the gallery and getting out into the world and voting, the visual panorama set out in this diverse exhibition is broad and multifaceted.

Hearsay of the Soul, 2012; five - channel video installation; installation view, CCA Wattis Institute for Contemporary Arts, San Francisco, 2013.

The exhibition brings together four works: «Looking for Alfred» (2004), an homage to Hitchcock's cameo appearances in his films, with a cast of look - alikes; «Hitchcock didn't have a Belly Button: Interview with Karen Black» (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; «You Tube Me and I Tube You,» a two - channel interaction installation and web project initiated in 2010; and «I may have forever lost my umbrella» (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube videos of the 2011 earthquake and tsunami in Japan, which will be shown in New York for the first time in this exhibition.

For her first solo exhibition at The Company, Prosch will be re-imagining Travelers» Suite, an ambitious nine - channel video installation depicting the metaphysical essence of a hotel room and the activities of its transient inhabitants.

South African artist William Kentridge's eight - channel video installation I am not me, the horse is not mine will be showcased in the UK for the first time in the Tanks at Tate Modern.

Alongside a host of her celebrated photocollages from the 1980s and a four - channel video work of 2004, she is for the most part presenting new installations in Bregenz that have been especially conceived for the unique Kunsthaus architecture.

Hannah Rickards,... a legend, it, it sounds like a legend..., Three - channel video installation, triangular room, 2007, courtesy of the artist, commissioned by The Showroom, supported by Arts Council Grants for the Arts.

Known for playful and provocative video projects that range from monumental installations to intimate, single - channel works, Pipilotti Rist (born 1962) is a pioneer of moving - image art.

This three - channel video installation in its own dedicated «cinema» has been drawing crowds who tend to stay for the entire running - time and then watch it again.

Pipilotti Rist: The first time I showed in New York was in 1998 when I was one of six finalists for the Hugo Boss Prize, with my single - channel video installation «Sip My Ocean,» featured at the Guggenheim SoHo.

Stand - outs at the highly successful and well - attended 7th edition of abc included: Daniel Steegmann Mangrané's immersive aluminum chain sculpture presented by Esther Schipper; Douglas Coupland's installation of painted globes entitled Optimism vs. Pessimism, which the artist showed with Daniel Faria Gallery; Beijing - based artist Guan Xiao's electrifying three - channel video installation Kraupa - Tuskany Zeidler and Antenna Space's shared booth drew droves of onlookers who often stayed for multiple rotations of the video loop; and at Johann König, Camille Henrot presented her video Coupe / Decalé alongside Desktop Series, a series of small bronze sculptures that reflect on the tension between immateriality and the universal creative space provided by the computer desktop.

COME INSIDE, installation view of Snap Like Snow Wallpaper, A4 color print 800 pages, and Snap Like Snow, two - channel video (both 2017), for the exhibition «Baby Shower» at Gallery Exit, Hong Kong, 2017.

For the present exhibition, the Frye Art Museum commissioned Hedonic Reversal, a large - scale installation, and El Sisifo, a three - channel video projection.

The exhibition brings together four works: Looking for Alfred (2005), an homage to Hitchcock's cameo appearances in his films, with a cast of look - alikes; Hitchcock didn't have a Belly Button: Interview with Karen Black (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; You Tube Me and I Tube You, a two - channel interaction installation and web project initiated in 2010; and I may have forever lost my umbrella (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube videos of the 2011 earthquake and tsunami in Japan, which is shown in New York for the first time in this exhibition.

Long Description: «Cold Snap (Peach Point, South Bass Island, 1/2/18 -1 / 10/18),» from Waiting for a Break, 2018, Single channel video installation, 16:9, color, silent, variable dimensions, 01:20:00

The show, which was organized by the Foundation for the Exhibition of Photography, Minneapolis, with the Jeu de Paume in Paris and the Haus der Kunst in Munich, will feature a recent three - channel video installation called «Chess.»

Postcommodity's video piece «A Very Long Line» is a four - channel video installation showing the border wall as it exists today and how it is site for the contradiction and conflict between a nation that is supposed to welcome the immigrant, but tries very hard to keep the immigrant out.

UNFINISHED, 2010 is a two - channel video installation made specifically for this exhibition.

Basma Alsharif Farther Than the Eye Can See, 2012 Four channel video installation 19 min Produced by Sharjah Art Foundation and the Arab Fund for Arts and Culture

Da Corte's groundbreaking video installation Easternsports (2014)-- made in collaboration with artist Jayson Musson for the ICA Philadelphia — is a dazzling, eccentric four - channel video, installed «in - the - round» on four large, free - standing walls surrounded by colorful carpet tile and linoleum designed by the artist.