Sentences with phrase «channel video installation made»

UNFINISHED, 2010 is a two - channel video installation made specifically for this exhibition.

Realm of Reverberations is a four - channel video installation made by Chen Chieh - jen in 2014, that looks at the darker side of rapid urbanisation and displacement.

On view last year at Jeu de Paume in Paris (Simpon's first European exhibition), the presentation at Addison Gallery features «Chess,» 2013, a three - channel video installation making its U.S. debut.

An incredibly comprehensive retrospective, «Lorna Simpson «gathers more than three decades of the artist's photography and video works (above)-- probing distillations that question and recast standard notions of race, gender, identity and memory — and features «Chess,» 2013, a three - channel video installation making its U.S. debut.

Not exact matches

Scenes from Western Culture (2015), comprised of nine «cinematic paintings» depicting idyllic visions of Western civilization, plus a series of new paintings made en plein air in the West Bank, are on view in the Chelsea space, while in Bushwick, he presents the four - channel video installation World Light - The Life and Death of an Artist (2015), the artist's interpretation of Icelandic writer Halldór Laxness's novel World Light (1937 — 40).

Haris Epaminonda talks about the making of her four - channel video installation Chapters, filmed in h...

Da Corte's groundbreaking video installation Easternsports (2014), made in collaboration with artist Jayson Musson for the ICA Philadelphia, is a dazzling, eccentric four - channel video, installed «in - the - round» on four large, free - standing walls surrounded by colorful carpet tile and linoleum designed by the artist.

These installations, which Farocki began researching and making in the mid»90s, often employ multiple video channels, or «soft montage.»

Body / Traces is a single - channel, looping video installation, made in stop - motion using a DIY laser scanner.

Titled in reference to Bruce Nauman's Art Make - Up (1967), Kiss My Nauman (2007) by Iain Forsyth and Jane Pollard is a four - channel video installation where the members of Dressed to Kill, a Kiss tribute group carefully paint their faces in preparation for a performance.

For example, his name appears in Celeste Dupuy - Spencer's drawing Trump Rally (And some of them I assume are good people)(2016), and Postcommodity's four - channel video installation, A Very Long Line (2016), makes palpable the experience of undocumented immigrants blocked by endless fences on the Mexican border, reminding viewers of Trump's pledge to build a wall there.3

The Golden Thread Gallery presents two recent works by Common Culture, Openings Are Always Awkward, first shown at Solar Galeria de Arte Cinemática, Portugal 2009 and the new multi — channel video installation I Dreamt I Was A Monkey — And They Made Me Wear Shoes.

MOCA acquired the eight - channel, multiroom video projection the year it was made — it won that year's International Prize at the Venice Biennale — and the installation was a high point when presented at the 2000 Whitney Biennial in New York.

The Bad Faith exhibition will feature the first showing of Common Culture's new work I Dreamt I Was A Monkey — And They Made Me Wear Shoes, a multi — channel video installation featuring «ex — TV «soap» actors performing scenes of discrete social interaction» set against a backdrop of high street consumption.

Made into a more elaborate installation — the exhibition includes photography, large - and small - scale sculpture, and a pair of single - channel videos — than the artist has previously attempted, the project was trademark Nakadate in conception: smart, shrewd, and more than a little ruthless, an unapologetically manipulative scheme that implicates not just the pitiable men the artist lures into her queasily

Da Corte's groundbreaking video installation Easternsports (2014)-- made in collaboration with artist Jayson Musson for the ICA Philadelphia — is a dazzling, eccentric four - channel video, installed «in - the - round» on four large, free - standing walls surrounded by colorful carpet tile and linoleum designed by the artist.

The exhibition features a site - specific installation powered by «Emerging Paradigm», a device made by the artist that concentrates several channels of light, sounds and videos into one machine.

Henda's four - channel video installation and his three interconnected photography - series are also picking up on Dubai as an allegory for the conception, realization and destruction of modern cities; which to him makes perfect sense.

Oursler made his art historical mark in the»70s and»80s with his single - channel videotapes and installations, and later in the»90s with video projections of disembodied facial features onto pillowed forms and sculptural surfaces (even smoke!).

Nonetheless, works of this genre do not take the form of installation exclusively, and Take It or Leave It makes evident that institutional critique can also reside in an individual object, whether a painting, a sculpture, or a single - channel video.