Bring an umbrella 2016 Single
channel video installation projected on paper (black and white; no audio) Edition of 5 + 2 AP
2016 Single
channel video installation projected on paper (black and white; no audio) Edition of 5 + 2 AP
Tomorrow will be better 2016 Single
channel video installation projected on paper (black and white; no audio) Edition of 5 + 2 AP
Hayes» new work, In My Little Corner of the World, Anyone Would Love You, is a five -
channel video installation projected onto a large plywood structure that bisects the gallery.
Easternsports is a four -
channel video installation projected on four monumental freestanding walls that envelop viewers into the three - hour long video piece.
The images, which ranged from recognizable landmarks such as Manhattan's Flatiron Building to mundane street signage or a bundle of electric wiring fixed to a ceiling, were edited down to 450 photographs that are shown through a two -
channel video installation projected onto perpendicular walls.
Not exact matches
His most ambitious
project to date, British artist and filmmaker John Akomfrah's Purple is an immersive, six -
channel video installation which charts the incremental shifts in climate change across the planet and its effects on human communities, biodiversity and the wilderness.
Lyle Ashton Harris's Once (Now) Again, a site - specific multimedia
installation features a three -
channel video work comprised of
projected images taken from Harris's Ektachrome Archive (photographed 1986 — 2000) as well as three new
video works using footage originally recorded on Hi - 8 and MiniDV format in the 1990s.
The three -
channel video installation titled 12/21/12: Illuminations documents the sunrise of the 2012 winter solstice
projecting a column of light through the interior of an 18th Century Mission in northern California.
«The Rave» (2016) is a two -
channel video and stereo sound
installation and part of the
project «Ain't Got No Fear» (2016), which Mikhail Karikis...
The two -
channel video installation depicts site - specific performances featuring members of the LA Dance
Project at Philip Johnson's Glass House in New Canaan, Connecticut, and the R. M. Schindler House in Los Angeles.
720p, 29.97 fps, 41 minutes and 45 seconds, two
channel video installation,
projected on a 107 ″ x 432 ″ roll of Super White Set paper.
Touch Museum at Young
Projects (West Hollywood) November 12, 2015 — February 20, 2016 Julie Weitz's Touch Museum first premiered in the cavernous
project space of Young
Projects as an immersive experience combining multiple
video installations, an original soundscape by LA - based composer Deru and a Youtube
channel featuring
videos examining the perceptual phenomenon known as Autonomous Sensory Meridian Response (ASMR).
His exhibition record includes: a one month durational performance during the exhibition Onderweg at Cultuurcentrum Zwaneberg, Heist - op - den - Berg, Belgium (2017); a solo exhibition at MART Gallery, Dublin, Ireland (2015); participation with Flux Night 2012 (Nuit Blanche Atlanta, Georgia) with a multi —
channel video installation, Small Meteorites,
projected within five vehicles; a city wide art
installation commissioned and curated by the Duncan and Jordanstone College of Art and Design (2011), funded by the Scottish Arts Council; a solo exhibition at the Monster Truck Gallery in Dublin Ireland (2011); a Triangle Arts Trust residency and solo exhibition at the Kuona Trust Gallery in Nairobi, Kenya (2011).
Ethan Bach #HelloMyNameWas from Bodhi Life: A Transgender New Media Artist's Digital Memoir The Royal Road
Project currents new media 2016 currents new media 2013 animation single
channel video interactive new media
installation
Dorothy Cross, Stalactite, 2010, single
channel HD
video with sound,
installation view of «Riddle of the Burial Ground»,
Project Arts Centre, Space Upstairs
The exhibition brings together four works: «Looking for Alfred» (2004), an homage to Hitchcock's cameo appearances in his films, with a cast of look - alikes; «Hitchcock didn't have a Belly Button: Interview with Karen Black» (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; «You Tube Me and I Tube You,» a two -
channel interaction
installation and web
project initiated in 2010; and «I may have forever lost my umbrella» (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube
videos of the 2011 earthquake and tsunami in Japan, which will be shown in New York for the first time in this exhibition.
In his new single -
channel video installation Love is the Message, the Message is Death at MoCA Geffen in LA, Arthur Jafa uses the Black gestural sign as a way to demonstrate his
project of «black visual intonation.»
In Mirza's most ambitious
project to date, the
installation «ããã», which premiered at Pivô, Brazil in July this year, includes 4
channels of
video and 8
channels of sound
Known for playful and provocative
video projects that range from monumental
installations to intimate, single -
channel works, Pipilotti Rist (born 1962) is a pioneer of moving - image art.
Made into a more elaborate
installation — the exhibition includes photography, large - and small - scale sculpture, and a pair of single -
channel videos — than the artist has previously attempted, the
project was trademark Nakadate in conception: smart, shrewd, and more than a little ruthless, an unapologetically manipulative scheme that implicates not just the pitiable men the artist lures into her queasily
Partial
installation view of drawings from the series «THE RIVER,» 2015 - 16, part of the
project «Under - Writing Beirut — Nahr» (2013 — 16), three
channel installation, drawings, and
video, dimensions variable.
Next door, a three -
channel video installation, Passage / s: The Pram
Project (2014 — 16),
projected footage from a GoPro mounted to the stroller of Suh's daughter, cutting between excursions in Seoul and London, where he has lived since 2010.
DO HO SUH, Passage / s: The Pram
Project, 2014 — 16, 3 -
channel video installation with audio: 14 min 25 sec.
The exhibition brings together four works: Looking for Alfred (2005), an homage to Hitchcock's cameo appearances in his films, with a cast of look - alikes; Hitchcock didn't have a Belly Button: Interview with Karen Black (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; You Tube Me and I Tube You, a two -
channel interaction
installation and web
project initiated in 2010; and I may have forever lost my umbrella (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube
videos of the 2011 earthquake and tsunami in Japan, which is shown in New York for the first time in this exhibition.
«Imperial Courts,» a 69 - minute three -
channel video installation, is an expansion of the artist's extensive
project, «Imperial Courts, 1993 - 2015,» in which Lixenberg documented the inhabitants of a housing
project in Watts, Los Angeles.
Promising the viewers a change of a usual art fair pace, the fair will bring together a selection of international commercial galleries and non-profit institutions to present single -
channel videos, single -
channel projections,
video sculptures, immersive media
projects, and other larger
video installations.
For this work, Respectable Thief, Mosquito begins with a set of text fragments that recur and recombine across the
Project's three elements: a single performance staged in various locations throughout the Museum; a
video installation; and several visual and sonic interventions across MoMA's existing media platforms, including the display screens in the lobby, Kids audio tour, and select social media
channels.
Located at the Waterfront Tunnel in the Chelsea District, Moving Image is dedicated to single -
channel projects,
video sculptures, and large digital
installations.