Sentences with phrase «channel video installation which»
, 1999 a 13 channel video installation which revolves around the lives of those exposed to eastern european trafficking along the German / Czech border after the Velvet Revolution.
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Ten Thousand Waves is a 9 - channel video installation which the artist worked on for almost four years.
«The Workshop» was a five channel video installation which portrayed a fantastical journey from Israel to Venice, which questioned the boundaries between fictional and factitious histories.
His most ambitious project to date, British artist and filmmaker John Akomfrah's Purple is an immersive, six - channel video installation which charts the incremental shifts in climate change across the planet and its effects on human communities, biodiversity and the wilderness.
Not exact matches
The images, which ranged from recognizable landmarks such as Manhattan's Flatiron Building to mundane street signage or a bundle of electric wiring fixed to a ceiling, were edited down to 450 photographs that are shown through a two - channel video installation projected onto perpendicular walls.
The title is inspired by John Akomfrah's three - channel video installation The Unfinished Conversation (2012), which is included in the exhibition.
Major moments for Breitz in 2017 included the Venice Biennale, for which she was one of two artists selected to represent South Africa (alongside Mohau Modisakeng); the inclusion of a new commission titled I'm Your Man (A Portrait of Leonard Cohen) in an exhibition titled Leonard Cohen: A Crack in Everything at the Musée d'art contemporain de Montréal; and the premiere of a major new video work, TLDR (this 13 - channel video installation is the sequel to Love Story), at the B3 Biennial of the Moving Image in Frankfurt.
This presentation is a video installation in which RODNEY MCMILLIAN casts himself as politician and recites a historic 1964 President Lyndon B. Johnson speech laying out his domestic agenda focused on eliminating poverty and racial injustice: «Untitled (the Great Society) I,» 2006 (single channel video, color and sound, 15:48 minutes, looped; Edition of 5 and 2 AP).
Opening: «Janet Biggs: Within Touching Distance» at Cristin Tierney Gallery A celebrated and prolific video artist for the past 20 years, Janet Biggs brings her latest works — a four - channel video installation and a dual - channel video — to the immersive exhibition «Within Touching Distance,» which deals with memories in relation to identity.
The Enclave, a six channel immersive video installation, which was featured on CNN and part of the Venice Biennale, built upon his original Infra series.
It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores, according to the museum.
finally, again drawing from the city of london, suh has realized a three - channel video installation in which he and his daughters explore the streets around his london home.
It includes work spanning the Swiss artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.
For the fourth installment of this exhibition Laure Prouvost presents The Wanderer (The Storage), an ambitious new installation in which the viewer undertakes a labyrinthine journey encountering mysterious fragments of film, sculpture and signage before reaching a final large scale single - channel video.
«The Rave» (2016) is a two - channel video and stereo sound installation and part of the project «Ain't Got No Fear» (2016), which Mikhail Karikis...
These installations, which Farocki began researching and making in the mid»90s, often employ multiple video channels, or «soft montage.»
It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.
She has divided the work into two installations, one at Telescope in Beijing and the other at her solo exhibition at 1000 Plateaus Gallery in Chengdu, which also includes photos, sculptures, and the 7 channel video installation Empty City.
«Pixel Forest» will be the most comprehensive presentation of Rist's work in New York to date; it spans the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.
This may seem a mouthful, but really what it means is that the viewing experience is unlike any you've ever encountered; between the 3 - channel video installation, the photographs, and the apps, the images Syms presents and the way in which they are revealed asks us to reconsider our relationship to media such that we become acutely aware of the presence of our own bodies in time and space.
The 2 - channel video installation Black Moon / Mirrored Malle places an original 1975 interview with Louis Malle about his film «Black Moon» against a shot - for - shot version in which the artist herself plays Malle, enacting a gendered battle of authorship and doubled future within the present.
Other highlights include Edgar Arceneaux's nine - channel video installation «The Alchemy of Comedy... Stupid» (2006), featuring a performance by comedian David Alan Grier; Tammy Rae Carland's «I'm Dying Up Here» (2011), a series of large - scale color photographs of female stand - up comedians captured mid-act, emphasizing the vulnerability of performance; Stanya Kahn's absurdist, pathos - filled video «Lookin Good, Feelin» Good» (2012), shown alongside a selection of her humorous line drawings; and an installation of Sara Greenberger Rafferty's visceral photographic works, for which she manipulates images from the history of late 20th century comedy.
The show includes 6 multi-screen installations (dimensions variable), and 25 single - channel videos, which are organized chronologically by decade.
The title of this exhibition is inspired by John Akomfrah's three - channel video installation The Unfinished Conversation (2012), which is included here and chronicles the life and work of the Jamaican - born British cultural theorist Stuart Hall (1932 — 2014).
From Eileen Cowin's five channel video installation, Fear Itself (2014), situated in a darkened walkway, to Guillermo Bert's multi-media neon work, Gentrification (2017), which moves beyond the conceptualism of the 60's into today's activism, and Joey Forsyte's A Band of Voters (2017), an interactive platform for promoting action beyond appreciating the artifacts in the gallery and getting out into the world and voting, the visual panorama set out in this diverse exhibition is broad and multifaceted.
The exhibition brings together four works: «Looking for Alfred» (2004), an homage to Hitchcock's cameo appearances in his films, with a cast of look - alikes; «Hitchcock didn't have a Belly Button: Interview with Karen Black» (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; «You Tube Me and I Tube You,» a two - channel interaction installation and web project initiated in 2010; and «I may have forever lost my umbrella» (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube videos of the 2011 earthquake and tsunami in Japan, which will be shown in New York for the first time in this exhibition.
In Mirza's most ambitious project to date, the installation «ããã», which premiered at Pivô, Brazil in July this year, includes 4 channels of video and 8 channels of sound
Stand - outs at the highly successful and well - attended 7th edition of abc included: Daniel Steegmann Mangrané's immersive aluminum chain sculpture presented by Esther Schipper; Douglas Coupland's installation of painted globes entitled Optimism vs. Pessimism, which the artist showed with Daniel Faria Gallery; Beijing - based artist Guan Xiao's electrifying three - channel video installation Kraupa - Tuskany Zeidler and Antenna Space's shared booth drew droves of onlookers who often stayed for multiple rotations of the video loop; and at Johann König, Camille Henrot presented her video Coupe / Decalé alongside Desktop Series, a series of small bronze sculptures that reflect on the tension between immateriality and the universal creative space provided by the computer desktop.
The exhibition brings together four works: Looking for Alfred (2005), an homage to Hitchcock's cameo appearances in his films, with a cast of look - alikes; Hitchcock didn't have a Belly Button: Interview with Karen Black (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; You Tube Me and I Tube You, a two - channel interaction installation and web project initiated in 2010; and I may have forever lost my umbrella (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube videos of the 2011 earthquake and tsunami in Japan, which is shown in New York for the first time in this exhibition.
The show, which was organized by the Foundation for the Exhibition of Photography, Minneapolis, with the Jeu de Paume in Paris and the Haus der Kunst in Munich, will feature a recent three - channel video installation called «Chess.»
In his first solo exhibition in the United States, Kiluanji Kia Henda will show «A City Called Mirage» at ISCP, which features an immersive four - channel video installation as well as three interconnected series of photographs.
The exhibition consists of a video installation, a two channel video and a single channel video, which investigates the implications of the increasing autonomy of machines.
«Imperial Courts,» a 69 - minute three - channel video installation, is an expansion of the artist's extensive project, «Imperial Courts, 1993 - 2015,» in which Lixenberg documented the inhabitants of a housing project in Watts, Los Angeles.
The exhibition features GLENN LIGION, «Live,» 2014 (silent seven channel video installation; Edition of 3 and 1 AP; Duration: 80 minutes, 51 seconds), which is based on the 1982 film «Richard Pryor: Live on the Sunset Strip.»
The installation is a result of a residency in São Paulo, where Mirza has spent two months conducting research and capturing images and sounds to fill the device, which will play up to four videos and eight channels of electric signals in synchronization.
«After the Fact», 2007, is a series of photogravures based on a 6 channel video installation, «In passing», in which we follow a young woman who anonymously leaves her baby in a hatch at a Berlin hospital.
IRRESISTIBLE FORCE, a two channel video installation by Sharon Paz, juxtaposes animated silhouettes of conflicting imagery with private sceneries, which are superimposed by patterns reminiscent of the camouflage commonly used by the military.
Henda's four - channel video installation and his three interconnected photography - series are also picking up on Dubai as an allegory for the conception, realization and destruction of modern cities; which to him makes perfect sense.
It will include work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.