Sentences with phrase «channel video loop»

Four - channel video loop.

Brothy City, 2013, Stasseo (2 - channel video loop, sound, acrylic paint, rhinestones), inkjet prints, wood, epoxy resin, 8 x 3 x 2 feet.

Not exact matches

Work has been cray cray (running all the social channels + planning upcoming videos is a lot of work... exciting but work haha:p) In case you haven't been in the loop, in addition to managing all of the BH Cosmetics social media, I took on directing + planning the YouTube videos as well... getting my feet wet in the video world is a ton of fun and is kinda giving me the itch to want to focus more on YouTube videos myself... what do you think?

In addition to the new screenshots, Sega has also updated is Anarchy Reigns website (aka Max Anarchy out East), as well as launched a YouTube channel dedicated to looping Anarchy Reigns trailers and gameplay videos.

Christian Marclay, Chewing Gum, 2016 (video still) Single - channel projected animation, silent Continuous loop, © Christian Marclay, courtesy Fraenkel Gallery, San Francisco

2013 Two - channel video installation, looped (video excerpt) Dimensions variable Courtesy of the artist and The Approach, London

2013 Two - channel video installation, looped Dimensions variable Courtesy of the artist and The Approach, London

Three - channel video, sound, continuous loop.

Three - channel video projection, in loop, / with one sound channel, three printed impressions, and a shrine ins...

Two - channel video installation with stereo sound; 13:20 min., looped.

This presentation is a video installation in which RODNEY MCMILLIAN casts himself as politician and recites a historic 1964 President Lyndon B. Johnson speech laying out his domestic agenda focused on eliminating poverty and racial injustice: «Untitled (the Great Society) I,» 2006 (single channel video, color and sound, 15:48 minutes, looped; Edition of 5 and 2 AP).

Finally, Los Angeles - based Jennifer Locke's six - channel video presents the artist enacting six sets of exercises, synched with post-production tools, creating a loop of activity that acts as an extended metaphor of endurance.

Three - channel digital video installation (looped), sound, 35 ′.

Unfolding in gallery time, this day - long iteration of Hustlers & Empires loops through the stories of Handelman's three characters, blending the three - channel video with live performances that intermittently inhabit the gallery space.

Ed Atkins still from RIBBONS 2014 Three channel 4:3 in 16:9 HD video with three 4.1 channel surround soundtracks 13 minutes, loop

The entry point to Ragnar Kjartansson's The Visitors (2012)-- if you're lucky enough to see the beginning of the looping one - hour, nine - channel video — is like awakening each day in a house full of people who were up all night while you slept.

Nicole Miller «Untitled» (David), 2012 Still from one channel of 3 channel HD Raw video installation 7:09 min looped

Video installation with one channel of video (colour, sound), one projection, steel and PVC screen billboard sculpture, 24:28 minutes / Video installation with one channel of video (colour, sound), one projection, steel and PVC screen billboard sculpture, 24:28 minutes / video (colour, sound), one projection, steel and PVC screen billboard sculpture, 24:28 minutes / loop.

Mediengruppe Bitnik Ashley Madison Angels at Work in London, 2017 5 - channel looping video installation with sound, Full HD, 16:9, 8 min 07 sec, five 40» LCD screens, five trolley stands, five video players, five cables 150 x 95 x 61 cm

Apichatpong Weerasethakul: still from Morakot (Emerald), 2007; single - channel video projection; color, sound, 10:50 min., looped; museum purchase: bequest of Phoebe Apperson Hearst, by exchange.

Opera Calling, 2007; single - channel full HD video (16:9, sound; 08:52 loop); installation view.

Ashley Madison Angels at Work in Berlin, 2017; five - channel full HD video installation (16:9, sound; 10:07 loop); LCD screens, trolley stands, cables, pink neon lights; dimensions variable; installation view.

IMAGES (from top): Lorraine O'Grady, The First and Last of the Modernists, Diptych 3 Blue (Charles and Michael), 2010, Fujiflex prints, two prints, each 46 3/4 x 37 3/8 inches (118.8 x 94.5 cm), courtesy of the artist and Alexander Gray Associates, New York, © Lorraine O'Grady / Artists Rights Society (ARS), New York; Raqs Media Collective, An Afternoon Unregistered on the Richter Scale, 2011, single - channel video of colored and animated archival photograph, 3:34 minutes, looped, courtesy of the artists and Frith Street Gallery, London

Reflecting on the poetics of place, Barry Anderson's single - channel video installation Pigeon (2001)(7:37 minute loop) engages the viewer in both the activity and stillness of a site.

Interior with red sofa 2010 2 channel HD video installation Mono sound 12» 00», loop Dimensions variable, two 16:9 channels, Corner projection

Glen Fogel, «With Me... You,» 2011, 5 - channel video installation, fluorescent lights, 20 minute 4 second loop.

Two - channel color video, silent loop.

Lizzie Fitch / Ryan Trecartin with Rhett LaRue Stunt Tank 2016 Unique sculptural theater with single - channel HD Video, 44:13 loop Components: pontoon chairs, custom railing, carpet, paint, drop ceiling, lighting, ambient sound Dimensions: 144 x 262 1/2 x 168 inches (365.8 x 666.8 x 426.7 cm) ARG # FLTR2016 - 002

Body / Traces is a single - channel, looping video installation, made in stop - motion using a DIY laser scanner.

Mariam Ghani, still from A Brief History of Collapses (2 - channel video, 7.1 - channel audio installation, loop RT 22:10, dimensions variable), 2011 - 12.

The single - channel video, Slow - Moving Luminaries, Point Dume (duration 00:03:20), features the same sculpture in a seamless loop of submersion and emergence, rendered in achingly slow - motion amidst sublime tones of oceanic twilight.

Six - channel video installation, eight audio channels, 53:35 min (loop) with six musical variations, color, sound

>> > Japanese AIT ARTIST TALK # 73 «Low Relief / Unreal Estate» Artist Talk by Marina Višić and Ksenia Galiaeva from the Netherlands Date: Tuesday, February 27, 2018 Time: 19:00 - 21:00 (18:30 Door open) Venue: Daikanyama AIT Room Support: Mondriaan Fonds, Embassy of the Kingdom of the Netherlands * All admissions with 1 drink / Booking required / Consecutive Japanese translation available Marina Višić / (Left) Studio experimentation with compositions, 2017 / (Center) Bankside Sulphur, 2017, video loop / (Right) Stills from Oriel, 2017, detail of 3 channel video installation Ksenia Galiaeva / (Left and Center) «Mt Knee» / (Right) «Cloudscreens» AIT is very pleased to present the artist talk by Marina Višić and Ksenia Galiaeva, both based in the Netherlands.

Christine Howard Sandoval Sonar (detail) 2013 Single channel video with audio TRT: 11:17 minutes loop dition of 3

APICHATPONG WEERASETHAKUL Morakot (Emerald) 莫拉克 （ 翡翠色 ）, 2007 Single - channel video projection, color 单频彩色录像投影 11 min, loop

Six - channel video and sound installation, color; 8 min., looped.

The two video channels, playing simultaneously, move in and out of phase (almost imperceptibly on a first listen) as the iconic song intro looped.

Raqs Media Collective, «Have you Factored in», 2011, single channel video on loop, ed.

4K video transferred to Two - channel HD, color, sound, 52 sec loop.

SAYA WOOLFALK, «Single channel HD Video projection (continuous loop),» 2017 (acrylic gouache on wood Projection).

Single channel video, HD animation, color, stereo sound, 60 minutes, looped.

Still from Highway Wreck, 2013 single channel video, HD animation, black & white, silent, 15 minute 35 seconds, looped edition of 7 with 1 AP and 1 AC DC - 13

The exhibition features three recent videos: Over the Rainbow, a single - channel loop of vehicles endlessly crossing multiple highway overpasses, an engineering impossibility; Flight Patterns, a two - channel image, one of a flock of seagulls and the other of a set of commercial planes, clones that mimic the other; and 28 years in the implicate order, a single channel work in which dozens of balls bounce, each to its own rhythm which at one moment, converges in a single bounce

89 seconds is a single channel looped video inspired by the famed Diego Velázquez painting Las Meninas at Madrid's Prado Museum, which depicts a tableau of members of the Spanish royal court in 1656.

Single channel video on iphone, 00:00:04 (loop).

Marking its first appearance in the U.S. in nearly two decades, a separate gallery presents an immersive six - channel video installation titled It's late... (1998), displaying slow - motion loops of people doing various isolated mundane tasks, resulting in a thought provoking and introspective space.

Single channel video, 2.1 Sound, 00:03:36 (looped).

The Crime of Art, 2017, three - channel video, color, sound, 2 min., 33 sec., looped, dimensions variable, edition of 5, with 2 AP

Mermaid (from 3 - channel video installation), 2016 3D animated HD video on USB drive 1 min loop edition of 3 plus 1 AP

Stand - outs at the highly successful and well - attended 7th edition of abc included: Daniel Steegmann Mangrané's immersive aluminum chain sculpture presented by Esther Schipper; Douglas Coupland's installation of painted globes entitled Optimism vs. Pessimism, which the artist showed with Daniel Faria Gallery; Beijing - based artist Guan Xiao's electrifying three - channel video installation Kraupa - Tuskany Zeidler and Antenna Space's shared booth drew droves of onlookers who often stayed for multiple rotations of the video loop; and at Johann König, Camille Henrot presented her video Coupe / Decalé alongside Desktop Series, a series of small bronze sculptures that reflect on the tension between immateriality and the universal creative space provided by the computer desktop.