He gave orders that «in each bishopric and in each monastery let the psalms, the notes, the
chant, calculation and grammar be taught and carefully corrected books be available».6 He also set up a school at his palace at Aachen and imported talent from different parts
of Europe, including Alcuin (c.735 - 804), who had been master
of the school at York, and the grammarian
Paul the Deacon (c.120 - c. 800) from Italy.
In no particular order: Branco sai, petro fica (Black In, White Out, Adirley Queirós, 2014) Mad Max: Fury Road (George Miller, 2015) Inherent Vice (
Paul Thomas Anderson, 2014) Ji - geum - eun - mat - go - geu - ddae - neun - teul - li - da (Right Now, Wrong Then, Hong San - soo, 2015) Cavalo Dinheiro (Horse Money, Pedro Costa, 2014) The Look
of Silence (Joshua Oppenheimer, 2014) L'Ombre des femmes (In the Shadow
of Women, Philippe Garrel, 2015) La Jalousie (Jealousy, Philippe Garrel, 2013)
Chant d'hiver (Winter Song, Otra Iosseliani, 2015) En duva satt på en gren och funderade på tillvaron (A Pigeon Sat on a Branch Reflecting on Existence, Roy Andersson, 2014) Quand je serai dictateur (When I Will Be Dictator, Yaël André, 2014) It Follows (David Robert Mitchell, 2014) Field Niggas (Khalik Allah, 2015) Ex Machina (Alex Garland, 2015) La academia de las musas (L'accademia delle muse / Academy
of the Muses, José Luis Guerín, 2015) Die sechste Jahreszeit (The Sixth Season, Jan Soldat, 2015) Haftanlage 4614 (Prison System 4614, Jan Soldat, 2015) Une jeunesse allemande (A German Youth, Jean - Gabriel Periot, 2015) Chromatic Aberration (Aura Satz, 2014) 88:88 (Isiah Medina, 2015) Stinking Heaven (Nathan Silver, 2015) La isla mínima (Alberto Rodríguez, 2014) Homeland (Iraq Year Zero)(Abbas Fahdel, 2015) Phoenix (Christian Petzold, 2014) The Babadook (Jennifer Kent, 2014) El Perro Molina (Dog Molina, José Celestino Campusano, 2014) Taxi (Jafar Panahi, 2015) Haganenet (The Kindergarten Teacher, Nadav Lapid, 2014) Deux jours, une nuit (Two Days, One Night, Jean - Pierre & Luc Dardenne, 2014) She's Funny That Way (Peter Bogdanovich, 2015)
From the minimal glitch soundtrack
of Brian Moran gleaned from the digital data
of Snapchat, to the Gregorian church
chant style
of Mark Dean's Nico cover, to
Paul Purgas» dark electro sounds derived from 3D stimulations
of architectural interiors, it is apparent that the conceptual mentalities
of the participating artists have created a breed
of sounds all
of its own.