Sentences with phrase «chapter in art history»

This groundbreaking exhibition broadly surveys a key chapter in art history in which an international group of female artists overcame gender - based restrictions to make remarkable creative strides.

Pompidou Centre (PC): The exhibition explores an unknown chapter in art history — the phenomenon of the Vitebsk At School which brought together the key figures of the Russian avant - garde in the same place during a relatively short period of time.

«Phaidon writes the latest chapter in art history... Examine [s] with fresh eyes both the obvious suspects - such as the entry on Jeff Koon's Rabbit (1986) penned by Gioni - alongside works whose importance has grown since their making - like Nickas's re-evaluation of Sherrie Levine's La Fortune (After Man Ray)(1989).»

I've been an insider in a remarkable chapter in art history.

On view June 12, 2016 through Sept. 25, 2016, the exhibition presents a nuanced profile of women working on the East and West Coasts during the 1940s and»50s, providing scholars and audiences with a new perspective on this important chapter in art history.

The first monographic exhibition of the artist to be held in the US since 1987, Berthe Morisot: Woman Impressionist provides new insight into a defining chapter in art history and the opportunity to experience Morisot's work in context of the Barnes's unparalleled collection of impressionist, post-impressionist, and early modernist paintings.

Not exact matches

Wills has a story to tell and a way to tell it («the history through the art, not the art through the history»), but I found the book episodic, the chapters often interesting in themselves, yet only loosely strung together.

Chemists can use these distinct chapters in the technological history of paint to help determine the authenticity of a work of art.

Apart from travel, and in addition to the courses on medieval art and history I'd taken in Poitiers, I read bookshelves full of social history, religion, saints» lives, and art theory — I read for a year before I even began the first chapter, and I kept reading all the way through the writing process.

Corpse Party: Blood Drive, the highly anticipated final entry in the «Heavenly Host Elementary» chapter of the much - lauded Corpse Party visual novel - style horror adventure series, is in production for the PlayStation ® Vita handheld entertainment system and will be released physically in North America for the first time in the series» history through a special «Everafter Edition» containing a two - disc compilation of songs from Corpse Party, Corpse Party: Book of Shadows, and Corpse Party: Blood Drive, as well as a «Dying Art» book featuring artwork from throughout the franchise.

Richard Noble, Head of the Department of Art at Goldsmiths, commented: «The Gallery will open a new and important chapter in Goldsmiths» history.

Los Angeles - based artist Shana Lutker presents Scenes from Chapter Four, the latest entry in her ongoing series of research - based artworks derived from the history of Surrealist fistfights, in the Artist Lab Residency at 18th Street Arts Center.

The Turner Prize yesterday closed the most colourful chapter in recent art history by declaring Britart dead.

In association with NOMA, this landmark exhibition, co-organized by the National Gallery of Art, Washington, is the first to exclusively explore a vivid chapter of America's photographic history — 19th - century American landscape photography made east of the Mississippi River.

Indeed, the Whitney Museum of American Art may be nothing novel, but their freshly - minted space and their stunning opening exhibition mark a striking and important new chapter in the museum's history — and in the larger world of American art history, tArt may be nothing novel, but their freshly - minted space and their stunning opening exhibition mark a striking and important new chapter in the museum's history — and in the larger world of American art history, tart history, too.

«As we look ahead to an exciting new chapter in MOCA's history, Alex provides the curatorial vision and administrative leadership necessary to strengthen the museum's standing as a leading voice in the local and international contemporary art communities,» said Dr. Kira Flanzraich, Chairman of the Board of Trustees.

The collective achievement of this group is an extremely important chapter in the history of contemporary art.

Building upon the nearly 60 - year history of the Fine Arts Collection, these works signal the latest chapter in the university's radical and vibrant art community.

Presenters are Mark Dean Johnson, professor of art at San Francisco State University and director of the Martin Wong Foundation, who also moderates; Julia Bryan - Wilson, professor of modern and contemporary art and director of the Arts Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalart at San Francisco State University and director of the Martin Wong Foundation, who also moderates; Julia Bryan - Wilson, professor of modern and contemporary art and director of the Arts Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalart and director of the Arts Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalArt and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalArt and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalArt History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personally.

The current Centre Pompidou exhibition will be offering its audiences a chance to explore a fascinating chapter in the history of the Russian avant - garde — the period of the People's art school which was founded by Marc Chagall in his native city of...

In 2019, the second chapter in the series will focus on how museums, collectors, and others are re-inscribing African American artists and artists of the African Diaspora into the canon of the history of arIn 2019, the second chapter in the series will focus on how museums, collectors, and others are re-inscribing African American artists and artists of the African Diaspora into the canon of the history of arin the series will focus on how museums, collectors, and others are re-inscribing African American artists and artists of the African Diaspora into the canon of the history of art.

Among his greatest works related to this chapter in the history of art is Untitled [glossy black painting](ca. 1951).

But it was his work in photography, with nude studies, fashion work, and portraiture that saw him pioneering a new chapter in the history of camerawork and art.

In London, the Whitechapel Gallery revisits key chapters of Exhibition Histories with a conversation between artist Lubaina Himid and curator and researcher Paul Goodwin (March 3) around three seminal exhibitions Himid curated in early 1980s London: «Five Black Women», Africa Centre (1983), «Black Women Time Now», Battersea Arts Centre (1983 - 4) and «The Thin Black Line», Institute of Contemporary Arts (1985In London, the Whitechapel Gallery revisits key chapters of Exhibition Histories with a conversation between artist Lubaina Himid and curator and researcher Paul Goodwin (March 3) around three seminal exhibitions Himid curated in early 1980s London: «Five Black Women», Africa Centre (1983), «Black Women Time Now», Battersea Arts Centre (1983 - 4) and «The Thin Black Line», Institute of Contemporary Arts (1985in early 1980s London: «Five Black Women», Africa Centre (1983), «Black Women Time Now», Battersea Arts Centre (1983 - 4) and «The Thin Black Line», Institute of Contemporary Arts (1985).

Hélio Oiticica, detail of Tropicália (1967) Tropicália is an incredible exhibition — the first comprehensive survey of one of the most significant chapters in modern cultural history, a period beginning in the late 1960s when daring experiments in Brazilian art, music, film, architecture and theater converged.

As a curator, critic, and educator, she has been a Lecturer in art practice, history, and theory at Otis College Graduate Public Practice Program, San José State University, College of Marin, and UC Berkeley; curated exhibitions for Craft and Folk Art Museum in Los Angeles, Mills College Art Museum in Oakland, and DeYoung Museum Artist Studio in San Francisco; and served as a past board chair for Kearny Street Workshop and for the Northern CA chapter of ArtTabart practice, history, and theory at Otis College Graduate Public Practice Program, San José State University, College of Marin, and UC Berkeley; curated exhibitions for Craft and Folk Art Museum in Los Angeles, Mills College Art Museum in Oakland, and DeYoung Museum Artist Studio in San Francisco; and served as a past board chair for Kearny Street Workshop and for the Northern CA chapter of ArtTabArt Museum in Los Angeles, Mills College Art Museum in Oakland, and DeYoung Museum Artist Studio in San Francisco; and served as a past board chair for Kearny Street Workshop and for the Northern CA chapter of ArtTabArt Museum in Oakland, and DeYoung Museum Artist Studio in San Francisco; and served as a past board chair for Kearny Street Workshop and for the Northern CA chapter of ArtTable.

His awards include the American Chapter of the International Association of Art Critics, a special AICA award for Distinguished Contribution to the Field of Art Criticism, an ICI Agnes Gund Curatorial Award, and the Lawrence A. Fleischman Award for Scholarly Excellence in the Field of American Art History from the Smithsonian Institution's Archives of American Art.

The upcoming exhibition will be an homage to a leading figure in the landscape of post-war Italian art who wrote important chapters of contemporary art history by re-evaluating sculptural form and its relation to space.

«The Philadelphia Museum of Art will present the most comprehensive loan exhibition in over forty years devoted to the most important chapter in the history of watercolor painting in this country.

Quintessential LA artist and godfather of light art James Turrell took the psychedelic light shows of the 1960s out of the Fillmore West and Avalon Ballroom and into the fine art world with his seminal early light works of the late 1960s, simultaneously blowing the establishment's collective minds and writing a new chapter in postmodern art history in the process.

From March 6 to June 14 the Schirn Kunsthalle Frankfurt presents an in - depth appraisal of a long, yet largely unknown chapter in the history of European art.

Forthcoming publications include a journal article in Senses and Society by Routledge, chapters in several interdisciplinary Routledge Companions, and a paper for an edited volume on art history and disability studies by Ashgate Publishing, UK.

According to SFAC Galleries Director Meg Shiffler, «It's the end of an era, and the beginning of a new chapter in the San Francisco Arts Commission Galleries» history.

Beyond its contribution to family hagiography - not to mention key chapters that will leave architecture lovers swooning - Art and Activism is an indispensable history of several pivotal decades in the development of Houston's art sceArt and Activism is an indispensable history of several pivotal decades in the development of Houston's art sceart scene.

The story of Black Mountain College begins in 1933 and comprises a fascinating chapter in the history of education and the arts.

Co-presented with Rare Book School in conjunction with the course, The History of Artists» Books since 1950, at the Thomas J. Watson Library of The Metropolitan Museum of Art; the New York City Chapter of The American Printing History Association; Small Editions Artist's Books; and Theta Chapter, Beta Phi Mu Honor Society, Pratt Institute School of Information.

Exploring one of the most important chapters in the history of contemporary art, The Bride and the Bachelors: Duchamp with Cage, Cunningham, Rauschenberg and Johns focuses on Marcel Duchamp's American legacy, tracing his relationship to four great modern masters — composer, John Cage, choreographer, Merce Cunningham, and visual artists Robert Rauschenberg and Jasper Johns.

Or is it the last chapter in German art history that encompasses Gothic and Baroque painters?

Nash writes, «There is no more fabled chapter in the history of California Art than the audacious stand made by Bay Area Figurative painters against Abstract Expressionism in the 1950s.»

Southern Accent: Seeking the American South in Contemporary Art was a beautiful example of what we do best: organize a groundbreaking contemporary exhibition, publish an accompanying scholarly catalogue, attract diverse audiences with exciting programs, teach a new chapter of art history, feature global artists of color, and invite meaningful dialogue and debaArt was a beautiful example of what we do best: organize a groundbreaking contemporary exhibition, publish an accompanying scholarly catalogue, attract diverse audiences with exciting programs, teach a new chapter of art history, feature global artists of color, and invite meaningful dialogue and debaart history, feature global artists of color, and invite meaningful dialogue and debate.

Titled «Memory as Medicine,» this near - two - decade survey (organized by Carol Thompson and Michael Rooks of the originating High Museum of Art in Atlanta) featured thirty - one works riffing on key chapters from the grand narrative of black history, with frequent allusions to tribal West Africa, aptly demonstrating the artist's inspired ability to present his modern world as a continuum with his genetic past.

ONE OF EIGHTY - SOME EXHIBITIONS in the Getty Foundation's Pacific Standard Time: LA / LA initiative, «Radical Women: Latin American Art, 1960 — 1985» explicitly endeavored, as curators Cecilia Fajardo - Hill and Andrea Giunta put it, «to write a new chapter in twentieth - century art history» by correcting the field's long - standing obfuscation of women artists» contributioArt, 1960 — 1985» explicitly endeavored, as curators Cecilia Fajardo - Hill and Andrea Giunta put it, «to write a new chapter in twentieth - century art history» by correcting the field's long - standing obfuscation of women artists» contributioart history» by correcting the field's long - standing obfuscation of women artists» contributions.

Postmodernist art represents a completely new chapter in the history of art.

Offering a broad overview of a vital chapter in the history of European printmaking, The Enchanted World of German Romantic Prints will illuminate one of the richest areas of the Philadelphia Museum of Art's collections.

My favourite works are all by female artists, who are so often absent from Italian art history: Carla Accardi's fluorescent and candy - coloured Rotolo Arancio and Rotolo Verde (Orange Roll and Green Roll, both 1967), painted on sheets of rolled - up transparent plastic sheeting; Irma Blank's Twelve Chapters (1977), 12 laboriously hand - written books filled with the artist's elegant abstract signs, and Lisetta Carmi's I Travestiti (Transvestites, 1965 — 71), a pioneering and much censored photographic project about the trans community in Genoa.

With Voids: A Retrospective, the Kunsthalle Bern offers an opportunity to explore a crucial chapter in the history of art.

The current release includes chapter essays on the seven neighborhoods, two scholarly essays on the early history of collecting contemporary art in Dallas, an interactive gallery map documenting the history and locations of over 150 commercial galleries and nonprofit institutions in North Texas from the mid-1950s, and media - rich appendices that feature oral histories, interviews, and detailed listings of collections in the DMA Archives related to the DallasSITES research project.

Viewing Pop Art through a much wider lens, it is sure to delight audiences and broaden their understanding of one of the most significant chapters in the history of contemporary aArt through a much wider lens, it is sure to delight audiences and broaden their understanding of one of the most significant chapters in the history of contemporary artart.

by Shanghai artist Liu Yi first comes into sight; the artwork unfolds the chapter of human origins by tracing back into the Western art history in a humorous way.

September 13 — October 11, 2009 With Voids: A Retrospective, the Kunsthalle Bern offers an opportunity to explore a crucial chapter in the history of art.