Sentences with phrase «character drama with»

All of this lends in constructing a well formed character drama with the entertainment factor of a sports film.

In the end, A Most Violent Year is not the next great mob movie it's been advertised as; it's a thoughtful character drama with a solid cast - no more, no less.

But they did what any studio would do in their position made a boat load of misleading trailers to make the movie seem like and action flick instead of a character drama with a touch of action.

It was marketed as Taken but with wolves, which is what I expected, what I got was a character drama with little action.

Biopics can be boring, but this has the makings of an interesting and intense character drama with larger thematic implications.

Not exact matches

OK, prepare to suspend your disbelief: The mystery - adventure drama is based loosely on Washington Irving's 1820 short story The Legend of Sleepy Hollow and follows the character of Ichabod Crane, who has woken up after sleeping for 250 years and is now partnered with police Lt. Abbie Mills in modern day Sleepy Hollow, N.Y..

This is ironic, given the fact that I waited until I was married to have sex and have been known to shout at the TV when my favorite dramas take it for granted that characters attracted to one another with sleep together after the first date.

As we have earlier remarked, the characters in Genesis speak their own lines, lines in immediate contact with the realities of their own existence, as well as the lines of the theological drama of God's concern in love to reconcile man and himself.

Readers are thus made to feel like witnesses to what actually happened, with access to the thoughts and motives both of the characters in the drama and of those who wrote about them, the authors of the sources used to build an uncluttered reality.

Many people start watching for the drama and to keep up with the hype, but loyal Shondaland fans stick around (even 14 seasons deep) for the inspirational characters, encouraging messages and authentic stories.

The Bible is a challenging book, full of messy drama and earthy, dimensional characters with feet of clay.

MacLeish's contribution, other than bringing the story into the 20th century, making a great contribution to the tiny, tiny pool of American poetic drama, and winning the 1959 Pulitzer with it, is quite a bit of additional commentary by his God and Satan characters, a pair of washed - up actors who observe the Job story being played on a stage, and occasionally take part in it.

They were thus «liturgical» in nature, intended for the whole community; and as, say, in the production of a drama with religious overtones, they were both religious in nature and social in character.

The constant ridicule by the non-Arsenal fraternity, coupled with the drama of the last two weeks, have the potential to sow seeds of doubts in the minds of the players; however, they need to take a leaf out of Manchester United's books when it comes to character, belief and fortitude.

To add drama, read the story with expression or give the characters voices.

I honestly think that what obstetrics andabesthesia have been able to do to improve both the experience and outcomes of pregnancy to be the better story complete with drama pathos and miracles and great characters.

There's, of course, also the influence of the hugely popular historical dramas like Downton Abbey, which features characters with beautiful old - fashioned names like Cora, Edith and Sybil.

In one of the later season's of Foyle's War, (a British crime drama set in the 1940's, which I highly recommend, by the way, if you enjoy murder mysteries and period wartime dramas) there was an episode where the character of Sam is seen discussing shoes with a coworker.

Someone, with a sense of humor and mature character, extremely averse to drama.

Though the movie doesn't exactly open with a lot of promise - Hemsworth's character is, for example, first glimpsed seducing a nurse à la James Bond - Rush eventually settles to become a consistently engrossing drama that boasts a handful of genuinely exciting racing sequences (although, by that same token, it's hard not to wish that filmmaker Ron Howard had spent a little more time on the individual races).

Even when he's acting with a capitol «A,» Jackman's sincerity and artfulness delivers enough drama to mask the clichés that inhibit the development of his character.

Occasionally, Hollywood will step forward with a family drama that actually manages to tinker with actual pain... «This Is Where I Leave You» has no edge, no darkness, no texture, no character to speak of.

However, the new Relativity Media drama «The Fighter» hoped to separate itself from the norm by also focusing on the characters learning how to cope with each other.

I have a few quibbles with it — some of the character drama is a bit clunky — but overall, I found the first hour of the show to be solidly entertaining and suitably suspenseful.

It's also a straightforward, traditionally constructed character drama shot in bright colors, with none of the frame - breaking or Greek - chorus effect or whatever you want to call Boden and Fleck's technique in «Half Nelson.»

Made with deft evenhandedness, Paul Devlin's accomplished film plays almost like a fictional drama, containing suspense, comedy and some colorful characters.

I disagree with the other reviewers saying there is nothing to connect to with the characters or the story when I think the actors do a good job, the stories tend to be strong, and the drama is good, especially for a USA show.

The ensemble drama is told through a series of vignettes that begins with the first New York Times report on the mysterious «cancer» that had resulted in the deaths of a growing number of homosexual men and ends eight years later, after the disease has thoroughly and devastatingly affected the movie's close - knit core group of characters.

This movie is sort of a historical drama, but I'm not sure how true it is to history, it's a strange movie with strange characters.

I will admit I had some trepidation when I first heard they were making another season of Stranger Things, and this is exactly why: it doesn't make sense that this same town keeps getting attacked over and over by horrors from beyond, plus now all the mystery of the first season is drained away and it is nearly impossible to create believable drama for the characters that can compare with

Lawless may not entirely live up to the sum of all its celebrated parts but it succeeds in telling a riveting «true life» historical drama with plenty of entertaining and memorable characters coupled with smart filmmaking choices.

The second season of the sci - fi drama series opens with the introduction of several Martian military characters, including Bobbie Draper (Frankie Adams), one of the loudest voices promoting war against Earth.

Given the film's emphasis on character and political drama, it didn't come with tons of room for involving material.

Director Karel Reisz and screenwriter Robert Getchell create a tightly woven drama with two strong main characters and a number of fine supporting roles, and the love story at the film's center is convincing.

Experience with summer stock led to his first Broadway appearances in the 1940s, and at the age of 28 he got his first break serving as the understudy to Rex Harrison's character in the Broadway drama Anne of a Thousand Days.

As a character drama about dealing with violence and loss, The Interpreter is a quiet success.

As an effective drama, however, the film is frustrating in its unwillingness to engage with its characters beyond its broader strokes.

I'm a sucker for crime dramas so I watched The Bridge with high expectations.Overall I was pleased.The main characters compliment each other well and Diane Krugers character became more interesting after I learned she had aspergers, a form of autism, from a critic review.Demian Bichir was great as well and I look forward to the next few episodes.I like the Mexican / American themes crossing

Finding the all - important Achilles heel is the central focus of The Last Time, a routine office drama with a love triangle that unexpectedly turns into a biting character study.

It is a potent and hopeful idea in today's climate of unrest and terrorism, and as a character drama about dealing with violence and loss, The Interpreter is a quiet success.

At its worst, Rosewood plays like the kind of ridiculous, over-the-top drama with which a sitcom character becomes obsessed.

Season 1 was unpromising, we were introduced to the archetypes of crime drama characters: Myka Bering the intelligent and skillful female lead, Pete Lattimer the comic relief male lead with a cookie fetish and Artie Nielsen the eccentric manager of the Warehouse 13.

Revisiting the characters of The Decline of the American Empire in his 2003 drama The Barbarian Invasions, Arcand was back on more familiar ground, and the tale of a man with terminal cancer revisiting his past took both the Cannes and Toronto Film Festivals by storm.

It's a rich, engrossing ensemble drama that reveals itself very slowly, is filled with multidimensional characters and multi-layered performances, and works toward an amazingly verisimilitude.

More drama than thriller, the movie does a slightly better job with period detail than with character building.

Even as characters are tweaked and actors bring a slightly different energy than his other movies, The Best of Me is still the same mushy Nicholas Sparks adaptation with drama so overwrought audience members can't help but laugh — at least until they're sniffling during the closing credits.

It'll be a snooze for those looking for a standard post-apocalyptic thriller, but accepting it as a drama with rich performances and three - dimensional characters, it's elegantly wrought.

A textured drama about a musical family complete with richly realized characters and a pleasing soundtrack for all generations.

Here, it's his father whose death haunts him, although as played by Patinkin, the character isn't already dead, with the drama here coming from the prospect of losing him.

A young sheep farmer finds passion with an immigrant worker in a credible character - driven drama