Not exact matches
High - profile, successful, and gold - agnostic investment - world luminaries assess the macroeconomic risks of radical monetary policies and reach a similar conclusion: This will end
badly: — Seth Klarman: «All the Trumans (reference: a 1998
movie [The Truman Show]
in which the main
character's entire life takes place on a TV set which he perceives as reality)-- the economists, fund managers, traders, market pundits — know at some level that the environment
in which they operate is not what it seems on the surface....
Stories like these helped me recognize the «good» within people; not the 2 - dementional stereotypical
characters that we tend to see
in moviesand associate as «
bad guys» (dark eyes and a goatee); that is just
movie makeup that plays on the social consciences of that era.
Worst of all is Sandler's and director Dennis Dugan's conviction that endlessly referring to its title
character's «package» is
in and of itself a laff riot: the
character Biggus Diccus
in Monty Python's Life of Brian notwithstanding, the only time a huge penis
in the
movies is funny is
in certain triple - X rated
movies from the days of yore when John Holmes used to almost trip over his own.
It felt kind of slow though and despite the fact that some of the
characters do go through hard times, the DeNiros performance and the
movie in general was so light hearted it was hard to really believe anything was at stake or anything
bad would happen.
But this also means that when major, life - changing events happen
in the world of the Marvel
movies — like the ending of Infinity War,
in which half of all sentient beings
in the universe are erased from existence — they're rarely given the weight they should have, beyond some of the
characters expressing, «I am feeling
bad about this.»
Shaun could be the most clever
character in the whole
movie, but when the
bad guys keep leaving doors open, she doesn't really need to be clever, does she?
The acting was okay for the most part (Marsden and Perabo were pretty good but Glenn and Thornton gave two of the most wooden performances I've seen recently), the attacks by the bear were not that well made but it could've been
worse but, ultimately, the
movie is entertaining and
in the end you really care for the 3 main
characters (Perabo, Marsden, Jane).
In Salt and Fire, a
bad movie but an intriguing vacation slideshow, Michael Shannon and Veronica Ferres play «
characters» (unconvincing, undimensional) and speak «dialogue» (expository, flat).
I can't see any good reason to remake a
bad movie changing the nature of the depraved villains but keeping all of those lame faults found
in the original
movie - especially
characters who are irritatingly stupid and the only smart one being the dog.
In a true - life sports tale like the recent «Invincible,» you buy into all the inspirational clichés because the
characters have inner lives and the
movie is about something bigger; here, you keep hoping for something
bad to happen to somebody just for the sake of balance.
That said, it's not a
bad movie, everything else is relatively well done, but the fact that I didn't believe for one second
in Travolta's
character is what brought it down to «not so great» territory for me.
Regardless of all the times I've desired more fresh ideas
in a
movie, The Big
Bad Swim reminded me that sometimes
characters don't require novelty as long as they feel genuine.
Good points, it also irked me that the girls and boys split up
in the Wakanda fight — it happens a lot
in action
movies (good girl fights
bad girl sidekick while male
character fights head villain), hopefully Danvers will be an equal opportunity ass kicker.
I really really dislike the main
character like he's actually
in real life gonna get the girl of his dream, are you serious??? He has a crooked smile, wears pajamas all day outside of his house and talk's like a gay poet, I just think he sucks as an actor, uggh I don't know why I dislike him so much after this
movie.On the other hand Rachel Bilson is very cute and not as
bad of an actor This
movie solely focuses on telling the story and making us like the
characters for themselves.
shrieks Paul Giamatti's squirrelly record executive, sounding very much like a
character in a
movie insisting on the historical importance of its subjects, which isn't necessarily a
bad thing.
And while you can admire,
in theory, a
movie about that kind of stasis — about a real - life situation
in which things are
bad and can only, maybe, get ever - so - slightly better —
in actual practice, this is a film as depressed as its
characters.
But the most puzzling divergence is that after Wade became Deadpool
in «X-Men Origins,» his mouth was sewn shut, and the
character became mute — yes, the antihero who became a cult - favorite as the Merc with a Mouth literally had no mouth, a first - ballot candidate for the Hall of Fame of
Bad Comic Book
Movie Decisions.
The
movie goes everywhere but up, failing to generate interest
in the longevity of two annoying
characters who insist on making a
bad situation
worse for themselves, with the production insisting it's creating something of a romance when it's actually inspiring a headache with this achingly insipid effort.
I like to enjoy the
characters in a comedy but
in this
movie the two parents are just always fighting, the two kids are just wretched little creatures, and all the people around them just always give
bad advice and make their lives even more difficult.
One of the biggest comedy stars of the past 30 years is back after a long hiatus —
in one of the
worst movies of the year, on talk shows, and, as always, hiding behind his menagerie of
characters.
Not
bad at all.this film keeps you guessing
in ways you never do a lot
in horror films.Rob Zombie directs theses actors like I've never seen a horror director do before.this
movie is truly amazing, people are calling it «terrible» I call it «good» it's the kind of horror film that actually deals with
characters and not just pointless blood and guts.I felt like all these
characters really did go through something, and this
movie is truly just about them overcoming it.I don't consider this a horror film, I consider this a drama / horror film, cause that is what it is, and I love it.this mvie isn't just about a killer killing people, it actually deals with the people he's after anf even deals with himself at times, which I truly loved.Rob Zombie has proved to me again that he could direct.perfect seq...
All of this being said, Labor Day is certainly not the type of film to shy away from using one of the
worst problems
in movies — that of conveniently timed news reports when specific
characters are watching TV.
Time was when virtually all disaster
movies were essentially
character studies, and examined (with varying degrees of success) how extreme circumstances bring out the best and the
worst in human beings.
As this hilarious teaser for the teaser trailer points out, the people behind Reynolds» previous onscreen incarnations
in X-Men Origins: Wolverine effectively ruined him by taking away the
character's defining potty mouth (not to mention the whole thing being one of the
worst superhero
movies ever made).
It's the
worst opening for a
movie featuring Marvel Comics»
characters since «Ghost Rider: The Spirit of Vengeance» debuted to $ 22.1 million
in 2012.
It is wonderful to see this type of
character in a family
movie, rather than the usual «black and white» good and
bad people.
Of course, though, Deadpool was SO
bad in the first
movie that the plans to spin off the
character back
in 2010 fell by the wayside.
That's why Ryan Reynolds took the role, even knowing how
bad the
character was, as that was considered, at the time, the only way that he would be able to play the
character in the follow - up
movie.
She's not so unusual: Amy Schumer's
character in her feature debut is her own
worst enemy, but can the same be said of the
movie?
Worse, though, are the growingly ludicrous actions and inactions of almost every
character in the
movie.
Trivia:
In Breaking Bad (2008), the characters of Hank and Walt Jr. both mention a book written by the real Robert Mazur who actor Bryan Cranston plays in this movi
In Breaking
Bad (2008), the
characters of Hank and Walt Jr. both mention a book written by the real Robert Mazur who actor Bryan Cranston plays
in this movi
in this
movie.
As far as supporting
characters in the rom - com,
movies have done a lot
worse, but there's not a whole lot to these
characters except a couple of solid one - liners.
Why it was
bad: It took a great two first
movies, not to mention an entire franchise, and killed off nearly every
character in useless ways.
Gerard Kennedy Best: «Iron Man»
Worst: «21» Comments: While I don't buy the «best superhero
movie ever» hyperbole some people are putting on «Iron Man,» Jon Favreau's take on the Marvel
character was smart, involving, filled with great effects and a performance from Robert Downey Jr. that at least puts forth the best superhero protagonist
in a long time.
The whole
movie is like that, telling you what to think and painting
characters in broad strokes, good or
bad (numbering most everyone we're seeing among the decent folks).
A skateboarding road - trip flick that will bore real skateboarders silly (and I should know — I've been one since the late»70s), it includes barely 10 minutes of
badly - edited actual boarding, less than half of which features the main
characters (no - name actors using obvious stunt doubles), who
in the course of the
movie perform only one trick (at the very end) that's beyond the abilities of any dedicated junior high school punk with a modicum of talent.
«No, my
character is actually not a
bad guy, and then I can not say more... I can say that the
movie will be filmed
in Iceland and England.
The
bad news is that Cameron Crowe,
in an attempt to duplicate the magic of Garden State, has fashioned a
movie filled with so much unnecessary whimsy and so little
character development, that it implodes into a mess of celluloid.
Besides it would be criminal if one of Hollywood's finest
bad guy actors was given half a
character in a Marvel
movie.
As the only
bad egg
in a
movie full of likeable and more importantly, believable
characters, Brid Brennan is superb as Mrs Kelly, the local battleaxe of a shopkeeper who has earned herself the nickname «nettles» Kelly and who observes a nauseating pecking order when it comes to counter service
in her shop.
As for everyone else, Anthony Mackie is the
movie's best actor
in which he plays a
character who you don't know whether or not he's a
bad guy.
The process of making a relatable comedy while simultaneously engaging
in another
Bad - off puts some strain on writer - directors Jon Lucas and Scott Moore (who are also beneficiaries of the unfortunate fact that even if a
movie has half a dozen major female
characters outnumbering the men, it'll probably still be dudes running things behind the camera).
by Walter Chaw John Dahl's latest foray into knock - off B -
movie territory is Joy Ride, a film that indulges an awkward dedication to hiding the face of its villain (which results
in the biggest cheat of the film at its conclusion), presents predictably misogynistic victimizations for both of its female
characters (followed by weak - wristed salvations), and demands an ironclad suspension of disbelief that the
bad guy is omniscient, omnipresent, and only ruthless when there isn't a long speech to be made.
Jones notes that the three to four hours it takes to be transformed into the
character each day actually isn't so
bad — relatively speaking — as he rattles off how much longer it took to embody creatures
in other collaborations with Del Toro, including «Pan's Labyrinth,» the «Hellboy»
movies and «Crimson Peak.»
Worst - case scenario: That affection and respect spills over to the people behind the camera, and the
movie traffics
in the same toxic self - regard as other Meyers
movies (including at least one scene where
characters compliment each other on the witty lines provided for them by the filmmaker).
These absences of
characters aren't necessarily a
bad thing, but I think it's a good idea to go
in, expecting Gwyneth Paltrow to take a back seat for most of the
movie (she makes up for it, when she is on the screen, however).
Nominees for Outstanding Animated
Character in a Live - Action
Movie include Rachael, Kong,
Bad Ape, and Caesar.
It's always a
bad move
in a screwball comedy to take your own
characters and plot too seriously, and for long stretches, director Mel Smith (Bean, The Tall Guy) fancies Blackball as a
movie worth taking seriously.
The revelation follows the de rigueur notion that all YA - inspired
movie adaptations must come
in threes and the belief that pop culture fans can't get enough of producers milking these make - believe worlds — whether it's the planned spinoff stories set
in a galaxy far, far away, the everyday heroes of TV's Agents of S.H.I.E.L.D. or the darkly comedic prequel series to focus on Breaking
Bad character Saul.
When I watched this
movie, I was blown away by so many
characters: Okoye's raw power as a fighter, M'Baku's
bad boy charm with a secret heart of gold, Shuri's one - liners left me
in stitches, and of course the warmth of the Black Panther himself, T'Challa.