Sentences with phrase «character is on the run»

«The lead character is on the run from the law and tells the story in flashback.»

The story takes place in 1980's Russia where the four playable characters are on the run from the government after being named evil Gypsies.

The conflict between the two groups continues on, and the player - controlled character is on the run from the representatives of the Order trying to track them down.

Not exact matches

As Crowley notes, to some degree, grit is character trait — ultramarathoners are clearly born with a will of steel to go with their Teflon legs — but these athletes also rely on tricks that keep them mentally tough when a run gets particularly difficult.

Williams» first foray into entrepreneurship was conceiving a fast - food chain «Big Al's,» which was based on the character Al Molinaro who ran «Arnold's» on Happy Days.

«What young people really need is not more talk about the mechanics of sex and contraception, but encouragement to develop the character qualities of stability, faithfulness and commitment - the qualities they will need to build a strong and lasting marriage based on something that runs deeper than feelings and physical attraction.»

Incidentally, the quality of mind and character of this journal's senior editor, Reinhold Niebuhr, that makes the deepest imprint on younger followers is the contempt he shares with John Milton for «a fugitive and cloistered virtue, unexercised and unbreathed, that never sallies out and sees her adversary, but slinks out of the race where that immortal garland is to be run for, not without dust and heat.»

Stories about female gamers getting hit on; «No Gurlz Allowed» ways of «discouraging» them where the other players would help the DM pull a «run - on - rails» gang - rape scenario on the girl gamer's characters that she was powerless to get out of or stop.

There was also the Governor led Woodbury, tyrannical Terminus and now Alexandria — all but the latter have come to a tragic end, forcing our characters back on the run.

Joining a club of arsenal s stature has its ups and downs.There is a requirement of how our players should perform when on the pitch.The following is a list of players who were wrong to choose arsenal.Aaron ramsey - Even though he is the most favoured of all players at the club now.I cant help but think how it would have gone for Him if he decided to search for other greener pastures.He was a clear talented footballer during his time at cardiff but he hasnt been raised with the discipline at arsenal.You can always see ramseys all round strengths but sadly Its not helping him or the club with his foward moving pleasurr.He is so Over used and its sometimes difficult for him to get used to the rythm of the game.With time you realise he gets low ib confidence and his engine gets wasted.He needed somebody who would have managed him properly and with care and that person is certainpy not wenger.You would have been better off at Manu mate.Calum chambers - Came us a very talented player from southampton with raw talent.He was very good at first but wenger found a way to reduce his level of confidence.His inexperience was left exposed and wenger did nt do anything to resolve that problem and instead He looked for other talented players.Alex oxlade chamberlain - Another very talented player who needed only his skilled sharpened and his character modelled.That and he was ready to become a world beater.But wenger decided to let him run and run like a headless chicken causing him to be often injured and damaging his confidence.Who knows what would have happened to him gad he decided to look for more greener pasture.He is surely a much better player than this.Theo walcott - Another player who was tipped to have a very bright future.He had it in him.But all he needed was an appropriate manager who would nurture him with discipline and help him with his talent.But on Coming to arsenal he was given Much more responsiblities putting more weight on his shoulders on top of that another player who was recklessly managed with his talent and never coming off age because his character wasnt properly shaped.Mesut ozil - Al right i agree he perfoms well just recently.But imagine all the legendary players he was often compared to during his time at real madrid.On coming to arsenal he found no rotation often overused, suffered many injuries and his confidence dwindled.It is pretty clear arsene does not take any responsibility for players.And when at arsenal you have to be your own manager.You need not rely on your manager otherwise you might continue being the same player for the next many years.That is why each and every player are what they are because of their own efforts and wenger had nothing to do with it.Van persie was the same player for over 7 years untill he himself decided to change.Wenger only organises and prepares tge team while the rest is in your court.It is not what so many people make it out to be.Thats why we need to pressure wenger more than our own players.They are their own self managers and wenger needs to take that responsibility

It will be a Charlie Brown Christmas they will remember with the Peanuts New Balance 574 running shoe for pre-schoolers, featuring a winter - themed snowflake design with Peanuts characters on the uppers and comics on the insoles.

I am commenting on my own post because I ran out of characters again, lol!

Sawyer has long been one of my favourite names after the long running series Lost was on our screens, considering he was one of my favourite misunderstood characters.

«He's running himself into a ditch of non-relevance and swimming in some sea of delusion on granduer, and why waste out time on such a character.

It wouldn't look great to start attacking the character of a guy who technically isn't even her opponent, so instead Quinn responded to every question with some variation of «I feel incredibly confident, based on my record, regardless of whom I am running against... that I am going to be mayor.»

In fact, Bratton recently ran into Tom Selleck at Elio's and pointed out to his friend, who plays a New York City police commissioner on CBS's «Blue Bloods,» that his character's wearing of a uniform is a procedural and sartorial faux pas.

Why in fact, here on outer Mongolia, insist that the county executive actually pay any attention to the daily operations of this overwhelmingly dysfunctional county and their separate and coequally dysfunctional departments that fails to serve the elderly in great need and I have my own story on how this perennial smiley - face character's office easily accomplished such which resulted in the death of someone by clear and consistent neglect, and then you tell me then why should we not just continue to speculate as to why this man is either fit or not for running for Congress and I will tell you to take your «relative trivia» and shove it where neither smart phones or their apps «SHINE»!!

Are the CAPTCHAs being solved by a distributed workforce of deeply bored humans or by increasingly sophisticated optical character recognition pro- grams running on a network of compromised machines?

Set on an alien world decimated by his people's creations, the Nightsithe, with nobody at your side and time running out to escape, you take the role of the titular character Nelo, a cybernetically enhanced badass who looks like a cross between Spawn and Dead Space «s Isaac Clarke.

A commentary featuring producer Jeremy Thomas and Ben Kingsley is your usual run - of - the - mill back - patting session, though the pair does intermittently provide deeper insight into the making of the film, and it's admittedly fascinating to hear the soft - spoken and eloquent Kingsley articulate the process by which he gave life to Don Logan while he observes the sheer cruelty of the character on screen.

In 1965, Gazzara starred as Paul Bryan, an ex-lawyer with only a short time to live, on the TV popular series Run for Your Life; in spite of his character's fatal illness, Gazzara was able to remain with Run for three healthy seasons.

While the choreography is generally fairly minimal (at least for this sort of mega-production), first time film director Phyllida Lloyd (who helmed the original stage version) has woven together a tightly edited and exceedingly well shot film that capitalizes on the music wonderfully while never worrying too much about such nettlesome items as character or motivation, providing enough other movement that one ultimately doesn't miss huge dance numbers a la Robbins or Fosse that much in the long run.

for example, at one part the 2 main characters are on top of a moving helicopter and manage not to fall off by running in place super fast on the spinning blades.

After the bug fixes with a patch this sequel exceeds the original in every aspect.Better graphics, gamplay and story along with 2 completely different playable protaganists give Dishonered 2 more replay value then almost every triple A title this year.And this time around I did nt feel pushed to play the game in any specific way.I felt that playing stealthily was alot more rewarding then the first entry but i never felt that i was playing wrong or was being punished when i played a full on assault playthrough.Also there are several ending for every playstyle for both characters which really drive you toward a second, third or even forth playthrough and in all the chaos or silence of each level, even on my forth run, I reimagined every situation and experienced different outcomes every single time.Dishonored 2 also contains some of the best level design I have ever seen with the likes of the amazing and masterfully thought out Clockwork Mansion level being among my all time favorites.Dishonored 2 truly is a masterpiece in almost every ascpect!!!

~ Spoiler ~ I absolutely loved the scene with Ernie, who is so bent on getting Danny a date for the prom that he ditches a date (with a character played by the gorgeous Jennifer Tilly), runs halfway across Hollywood and winds up picking an older and slightly plump prostitute for Danny to take to the big dance.

It spends at least one leisurely hour of its running time setting up a discursive narrative — Jamie Foxx's titular slave character is rescued by a Dr. Schultz, a bounty hunter played by Christoph Waltz, in exchange for helping him track down the Brittle Brothers (a trio of thuggish brothers that have a bounty on their head).

It's just as clear, however, that Kubrick's decidedly avant - garde approach often prevents the viewer from wholeheartedly connecting to either the material or the characters, and it subsequently goes without saying that the movie, which is never boring, certainly, generally does struggle to justify its 146 minute running time (ie there are too many stretches here that just go on and on and on).

A lower - echelon disaster thriller, in which the best character is knocked off early on and the leading man runs out of ideas with a third of the picture still to go.

In other words, this is a sprawling epic that runs a little on the longish side, yet uses the length to deliver genuine spectacle that also compels you on a character level.

For example, there is a funny bit where Kevin James» character, Eric, is a little too attached to his mom (the super adorable Georgia Engel from The Mary Tyler Moore Show), but they chose to spend more time on a stupid running gag: Eric has the ability to «burp - snart» (burping, sneezing, and farting at the same time).

Timothy Olyphant: When we first meet Alex's character John, he seems to be living a normal teenage life, but then he has these visions, before you know it he's on the run.

He flings paint on the frame like it's going out of style and this time he does it not just with whimsy but with whimsy in character as we follow a plane of eccentric characters going through a weird shared moment as they all are currently on drugs and probably about to die as the plane can not land and is running low on gas.

There is a vague plot at hand, but more likely, you will just stick it on, let your mind wander for a few moments and then happily settle into the fact that the characters are now running for their lives by magnetic chainsaws.

Exarchopoulos takes us deep inside Adèle's skin in the film's more compelling final third, and she is especially heartbreaking when she portrays the character's attempts to move on with stunned dignity despite the crushing physical isolation she feels even years after the carnal relationship has run its course.

When a franchise descends to having its own characters wink at the audience with jokes about how it's run out of ideas, and resorts to just (literally) setting things on fire, not once but twice in it's 90ish minute runtime, it's one movie past time to stop.

Unlike the Naruto: Ultimate Ninja Storm series which is more and more a mess of technical, balance and gameplay issues these days, Brave Soldiers delivers what is a nice, franchise - based fighting game, at first, i was expecting a simple fighting game with some button mashing, however, the game proved me wrong and i fell in love, the combo system, while easy, is a lot more deep than the one in the Naruto games, with all of the characters having two special attacks, two «burst attacks», a knock - away and a launcher respectively, a throw and an ultimate attack (called a «Big Bang Attack»), every character also has an universal dodge - action that sends them behind their enemies while spending one cosmo bar, making bar management that much precious and shielding you from a half - a-hour combo, unlike in the NUNS series, the fighting and the characters are nicely balanced, with every character being fun to play and viable at the same time, the game runs smoothly without frame - rate issues and the cell - shaded graphics, character models, arenas and effects alike are nice to the eye, battles are divided into rounds, with all the tiny nice stuff like character introductions and outros being intact (fun fact: the characters will even comment on their score after the battle), the game also features an awakening system, called the «Seventh Sense» awakening, unlike the NUNS awakening system which became severely unbalanced in the later game, every character simply gains a damage / defense boost, with the conditions being the same for all characters, eliminating situations when one character can use awakening at almost any point in the battle, or one awakening being drastically stronger than the other, the game has a story mode with three story arcs used to unlock characters, a collection mode, tournament modes, a survival mode, a series of special versus modes and online battle modes.

Not incredible — certainly no 60 FPS, but instead it runs at a consistent 30 FPS, meaning that if anything, the framerate is better than what you might see from the Switch version running in Quality mode; there are less characters on screen in the 3DS version and it's a much lower resolution of course, but in terms of playability it's not bad at all.

On the graphical front things look and run solid with some stuttering and visual gaffes happening occasionally during the major moments of mayhem when multiple characters are on the screeOn the graphical front things look and run solid with some stuttering and visual gaffes happening occasionally during the major moments of mayhem when multiple characters are on the screeon the screen.

Every time the show feels like it's run out of stuff to do, it'll throw to some other character entirely, and you'll be on a new ride for a scene or two.

Her line readings are delightfully unexpected, and, while so many other players in long - running series dial up their characters into loud caricatures as their shows trudge on, Dunham still feels very in control of the hurricane of ambling angst that is Hannah Horvath.

The naivety of Carrell's character is good for quite a few laughs, and his co-stars hit home runs, including Paul Rudd, who plays David, an obsessive guy hooked on his ex-girlfriend, and the underrated Seth Rogan's hedonistic dock worker Cal.

For the 100 minute running time, we get to see such highlights as one boy urinating on another's face, a masturbation nightmare involving crazy glue, a trumpet rammed into the rectum of one of the characters, and many other such inanities that may have you wincing more than you are laughing.

-- The high definition display allows for more detailed character models — The «haze» that appears on far - away objects to help improve running speeds and loading times has been removed allowing for a more detailed draw distance — It appears that this version allows for more pedestrians in the playfield at any time

Still though, it can all be intuited with a little bit of experimentation, and once you've done that it's easy to fall into a comfortable routine of returning home, upgrading your character, running maintenance on your defenses, and collecting produce.

Speculation ran rampant that it was put on the back burner due to Disney not owning the movie rights to the characters.

The scrappy McGregor has been reduced to running and jumping, while Johansson, who was so good in Lost in Translation and Girl with the Pearl Earring, has never looked better on film, but never once does her character register any kind of passion or pulse.

She's part of the 2005 drama «North Country» starring Charlize Theron, and appears in «Alpha Dog» and on the short - lived CW series «Hidden Palms,» which ran for 8 episodes in 2007 with Amber as the lead female character, Greta Matthews.

On some level, Peggy is a bit of an odd character, a fiercely independent woman in an era when misogyny ran amok, and Atwell pulls off the difficult trick of keeping her anchored in the time period while still playing as a strong character to modern audiences.

Be aware of a definite mean streak which runs through the movie as well as a complete lack of humor (or anything close to that emotion), despite the fact that Azaria (who voices about a dozen characters on «The Simpsons» TV show) does his best with what little he is given.

That rather sad fact, which is not uncommon, is one of the reasons that Johnson and Koch are proud that a festival run primarily by women regularly includes films with women directors — seven this year, including «Toni Erdmann» — along with features that focus on female characters such as «Jackie,» Kelly Reinhardt's «Certain Women» and Kelly Fremon Craig's coming - of - age comedy «The Edge of Seventeen.»