A twitter response (though the 140
character limit makes it quite difficult to make out precisely what the final point is).
People in the experiment told us that a higher
character limit made them feel more satisfied with how they expressed themselves on Twitter, their ability to find good content, and Twitter overall.
Not exact matches
Disney and Marvel obviously know what they're doing with superhero movies — they've brought some of the biggest franchises to screen — however, at the same time,
making every single film need to fit inside the already established franchise starts to
limit the amount of creative license any one director can have on future
characters as Marvel's Cinematic Universe only grows larger.
The other thing we identified about the Metatag was that Best in Class
made use of the 67 to 70
character limit whereas the Industry Average did not.
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Part of what
makes Twitter unique is the need for brevity, and while there are ways around those restrictions — through reply threads and chunks of text turned into images — the only change to the
limits that Twitter has successfully managed to introduce is the exclusion of @names from the
character count.
There is a 500 -
character limit for descriptions, so be deliberate in what you write — and follow these guidelines for
making your descriptions count:
On Twitter, you can use only 160
characters for your bio, so
make it count by leveraging all of them to the
limit.
As a great example of the inherently holistic nature of social marketing, Heidi relies heavily on her existing blog content to
make sure that questions get a thorough response in a way that would not be possible by just answering the question on LinkedIn alone (as of this writing there's a
limit of 4,000
characters for responses).
This, of course, is not to say he is not rightly esteemed truly human, a man of flesh and blood with the peculiar Biblical force of that phrase; indeed it might be claimed that the very stress laid on the
limited character of his experience
makes us more vividly aware of the reality of his human nature.
In Charlotte Simmons, one finds all the features that have
made Wolfe one of the greatest contemporary North American novelists: a plot that drives at breakneck speed through a major culture - shaping institution, an array of flawed yet yearning
characters tested to the
limits of their endurance, and startlingly authentic dialogue.
It is clear that only an outline can be offered, and its detailed justification would exceed the
limits of what is possible here.4 The problem of the content of that account, the problem, that is, of what is actually asserted and what is mode or manner of
making the assertion, can in principle only be solved if the literary
character, genre or form of the biblical account has been clearly determined in accordance with sound principle.
(besides, a wisdom - seeker as a woman
makes plenty of sense seeing that is how wisdom is portrayed as a woman -
character in multiple religious literature, including but not
limited to the Old Testament...)
A real girl has more infinitely more perfections and imperfections than the dream image of a real girl, and great architects sometimes
make the mistake (like the Ellen Page
character) of thinking that natural constraints artificially
limit them.
Dahl then zeroed in on television coverage: «Voters are asked to
make judgments about the
character of the candidates — without real discussion, with advertising and sound bites that trivialize their differences and give
limited and prejudicial information.
But anyway, religious folk are weak - minded and they don't realize their religion and those
make - believe
characters they always talking to are what is
limiting their minds from being, you know 100 %.
As the «one relational complex in which all potential objectifications find their niche,» (Process 66) for Whitehead the extensive continuum certainly corresponds to the breadth of vision of the divine primordial nature, even as the space - time continuum as a partial realization of the extensive continuum corresponds to the more
limited character of the divine consequent nature here and now Thus, even though Whitehead does not
make explicit use of field - oriented imagery to describe the God - world relationship, the concepts are at hand to sustain that line of thought.8
Character may in specific ways
limit the range of future choices a congregation is equipped to
make.
• The foods you're addicted to are likely
making you gain weight • If the foods you're addicted to aren't
making you gain weight, they may very well be
limiting your ability to lose weight • The foods you're addicted to are likely setting you up for diabetes • Addictive foods wreak havoc on your appetite — they de-regulate it and
make your body want more, even when you clearly don't need more • The foods you're addicted to are likely impacting your mood and your brain function • Addictive foods are likely causing inflammation in your body — an underlying cellular condition that's a precursor for numerous unwanted diseases • Addictive foods will fool you into believing that you have a willpower problem — somehow your
character is weak because you can't stop eating • Addictive foods will distract you from eating life giving, nutrient dense food.
Who would decide to
make 8192 of all numbers the
character limit?
Some of the new secondary
characters (and the actors who play them)
make the most of their
limited screen time.
Announcing that the 1996 - 1997 season of Roseanne would be his last, Goodman
limited himself to infrequent appearances on the series, his absences explained away as a by - product of a heart attack suffered by his
character at the end of the previous season.After
making his 10th appearance on Saturday Night Live (2000), Goodman could be seen playing a red - faced bible salesman in director Joel Coen's award winning O Brother, Where Art Thou (2000), and participated in Garry Shandling's film debut What Planet Are You From?
We applaud the attempt to create a substantial RPG for kids, but sadly the flat
characters and
limited battle options
make this rather patronising.
To be so meditative on
characters going about their business, little is actually said by Matthews, as writer, due to very
limited extensiveness, if not focal unevenness, that leave development to fail in distinguishing the
characters all that much,
making it harder to become invested in them.
This is typical bad movie, everything about it is bad, the plot ridiculously vulgar, full of holes and end meaningless horribly stereotyped
characters, the abuse of the same song for several times, the glamorization of the dance scenes has no
limits provalmente this is the most pointless films already
made.
Predictability and
limited character development
make for a disappointing ride that focused more on the kaleidoscope portals and dimensions instead of who the heck was in them or conjuring them.
I just don't want to lose any of the
characters in the transition, so if it is an update, that concern is at least dispelled for me, without it being
limited by what the past game was, if that
makes sense.
Credit Cera's understatement and the sneaking suspicion that his
character was also overwritten, but pruned by a guy whose wisdom about the
limits of his abilities
makes up for his general lack of range.
The
character, who has been around since the»60s, initially possessed superhuman strength, endurance, stamina, flight, physical durability, a
limited precognitive «sixth sense», and a perfectly amalgamated human / Kree physiology that rendered her resistant to most toxins and poisons, with the added effect of
making her body virtually invulnerable and indestructible.
Exploration that requires planning and unlocking new
characters is paired with a time
limit element very reminiscent of Majora's Mask that
makes the game feel more urgent.
Does
making films with
characters in small,
limited settings interest you?
So even if Johnson wanted to venture from his action - adventure sandbox into something a bit more
character - driven, something a little less fast and furious, his options are
limited because Hollywood just isn't
making many movies these days that don't allow for sequels, merchandising and expanded Cinematic Universes.
Shark Tale would like to be the next Finding Nemo, but lacks the essential qualities that
made the Pixar gem so wonderful, namely, a genuine feeling of warmth and respect for the
characters to draw them as fully as possible within the
limited confines of the animation.
While the first two games in the series were
limited to
characters from Koei's stable of historically - inspired titles, the addition of Tecmo gives us a chance to see
characters like the purple - haired ninja Ayane and Ryu Hayabusa from Ninja Gaiden and Dead or Alive
make appearances as well.
Mia and Sebastian are dreamers trying to
make it in Hollywood with
limiting career defining
character traits: acting and jazz — that's it.
While it's disappointing to see a fantastic
character actor like Ben Mendelsohn wasted in such a small role, he
makes the most of his
limited screen time, especially considering his rascally outlaw doesn't even enter the story until the final act.
With only three principal
characters and a very
limited set, one would expect the film to be stretching to
make it interesting.
There has to be a
limit to the amount of animated misogyny, fart jokes, and stock
characters the popular audience can stomach after what must go down as one of the most woeful summer movie seasons since the distinction started being
made.
The Station Agent: Speaking of star -
making performances, Peter Dinklage does a fantastic job of creating a fully - formed
character that's not
limited by his height.
Thomas Haden Church as Brad's sleazy boss ham - bones his humor hard to ill - effect while Bobby Cannavale and Hannibal Buress both
make ample use of their
limited supporting
character roles.
One is tempted to blame a 86 - minute run time, and the rushed nature of some
character awakenings (Edwards's in particular) would seem to support that, but then the snail's pace of the talky, inert proceedings
make the film — and Murphy — feel like its wasting its precious,
limited time.
Zero is full of fine craftsmen like Kyle Chandler, Mark Strong, Joel Edgerton, James Gandolfini, Mark Duplass, Harold Perrineau, Stephen Dillane, and Clarke
making the most of
limited screentime and convincing you that their
characters are invested in this cause but smart enough to be skeptical.
Though constricting these
characters» personalities into differing ideologies can be considered
limiting towards their development, it
makes for fantastic rapport as each member of this understated cast offer a string of remarkably quotable lines as an almost Hitchcockian level of suspense lingers through this carefully woven mystery.
However if you are a true Etrian Mystery Dungeon fan, then why settle for the standard version, when an Etrian Mystery Dungeon 10th Anniversary
Limited Edition Box will also be released later on this year and consists of a copy of the game, a 200 page long
Character Art book and a special -
make box.
Quillevere is adept at avoiding clichés and
makes every scene count, adding welcome dimension to
characters with only
limited screen time.
You have
limited skills here so
make sure that you equip them carefully for your
characters.
Meanwhile, the year's best fanboy movies, «Kick - Ass» and «Scott Pilgrim vs. the World,»
made a combined $ 79 million at the box office (which is nearly $ 50 million less than «Iron Man 2»
made in its opening weekend), showing that there are
limits to what comic book
characters will cross over.
Even so, the main game will only take most players a few hours to see through to its conclusion and utterly fantastic end credits sequence, with replaying on higher difficulties and leveling up the
character's stats seemingly being the main reasons to return — though the superb soundtrack, cool visuals and gratifying core gameplay
make doing so a fun, if slightly
limited experience.
Considering the circumstances, Daley's
character is
limited in his responses to it all, and
makes for a second effective long - running joke.
His
character knows technology is needed to
make the world better, but there are
limits especially when it's used to replace humanity instead of saving it.