Sentences with phrase «character moves along»

The player character moves along from one point to another, sometimes joined by a man's voice that narrates a discombobulated overall story.

Characters move along a grid based system, where they are able to move during their turn to the areas highlighted in blue, then attack enemies on areas highlighted in red, or heal / buff allies on areas highlighted in green.

Not exact matches

Principal characters include Albert B., J. Cheney, George B., and Ruth D. Wells, along with George Watson, the man behind moving the first buildings to the Village, and antiquarian Nina Fletcher Little, hired by Cheney Wells to coordinate decoration of the Towne house.

If you are following me for a while you must have realized how much I appreciate clothes that have a character of their own, move along with me.

Sheen is pretty gripping as the main character, and the movie keeps moving along at a brisk pace, changing locations to keep things interesting and really building towards the climax as we go deeper and deeper down the rabbit hole.

La Soga was a deep character, but the rest were just shallow characters that helped move the plot along.

Sheen is pretty gripping as the main character, and the movie keeps moving along at a brisk pace, changing locations to keep things interesting and really

Like the 1997 Austro - German production, I was unquestionably distanced from the actions out of a human need to dissociate with the stories and characters who move along in Haneke's violent, pseudo-sexually abhorrent world.

The characters are all enjoyable, if not very deep, and the plot moves along fast and the movie never lets up.

Ya there's a good amount of moves and characters to play as but the reason its not good is because it throws in a lot of USELESS characters along with a lot of moves which are much of the same.

Sheen is pretty gripping as the main character, and the movie keeps moving along at a brisk pace, changing locations to keep things interesting and really building towards the climax as we go deeper and

The costumes also had to move and dance along with the characters as they performed their beloved music.

Overall, though LaBute's dialogue is very good and the actors are fantastic, there isn't a substantive story or a guiding theme to move the film along; it remains a character study, stagnant, like many of the lives it depicts.

The plot was suspenseful and moved along briskly, and thanks to the skills of the British actors, every character had a personality and was not a stereotype.

Why isn't the story moved along and we find out more about these characters as the movie plays out?

But to move the stories of the new characters along I for sure think Captain America has to die.

Warm, thoughtful and personal, their song book stays true to the spirit of the characters and helps move the plot along, allowing Mia and Sebastian the opportunity to say what they might not otherwise in «real life».

Seyfried is very amusing and endearing, but at times her character is just needed to move the plot along.

That Let's Go to Prison remains fairly entertaining throughout is clearly due in no small part to their efforts, and it's hard to entirely dismiss any film that features a character singing along (quite badly, no less) to Technotronic's «Move This.»

On the one hand, the new scenarios and characters can keep the story moving along without things getting too bogged down.

We don't really get any sprinkle of indication he exists in the first act, which makes him a placed character to move along the story.

A new character trailer for Dragon Ball FighterZ shows off Super Saiyan Blue Vegeta, along with some of his signature moves in the game.

Peele's vision for a thriller doesn't involve characters making terrible decisions to move the story along.

Your main character in the game has only a few default moves and some extra special moves along the way.

Nicholas Sparks is sitting this January out, but Forever My Girl offers a shoulder to cry on, along with the hallmarks of the most romantic movies ever made: parenthood, precocious kids, humble small - town stores, and the grim specter of death forever hanging over the characters» every move.

Other actors like Stacy Keach, Juno Temple, Jeremy Piven, Ray Liotta, Christopher Lloyd, and Christopher Meloni make appearances, but they are distant secondary characters that don't have a lot of screen time and just move the plots along.

Players tap their amiibo figure to the Wii U GamePad to roll the dice and move along the board, with each space involving their character in a short sketch.

Welcome to the Punch sets itself up as a rather conventional genre film, but where the writing may lack a depth of character or thematic weight it's more than made up for in terms of sensory - appealing thrills and a hyped up rhythm that keeps things moving along at an appropriately rapid pace.

The characters, while some what flat (besides the inspiring Jane Levy) are merely there to move the greater plot along, the rise of the deadites and the reign of the «abomination.»

Eastwood's Noelle character is portrayed as villainous just as much as she is portrayed as virtuous, and indeed as the movie moves along she is seen more and more as the villain in her own story.

As it moves amusingly along, «Lucas» gets us sufficiently caught up in how its hero is going to handle the failure of his first love affair that it comes as a disappointment when Mr. Seltzer winds it all up by switching from a comedy of character to a fable.

The pace moves along swiftly, we care about the characters, and the payoff is brilliant — even if Channing Tatum and Daniel Craig don't dress as dapper as George Clooney and Brad Pitt.

With the new film comes a new director, Francis Lawrence, who gives us less character touches but more emphasis on action (thankfully, with less of the shaky - cam effects of Gary Ross), which may please those looking for the dystopic film to just keep moving, even if it seems to skip some narrative steps along the way.

In fact, dialogue is kept to a minumun throughout the film's 94 - minute run time, which moves along at break - neck speed that however, doesn't grants us much time to engage with any character.

Niceley directed by Scott Hicks (SHINE), and with a very effective cast of character actors, the film moves along a bit slowly but ultimately pays off with a very fine last 20 minutes of emotional resolutions.

Just to keep things moving along, «Fifty Shades Freed» often requires the main characters to act like idiots.

There's enormous energy in the narrative, which constantly moves forward, introducing new characters and old ones along the way.

Thankfully, the movie doesn't rely too heavily on the strength of its characters to move the story along, but when your lead is as bad as Peck is here, it's hard to ignore.

He has to drag out some of the predictable character conflicts to keep things moving along, but in the end the story with which he's working is simply not that compelling.

Some of the character relations become repetitive as well as things move along.

«Blanka tries to license his likeness so he can move out of his mom's basement» is not the direction I predicted the character would go, but sure, I'll play along.

Coming into any sequel blindly can make that experience tough to sit through without getting too confused or losing interest; fortunately because this is a feel - good movie and the ensemble cast has strong chemistry — it wouldn't surprise me one bit if half the time Terrence Howard isn't even in character while cameras are rolling — the story actually moves along at a comfortable pace, enough to make certain loose ends easy to ignore (again, if you're coming in without seeing the original).

The plot moves along at a fair clip, but Frank remains a funny, if largely uninteresting character, forcing the script to do the heavy lifting when the characters can't manage it.

While the dialogue often feels perfunctory, the appealing characters and fine cast move it along with convincing warmth.

With spotty acting, superficial developments, and rules that seem to be made up as the film moves along, Dead Silence is strictly only of interest to audiences who are all about scary images set to ominous music, caring far less about a good storyline to follow or characters who do or say things that might be plausible to anyone who experiences them in real life.

As the film moves along the jokes and setups become more predictable due to the one - dimensional nature of each character.

As the movie moves along, it improves and is also good at showcasing the characters at various times.

So he gets the person who performed in the beginning to help him defeat the workers of her dad so they wont move Comic Con away to Toronto and the daughter knows him from 7th grade and alot of crazy stuff happens along the way and it could have the same style of scott pilgrim and have some the characters of the movie to be in it.

Director Mike Mitchell keeps things light and moving along nicely in Sky High and kudos must also go to costume designer Michael Wilkinson, who does a nice job of subtlety keeping each character in their own unique colors.

The excess of character and incident tends to bog down the film's latter half just when things are moving along nicely.