Sentences with phrase «character moves into»

with Nicole Kidman and Will Ferrell — the white cottage Kidman's character moves into is perfect inside and out — my dream house!
As the main character moves into a new unit, the furthest one from the player that resides in memory is cleared and the next one loaded.
[i] Magical Melody [/ i] begins with your character moving into town to take part in a farming program.
Often times a platformer hero will jump behind the wheel of a go - kart or pick up a tennis racket, but sometimes characters move into genres in which they aren't really expected.
After the five characters move into the small room at the entrance of the mansion, the door slams shut and a ghost appears — it begins threatening you and then disappears.

Not exact matches

Within three seconds, Selerity's bots synthesized the report into less than 140 characters and tweeted it out; four seconds after that the market was moving.
For the careful reader, foreshadowing creates a particularly effective form of engagement, ultimately moving into the territory of dramatic irony, where the reader knows more than the characters in the story.
He asks whether, as we move into a new culture that is strongly oral in character, whether theology and doctrine are necessarily the best way of ensuring integrity and continuity of our faith tradition.
That an event moves toward its final cause (which is its subjective aim)... means that it has a «vector character,» that it is a passage from immediacy of the present into the future.
We pray for our brothers and sisters around the world, dying and starving and losing some cosmic lottery that we didn't ask to win and, from far away it looks like we are all losing but there are stories of redemption there, too, and isn't prayer more about us being changed into God's character than actually about moving his hand in our direction?
Each time the home team moves into the red zone — known as the «Kolache Factory Red Zone» - the company donates a certain percentage of its proceeds to the Houston Texans Foundation, which supports youth programs in education, character development and health and fitness.
but, here's a little reminder of his importance (i) upon arrival his was the goal that catapulted into th CL; (ii) when others were tired and unable to respond he has the strength of character to fight to bring us into the game; (iii) he scores the goal to save us face in FAC after last seasons fiasco; (iv) he is without equal our best player so he already earned the right to be in the highest bracket of epl strikers, we need sanchez desperately we've no choice other than to pay # 320K + and build into his deal performance rated enhancements so as we're all able to move forwards.
T moved into a toddler / junior bed a while ago (at 14 months) and I'm really not a fan of Character bedding so seeing the gorgeous Cute Babies — Bedding for Babies and Kids was a relief — I love this Japanese Dolls cot bedding and I've added it to my basket for today
As the main character, Sage, moves from a rundown orphanage into a large palace, treachery and deceit begins to unfold chapter by chapter, twist by twist.
Second, if you make a move that runs counter to the identity that you've constructed for yourself, no matter how advantageous that move may be, it's ultimately counterproductive as it calls your character into question — undesirable in a leader (and particularly in the midst of uncertainty).
Politics may be moving into the digital age, but can serious political debate really take place in just 140 characters?
That is a signature move of Bill and is something that he put into the character.
If Bay shot footage of an intersection, the animators would integrate computer imagery into Bay's background plate so they could better control the action of the animated characters moving through the scene.
To get a virtual character to move realistically, the artist has to define the key frames, but dragging each virtual limb into the required pose with a computer mouse is tedious and time - consuming.
Getting our own place and moving into an area with my friends as neighbors has somehow made me feel like a character in Desperate Housewives...
They have the ability to meet each other and get a feel for each other's personality and get to know each other a little better before they take it offline.With «webdating,» you get a feel for chemistry and the ability to pinpoint each other's personality and character; you can see them, see how they smile, see how they move and this gives you insight into what that person is really like as opposed to just reading a typed profile or chat with them on IM which is less personal.
At the age of four, Norah moved with her mother to a Dallas suburb, where she grew into a woman, beautiful in both form and character.
As the multiple narrative strands move from character to character — a sympathetic insurance assessor (John Ortiz), a curmudgeonly pack rat (Bruce Dern), a widow (Burstyn) picking through the remnants after a house fire — the would - be medley quickly devolves into a series of actorly monologues on a thesis.
Right when you think the film is about to kick into gear and start moving faster, it flashes back to a moment from the past where two character talk for extensive periods of time.
Knightley's character flirts with Manic Pixie Dream Girl preciousness, but imbues the character with a humanity that transcends the type; she's got a lovely monologue at a key moment in their arc (concerning her love of vinyl, of course) that moves the film into the realm of pathos with an almost invisible dexterity.
«With that said, the finale does a good job of moving these characters into new places, both physically and emotionally...»
As with Lawrence, Edgerton presents his character in an understated way, letting gestures and looks communicate Nash's feelings and only moving into exaggerated action when the scene calls for it.
Screenwriter Peter Morgan and director Fernando Meirelles» 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century.
During the»30s he played high - energy, gregarious leads in many «B» - movies and second leads in major films; later he moved into character roles.
Scenes bump into one another as the story lacks any real sense of narrative cohesion, but more a collection of scenes meant to move the characters around the landscape in an effort to make sure all their ducks are in a row for the big finale.
However, the characters the film does focus on get storylines that move them into new directions, something that even their solo films don't always accomplish.
Another audacious move from Russell, touching on controversial topics like homosexual couples adopting children and drug use; however, such themes are weaved into the story in such a manner that they organically blend within the characters» world.
Once he's moved into the director phase of filmmaking, it's about actors sticking to his script while digging into their skill set to bring their own perspective into the character they're bringing to life.
Although the Mad Titan Thanos has been ominously lurking in the background of the Marvel Cinematic Universe since Joss Whedon's first Avengers movie, Infinity War will finally move the character into focus and Josh Brolin is charged with bringing the motion - capture figure to life on the big screen, having made brief appearances in previous movies.
Never in a million years would I have guessed that the same filmmaker might turn around and make something like Tangerine, his punk - as - fuck portrait of a much seedier L.A.. It's not just a total creative 180, but kind of the opposite of a sell - out move: Trading a formulaic story for an unpredictable one and a slick Indiewood aesthetic for a gorgeous, radical lo - fi approach, Baker trains his iPhone camera on the kind of characters — black and transgender prostitutes, immigrant cabbies — that the movies rarely acknowledge, let alone put into starring roles.
His character Nate Johnson has recently separated from his wife and moved into another house down the street.
Moving from a blizzard - swept stagecoach into a claustrophobic mountainside haberdashery, Tarantino constructs several top - tier sequences with his characters, especially while using the post-Civil War setting as a prime source of discomfort.
In between these boss levels, Castles is a relatively easy - going match three that is built around the fairly unusual idea that players control a character on screen who must physically move blocks into place by pushing and pulling them.
Now that «B» movies have moved into «A» positions — films based on comic - book characters, etc. — it's more difficult to find guilty pleasures, but I still have a soft spot for most disaster movies.
There's a particularly heartfelt and comedic scene in American Ultra, in which Jesse Eisenberg's character, Mike Howell, stoned out of his goddamn mind, looks at a car that's crashed into a tree, and with a single tear streaming down his face — something of an Eisenberg specialty — apologizes to his girlfriend Phoebe Larson (Kristen Stewart) for being the tree that's stopping her, the fast - moving car in this metaphor.
Collaboratively realized, these characters reflected our innermost feelings, thoughts, concerns and aspirations, thrilled and moved us, guided us to places we had n`t been before and, when their cinematic journeys were over, they leapt from the movie screens and into our hearts and minds.
Adapting a short - story collection by James Franco, Coppola preserves the episodic structure of the book, allowing her camera to move among the characters with a breezy sense of freedom: April (Emma Roberts), the intelligent yet vulnerable good - girl lured into an affair with her charismatic but creepy soccer coach, Mr. B. (played by Franco); Teddy (Jack Kilmer) who's in trouble with the law and in love with April; Fred (Nat Wolffe), Teddy's cocky, bad - influence sidekick; and Emily (Zoe Levin), the profoundly sad school slut who freely dispenses blow jobs in place of genuine connection.
I do not feel like Jackson and company needed to incorporate previous characters into it if they do not enhance the story or move it forward.
«It is just a renaissance going on in 2017 and now moving into 2018 where female - led movies and movies with female characters at the centre of the story have moved front and centre in terms of the box office and in terms of critical acclaim.»
That Song to Song moves past figurative framing in its immersion into a female character's life suggests an evolution that may not readily announce itself among the film's more expected retreads of the Malick house style.
Villagers who are summoned can be invited to move into town, and scanning special characters induces as - yet - unknown functionality.
The film is smart to both celebrate the concept of «Boston Strong» and question what goes beyond the slogan, and thanks to Green's deft eye and sensitivity to character beats it all accumulates into a moving, effective piece that refuses to make empty heroes of its protagonists.
It could easily have descended into impenetrable coldness, but the women characters keep the film moving.
Mission Mode consists of a series of more interactive tutorials — these start out simple with stuff like how to move, tag and combo, but then ramps up into a series of ten character - specific challenges for each character in the game.
The Marvel Battlegrounds set turned the game into a 3D free - roaming fighter, going as far as to create all - new move sets for every Marvel Comics character in the game.
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