The title of «Good Time,» a nerve - jangling new thriller from New York - based directors Josh and Benny Safdie, is uttered briefly in the movie's final moments by
a character of little consequence.
Not exact matches
The most salacious behavior that she described is
of relatively
little consequence, even if totally true — it would be completely in
character for the man Americans have gotten to know during years
of trashy tabloid coverage to (per her account) flirt with a porn actress, compare her to his daughter, brag about a magazine with his face on it, get spanked with it, and cheat on his spouse.
Though the script comes across as being a
little too busy at times — a likely
consequence of Anderson forgoing his customary writing partner and the added discipline that comes with one — he makes up for that lack
of focus with the pitch - perfect casting
of Ralph Fiennes as Gustave H., by far one
of the most memorable
characters that Anderson has ever created.
These changes are not huge in themselves, but as the coda that plays over the closing credits reminds us, even the smallest things can have the most unpredictable
of consequences — and although the scenes involving mysterious sneeze guru and failed Presidential contender Humma Kavula (John Malkovich), an entirely new
character, seem to have
little point here, there is no doubt that his rôle is destined to become more pronounced in the inevitable sequels (note the many verbal references to a certain «Restaurant at the End
of the Universe» towards the film's close).
Many
of the
characters are caricatures, but McDonagh never loses sight
of their worth no matter the
consequence, showing a belief that all
of us are capable
of just a
little grace, even if that doesn't wash away our past sins.
Scott's film aims for some kind
of ironic poetry
of American Exceptionalism, the
characters do
little to get their hands dirty directly, and yet suffer all the
consequences.