Sentences with phrase «character seen in the film»

They were also inspired by a family of ranchers they stayed with on one trip — the family became the basis of the T - Rex characters you see in the film.

«I feel like one of those characters you see in films — the person standing in front of an enormous bookcase, feeling like they'll never catch up.»

Not exact matches

The dark comedy Three Billboards Outside Ebbing, Missouri won big at the Golden Globes earlier this year, but the film has also seen a sustained backlash from critics over its questionable ending and a perceived failure in fleshing out the movie's non-white characters.

There's a scene in the film Up in the Air where George Clooney's character, Ryan while firing J.K. Simmons's character, Bob realizes he isn't buying the platitudes spouted upon him, and helps him see inspiration in his unexpected transition...

Meanwhile, Vox recently floated the idea of Fox going all - in on Deadpool by launching a film series, similar to Disney's The Avengers series, that would see his character team up with others from the X-Men comics to form a group known in comic books as the Uncanny X-Force.

We won't spoil much about the character if you haven't seen the film, but the droid, masterfully played by Marvel veteran Paul Bettany, steals just about every scene in which he appears.

You don't have to get far into most feature films to see some impact of money and wealth, but some movies put money front and center as the main feature, almost warranting its own mention as a character in the credits.

Groups of young friends who go to see some of the more death - focused horror films in vogue of late will routinely take bets on which stock character will face a grisly end soonest, as when viewing the Final Destination series» a film series that is, essentially, the apex of the set - piece disaster horror movie as orchestrated by MacGyver.

It's not hard to see that the characters in this film have lost something of themselves to both what they have experienced and what they have done.

If we compare and contrast the aristocratic character of rock with that of disco, by using the two films in question, we see that disco's aristocracy is more natural, whereas rock's is more heroic.

So if we can increase the percentage of women working behind the scenes on films, not only will women's voices be heard more, but we'll see a result on - screen in an increase in the percentage of female characters.

In the film's opening reels, we see the characters attempting to film their post-suicide video with fake AK - 47s and even attending a terrorist training camp in Pakistan, with hilarious consequenceIn the film's opening reels, we see the characters attempting to film their post-suicide video with fake AK - 47s and even attending a terrorist training camp in Pakistan, with hilarious consequencein Pakistan, with hilarious consequences.

As a graduate student, David saw Yes Man, a 2008 film in which Carrey's character is forced to say yes to all propositions.

TV shows became confusing: in one film, she was surprised to see a character reel as if punched by an invisible man.

Play Download: Going on a successful date with Schternvart's character model can be seen on the movie posters for the films The Mainframe and Silent But Violent in Grand Theft Auto: Liberty City Stories.

In «Nashville» and his back - to - back triumphs «The Player» (1992) and «Short Cuts» (1993), he pointed the way for Paul Thomas Anderson's «Boogie Nights» and «Magnolia,» and in the last year I've seen several more films of interconnected characters, most recently «Wonderland» and «Five Senses.&raquIn «Nashville» and his back - to - back triumphs «The Player» (1992) and «Short Cuts» (1993), he pointed the way for Paul Thomas Anderson's «Boogie Nights» and «Magnolia,» and in the last year I've seen several more films of interconnected characters, most recently «Wonderland» and «Five Senses.&raquin the last year I've seen several more films of interconnected characters, most recently «Wonderland» and «Five Senses.»

But the quibbles over the technical aspects of the film rightfully take a backseat to the real reason why people will stand in line, in the heat and the rain, to be one of the first to see this end — Harry Potter is a great movie character.

There's not much going on here that most audience members won't see coming miles away - ie the transformation of a crusty old blind character into someone distinctly more kindhearted, thanks to the presence of Quill - but the film nevertheless remains engaging, primarily thanks to director Yoichi Sai's patience in allowing things to play out naturally.

The point is that, yakuza films have always been a topic that I'm always interested in watching because, as I see it, it's almost impossible to tell a movie in these setting with these types of characters.

Youth In Revolt is the sort of film that perhaps asks too much of the viewer, there is different things going on around the central character of Nick Twisp, played by Michael Cera, who we finally see a glimpse of a different sort of

Sure the animation was a standard for Disney between the 1940's and 1970's, where you can see certain characters move in the same way as other characters from earlier or later films, but that was solely due to the limitations in the animation room at the time.

At one point in the film, a character is accused of «profiteering off the miseries of others» and that is exactly what Zombie will do to you if you see this movie.

A perversely disturbing and highly uncomfortable film that bursts with overwhelming sexual intensity as the characters engage in a compulsive fetishistic psychopathology that is strangely telling, even if it will probably leave most viewers repelled and make them never want to see it again.

Also, it would have been nice to see characters from the original appear in this film as well.

When I first saw the trailer for this movie I thought it was good to be another awful horror film, but the twist led by the characters played by Bradley Whitford and Richard Jenkins makes this one of the most inventive horror films I've seen in a while.

On the one hand, we get to better know characters barely seen in the film (if at all).

That narrative slyness is especially welcome in Friedkin, acting as a palliative to the sensory overdose in which he habitually deals; such a contrast was nowhere to be seen in «Bug» (2006), a film that sent me straight from the cinema to the pharmacy in search of anti-itch cream, but we find it in the first half of «Killer Joe,» thanks to the title character.

Heather herself is also a likable character and is well acted by Adelaide Clemens, who I expect to see in more films in the near future.

There's a difference between the character Cave plays on stage and in his songwriting and the one we see here in the film who is candid, confessional and though immensely talented, at times rather ordinary.

It is a welcome surprise to see a lighthearted Western that places its importance more on the characters than on the famous real gunfight depicted - and the deep - focus shots are beautiful -, but still the film has trouble with maintaining the focus and pacing in the second act.

If you've caught any of the media blitz for the film you've seen the episode in which Ferrell's character swings at Galifianakis» and accidentally slugs a baby, but it's still funny to watch the characters» horrified reactions, smartly played in slow motion while we hear «My Country «Tis of Thee.»

The characters are all very fun to watch, the comedy that comes from the situation our main character is in is very funny, and is definitely a film people need to see, especially in our environment that's thankfully becoming more tolerant.

There is nothing too complex or overdone about it, which is kind of what I was hoping for, but there are no real stakes aside from seeing if our main characters make it out alive, which in the end does not really matter, because they all pull of ridiculous stunts, making for a very far - fetched film.

Announcing that the 1996 - 1997 season of Roseanne would be his last, Goodman limited himself to infrequent appearances on the series, his absences explained away as a by - product of a heart attack suffered by his character at the end of the previous season.After making his 10th appearance on Saturday Night Live (2000), Goodman could be seen playing a red - faced bible salesman in director Joel Coen's award winning O Brother, Where Art Thou (2000), and participated in Garry Shandling's film debut What Planet Are You From?

The characters are all very fun to watch, the comedy that comes from the situation our main character is in is very funny, and is definitely a film people need to see, especially in our

Speaking of Burton, forget the Jews, because this film really looks bad for atheists, as I can see some Bible thumper saying that the most inaccurate thing in this (Snicker, snicker) Biblical drama is Burton's character feeling guilty about killing Christ.

It's just that the film feels so unusually empty; even if he has subtly snuck his usual hallmarks into the mechanics of the narrative itself, he's populated the foreground with characters who never come alive as anything more than archetypes, who trade in so much exposition it's hard to see how any audience member could be overwhelmed with confusion at the story being told.

Over and over in the course of the film, we can see Spacey, a good actor, reaching down into himself to find a source of verity for this plot - constructed character.

Since the controversy erupted, director Laura Brownson and team exclusively filmed with Rachel, her sons and her adopted sister Esther, capturing the intimate, vérité life story of a damaged character who lands squarely in the cross-hairs of race and identity politics in America — and exploring how that character still provokes negative reactions from millions who see her as the ultimate example of white privilege.

Ann is a character easy to fall in love with, and she's the heart of the film, even if you - like John - don't see eye to eye with her.

In the several films I've seen him in, he has universally been the worst actor, and the most annoying characteIn the several films I've seen him in, he has universally been the worst actor, and the most annoying charactein, he has universally been the worst actor, and the most annoying character.

Unlike series co-star Biel, Mitchell remained with the program throughout its run, and through many character changes that found Lucy marrying Kevin Kinkirk, working as an associate pastor, giving birth, and surviving both a miscarriage to twins and clinical depression.Although Mitchell branched out from television into cinematic work as early as 1996, with a turn in the fantasy - action thriller The Crow: City of Angels, and continued intermittent film appearances (such as a supporting role in 2005's slasher movie Saw II), she made no secret of her real passion: performing country music as a guitarist and vocalist.

Warren Beatty's shapely 1981 epic, based on the life of radical journalist John Reed, is a stunningly successful application of a novelistic aesthetic — a film that makes full and thoughtful use of its three - and - a-half-hour length to develop characters, ideas, and motifs with a depth seldom seen in movies.

However, unlike silent star Marsh, Parker's characters usually enjoy a satisfying «worm has turned» moment — one of her first major film roles was as the abused wife in Fried Green Tomatoes (1991) A more self - reliant Parker was seen in the 1990 AIDS - related TV movie Longtime Companion, as the supportive «earth mother» to a group of urban homosexual men.

Not that you would expect them to, though Brooke is probably the coolest character in the entire film and it would be fun to see a film based just around her and her powers.

The first time I saw Jacob Lofland in a film his character's name was Neckbone.

From the looks of it, not even the DVD producers have seen the film; the cover art places Michael Kelly's assistive supporting character on the front in a place and style clearly meant for Koteas» more prominent slimeball.

Written and directed by Karen Leigh Hopkins, the film's tone looks to be all over the place, but it's good to see James Badge Dale as something other than a supporting character in an action blockbuster.

This film also creates and continues to develop some of the best characters seen in any star wars films.

The big lebowski is one of the best films of all time the characters have a likability that most films cant capture, the dialogue is one of the funniest and most natural I have ever seen and the film has a lot of things to uncover such as theories that are not directly told but in a subtle way so multiple viewings is beneficial and a lot of fun.