Sentences with phrase «character work at times»

While this juxtaposition may seem like simple character work at times, it actually points towards much larger themes that emerge as the team continues its work with the creatures.

Not exact matches

Disney's first original character creation was Oswald the Lucky Rabbit, but it was officially owned by Universal Pictures because he was working under contract at the time.

So he developed a technique of setting a few characters in a unique situation, then working with them, 2,000 words at a time, to see what happens.

And yet, with breathtaking cluelessness, TIME framed the millennials» desperate search for stable work as a privileged character flaw — look at the kids too flaky to handle «choosing from a huge array of career options.»

I've found that at times, a closed door has a mirror on it, forcing me to examine myself and showing me something about myself, some part of my character that needs work or a facet of my spiritual life that requires attention.

These films were in stark contrast from Scorsese's work at the time, the character study of a live - at - home, celebrity - obsessed comedian with delusions of grandeur in King of Comedy and the «one crazy night in Soho» comedy After Hours — both of which met tepid results.

Phrygian to me i sense that you are struggling with issues in your mind that you cant reconcile and these issues are affecting what you believe in your heart and therefore your faith in God.I had something similar happen to me recently regarding the story of the demon possessed man at one point the demons begged Jesus to cast them into the pigs does that mean that Jesus was implicated with the work of satan.It cast my mind into doubt and then i began to question who God is.I prayed and sort the holy spirit for an answer the answer i got was that Gods character never changes he is always holy righteous and sovereign why else would satan ask for his permission.So the answer was that he allowed satans purpose to prevail so that we can see that satans intention is always to destroy it may well have been that the pigs were his anyway.As they were for the gentile nations who offered the pigs to their demon Gods.Just as satan can not change who he is the destroyer the thief the liar God can not change who he is when we realise that despite what we see going on in the world God is still the same yesterday today and forever.The time is coming when those that have hurt others will be judged for there wickedness as we serve a holy and just God.Just as it was in the times of Noah so it is with this this generation that as the wickedness reachs its zenith then the Lord will return to judge the nations.He is coming again and we need to be ready it is not a time to be caught sleeping.brentnz

Tough, a former editor at The New York Times Magazine and the author of Whatever It Takes: Geoffrey Canada's Quest to Change Harlem and America (2008), believes that students from schools like KIPP may have «character advantages» over their wealthier counterparts because of the hard work it takes for them to succeed.

Read The Times report: http://www.thetimes.co.uk/tto/education/article3807588.ece Read the CofE's press release: http://www.churchofengland.org/media-centre/news/2013/07/secretary-of-state-for-education-calls-for-continuing-partnership-with-cofe.aspx Listen to Michael Gove's comments at the event: http://www.archbishopofcanterbury.org/data/files/resources/5093/130703-Lambeth-Education-seminar.mp3 Read more about the BHA's campaigns work on «faith» schools: http://www.humanism.org.uk/campaigns/religion-and-schools/faith-schools View the BHA's table of types of school with a religious character: http://www.humanism.org.uk/wp-content/uploads/schools-with-a-religious-character.pdf The British Humanist Association is the national charity working on behalf of non-religious people who seek to live ethical and fulfilling lives on the basis of reason and humanity.

This was at a time when Little Britain's Vicky Pollard and Catherine Tate's Lauren Cooper were on our screens - characters that, in 2006, a survey found that 70 % of TV industry professionals believed were an accurate reflection of white working class young people.

The work, while «real» according to the BMJ, has at times been impossible to test or based on fictional characters and traits.

Just because my workplace dress code is so different from what I'd prefer to wear when I'm not going to the office, I end up having at least two «characters», one for work, and one for the rest of the time.

In free time I love to have rest on character, to play on musical tools, my works of the mother at musical school, and I too there st...

When it's able to create amazing moments of tension and terror, like the fantastic season opener, and at the same time being able to flesh out some characters in the process, that's when it works the best.

Early on, you try to establish character while still being funny, but it's a lot of work, then you shed characters and concentrate on what the audience seems to respond to - and hopefully at this time, the audience is still there.

I normally suck at fps but this game allowed me to get better at them and the same time enjoy them the thing that ade me get this game was the rpg elements and I have to say they work pretty well but when you play with people who have modded guns (like me) and you don't it is a little frustating and it's because of that, that I realized I was tired of the game; after playing as every character and defeating the game on hard a couple of times I realized there wasn't much else to the game to keep me entertained.

With solid actors, good writing, vibrant costume work, a terrific score from Coogler - regular Ludwig Goransson (Central Intelligence, Stretch), humor that's delivered with refreshing subtlety, and Coogler's taut pacing that also takes the time to build up its scenarios, Black Panther succeeds at delivering an unlikely solo effort in the superhero genre, and leaves skeptics and those completely unaware of the characters within the comic books hungry for more.

The most prominent characters include Haven Hamilton (Henry Gibson), a socially conservative, arrogant country music star; Linnea Reese (Lily Tomlin), a gospel singer and mother of two deaf children; Del Reese (Ned Beatty), her lawyer husband and Hamilton's legal representative, who works as the local political organizer for the Tea Party - like Hal Philip Walker Presidential campaign; Opal (Geraldine Chaplin), an insufferably garrulous and pretentious BBC Radio reporter on assignment in Nashville, or so she claims; talented but self - involved sex - addict Tom Frank (Keith Carradine), one - third of a moderately successful folk trio who's anxious to launch a solo career; John Triplette (Michael Murphy), the duplicitous campaign consultant who condescendingly tries to secure top Nashville stars to perform at a nationally - syndicated campaign rally; Barbara Jean (Ronee Blakley), the emotionally - fragile, beloved Loretta Lynn - like country star recovering from a burn accident; Barnett (Allen Garfield), Barbara Jean's overwhelmed manager - husband; Mr. Green (Keenan Wynn), whose never - seen ailing wife is on the same hospital ward as Barbara Jean; groupie Martha (Shelley Duvall), Green's niece, ostensibly there to visit her ailing aunt but so personally irresponsible that she instead spends all her time picking up men; Pfc. Glenn Kelly (Scott Glenn), who claims his mother saved Barbara Jean's life but who mostly seems obsessed with the country music star; Sueleen Gay (Gwen Welles), a waitress longing for country music fame, despite her vacuous talent; Bill and Mary (Allan F. Nicholls and Cristina Raines), the other two - thirds of Tom's folk act, whose ambition overrides constant personal rancor; Winifred (Barbara Harris), another would - be singer - songwriter, fleeing to Nashville from her working - class husband, Star (Bert Remsen); Kenny Frasier (David Hayward), a loner who rents a room from Mr. Green and carries around a violin case; Bud Hamilton (Dave Peel), the gentle, loyal son of the abrasive Hamilton; Connie White (Karen Black), a glamorous country star who is a last - minute substitute for Barbara Jean at the Grand Old Opry; Wade Cooley (Robert DoQui), a cook at the airport restaurant where Sueleen works as a waitress and who tries unsuccessfully to convince her that she has no talent; and the eccentric Tricycle Man (Jeff Goldblum), who rides around in a three - wheel motorcycle, occasionally interacting with the other characters, showing off his amateur magic tricks, but who has no dialogue.

With Feig's gentle touch, the film reminds one of producer Judd Apatow's best work, films in which he refused to turn his characters into plot devices, allowing them to become three - dimensional while being endearingly goofy at the same time.

It manages to work unused concept art, classic Double Fine characters and Eddie Riggs all into the same strip, giving us a history lesson and putting a smile on our faces all at the same time.

Both are works of generous, compassionate Americana which revisit the characters of the originals at middle age, and each is concerned with the passage of time, with missed connections and paths not taken.

While sequels like Iron Man 3 and Captain America: The Winter Soldier have overcome feeling like prequels to a different story audiences haven't seen yet, other entries into this super-powered universe, efforts like Thor: The Dark World, Avengers: Age of Ultron and Captain America: Civil War, struggled to come across as anything other than vehicles conceived and designed to get all of these characters into one place at the right time for this May's massive Avengers: Infinity War, none of them working outside of the larger story being told and as such aren't very entertaining or worth watching more than once.

In it, two very minor characters from Tusk — Colleen C. (Lily - Rose Depp) and Colleen M. (Harley Quinn Smith)-- spend their time working at a convenience store and going to a strip mall yoga instructor (Justin Long), all the while rarely looking up from their phones.

The movie works as well as it does because Fleming and co-writer Sheryl Longin have real affection for their lead characters, even when they're failing to understand the full ramifications of their time at the White House.

There were a few minor issues — the character of Morgana and his purpose as a «guide» for Joker feels suffocatingly restrictive at times, acting as the annoyingly vocal wall preventing the player from engaging in the game's activities during main story events, and the English localisation and voice - work, despite its overall quality, often felt stilted and flowed much less naturally in the early game compared to its predecessors.

As for Day, who worked with first - time feature director Richie Keen on the TV series It's Always Sunny in Philadelphia, it's not that his performance was weak, but rather that I just didn't care about his character at all (despite the fact that he was given an overdue pregnant wife and young daughter as justification for why it was critical that he keep his job over others who had been let go in a massive, nonsensical layoff).

Also, (i) the 2018 copyright date at the end of the video, (ii) the absence of Bandai Namco (who developed Smash Bros. 4) next to that copyright notice, (iii) the new Smash Bros. title logo, (iv) the presence of brand new characters, (v) the working title in Nintendo's press release, and (vi) the recent tweet from Sakurai that he has been working on this game in secret for some time point pretty definitively to this being a new Smash Bros..

While appearing in her fair share of high - profile projects like Legally Blonde and the Hellboy films, she's always maintained a steady pace of acclaimed independent work at the same time, from her collaborations with Todd Solondz (Storytelling, Dark Horse) to becoming one of John Waters» most absurdist modern characters in A Dirty Shame.

In order to make Silent Hill 2 work we need to be focusing on making the characters real by having high - quality textures, and at the same time we must improve the gameplay so people will feel, even though its really horrific, we must make them want to play the game over and over.

However / whatever the fates aligned that allowed Dan Gilroy to make the film — a thrilling, blackly funny character study - cum - success story in the vein of «King of Comedy» with hints of «Taxi Driver,» all under the guise of a «Network» - style harsh media critique — is moot at this point, because the film should be a lasting work that should find even greater appreciation with time.

DeWitt's work here also fits the autumnal mood of the film, its low tenors slowing down to a crawl at times as things get ugly between the characters, only to jump back to life as things pick up and seem hopeful, even happy (only insomuch as Philip would be capable of such a genuine feeling, of course).

Well done • Variety interesting report on a working class actor running for the SAF - AFTRA presidency • i09 12 things to love about The Lost Boys (1987) that have nothing to do with vampires • Coming Soon several characters from AHS: Cult revealed • NYT on the casting of indian actors for Taylor Sheridan's Wind River • MNPP Hugh Jackman and trainer - in - speedo spend soooo much time at the beach.

He makes his interconnecting story work with some great character choices, and at the same time gives us a few scenes where we enjoy some honestly fun moments.

The movie's only flaw is also a virtue: It's jammed with characters, stories, warmth and laughs, until at times Curtis seems to be working from a checklist of obligatory movie love situations and doesn't want to leave anything out.

But at least scripters Tony Gilroy and William Blake Heron give her a character to work with, which is more than be said for other talented actors filling out the ensemble, such as Julia Stiles (merely marking time as the baddies» resident computer expert) and especially Clive Owen, who is completely wasted as a barely - seen and - heard evil operative.

The DIY approach to filmmaking might have hobbled Benson and Moorhead in the acting and pacing department at times, yet the unique nature of the story they want to tell paired with the earnest character work that plays out makes it worth a watch.

At the film's recent press day, McCarthy, Falcone, Sarandon, Gary Cole, Mark Duplass, Nat Faxon, Sarah Baker and Kathy Bates talked about how the project first emerged, what sparked the idea for the story, how growing up in Illinois informed McCarthy and Falcone's comedy, what the stellar cast brought to the movie, their characters and how improv colored them, working with a first - time director, Sarandon's new look, the convincing couple dynamic between Bates and Sandra Oh's characters, Sarandon's selfie with Geena Davis that went viral, and the possibility of a «Thelma & Louise» sequel.

Wonder Boys is about characters and interactions; it's about one of our most talented screenwriters, Steve Kloves (The Fabulous Baker Boys, Flesh and Bone), working at the absolute top of his profession; and it's about a cast so very sublime and dead solid perfect that wondering what will happen next doesn't drive the film so much as hoping that whatever it is takes its sweet time: We want these people to stay put.

«We have worked together a few times and we do not take the characters home at the end of the day,» she said.

Once Upon A Time star Sarah Bolger holds down the «scream queen» slot, but has little else to work with, since her character - documentary filmmaker Eva - is an enigma the movie only hints at, but never commits to exploring.

He is fearless, and willing to tackle a unique array of characters from blockbusters like «Man of Steel» to independent films like «Take Shelter» to television like «Boardwalk Empire,» never straying far from his stage work at the same time.

Mother, Jugs & Speed is one of many seriocomic work - related movies to come out in the mid-70s, not too dissimilar to Car Wash and FM, with an ensemble cast of eccentric characters, sporting a hip (for the time) soundtrack and a marriage of fun with drama at the end.

Lurking behind this lack of telling detail seems to be an incuriosity about how the world actually works: Would a State Department employee theoretically stationed in Vienna (a character played listlessly by the usually excellent Peter Sarsgaard) really be able to spend all his time at his bayside mansion in Marin County — and would he genuinely imagine that serving as a European diplomat would be the ideal building block for a congressional run?

Though he comes across as a mild sociopath at times (like in one scene where he matter - of - factly tells Phil that he wants to rip open his antique grandfather clock to see how it works), Gyllenhaal imbues Davis with enough charisma that he turns an otherwise unsympathetic character into someone whose erratic behavior is understandable, if not completely relatable.

Giamatti talked about how wild it was to be a part of such a historically terrifying story, that he describes as «a horror movie, in itself,» and said that he played one of the wealthiest slave traders in America, at that time, how difficult it was to do some of what his characters does to these people, and how amazing it was to work with the director, who wanted to create a world it which these actions were completely normal.

If we really wanted to, I'm sure we could think of several more characters from Breath of the Wild alone that could work, and that thought is both exciting and terrifying at the same time.

When you are playing you can only control one of the three characters you have in your party, but you can flip through each party member at the touch of a button and as such, allows you to pull of a huge musou attack with one, switch quickly to the next and repeat, switching to the third member and unleashing musou hell again... This is of course a tactic I deployed and one that works well, especially when taking on multiple enemy generals or lots of enemy soldiers at the same time.

Depp's affection for quirky characters can be grating at times but it worked well in the first film.

The key, says new headmaster Thomas Nammack, is that «the school is working on character education in many ways, on many levels, all at the same time.»

«At the same time, there is a strong evidence - base indicating that the use of dramatic enquiry — a drama - based practice where the teacher and pupils work in roles within a fiction to explore a story in a particular setting with developing characters — as well as the creation of a «community of writers», where the teacher writes alongside the children as a role model, can make the process of writing more meaningful for children.»