Sentences with phrase «characters acting in ways»

The ending is a mess, with characters acting in ways just to make us think they're guilty, regardless of whether they are or not.

Characters act in ways that defy motivation or logic, lacking credulity way beyond the usual horror film tropes.

Meanwhile, characters act in ways that are similarly inconsistent.

The characters act in the way you expect, and despite Cianfrance's attempts to layer the film with long, sweeping moments and beautiful cinematography, it doesn't do much to elevate the story into something more unique, or at least more riveting.

You can make your favorite characters act in any way!

Not exact matches

When we feel paralyzed by a particular incident, we are forced to act and behave in ways that might seem out of character for us.

That was a very interesting read many comments caught my attention I've recently been diagnosed with Bipolar I have hallucinations and hear voices in my ear's when I hallucinate it's likes they are trying to get me thousands of them I can only describe them as dark shadows and they are trying to get me just as they are about to get me a brilliant white light surrounds me and there's three entities humanly shaped but like this brilliant white light they are also glowing this brilliant whiteness I can't understand what they are saying the only way I can explain it is emotions comfort joy love is what I feel emanating from these entities the voices I hear aren't evil telling me to do bad things to people when I get put into a mode of fear I live in a rough area of Scotland and everytime I've got into a fight something possesses me I know this for a fact as I can't control myself I'm an observer watching my family / Friends say I change they say my eyes change and I look evil I personally do think possibly through my own personal experience I» am possessed as I act out of character I've lost interest in many things I've recently I decided it's time for change I've lost my faith I've been trying to connect with God and feel his love which I used to feel the presence of the holy spirit everytime I try connect I get a feeling of abandonment I just think if I am possessed could these entities stop me connecting with «God» I can say from my heart of hearts «JESUS CHRIST HAS COME IN THE FLESH» I think it's more to do with the persons own personal fears which I have noticed my fears have changed if I had to be truthfully with myself I fear God which I know I'm not supposed to just I can't explain it I guess if you ever need a test subject I'm up for the challenge like I said I'm on journey to find myself and my travels have brought me hear I'm going to hang around for a wee while there's lots of good information to be plundered loin my ear's when I hallucinate it's likes they are trying to get me thousands of them I can only describe them as dark shadows and they are trying to get me just as they are about to get me a brilliant white light surrounds me and there's three entities humanly shaped but like this brilliant white light they are also glowing this brilliant whiteness I can't understand what they are saying the only way I can explain it is emotions comfort joy love is what I feel emanating from these entities the voices I hear aren't evil telling me to do bad things to people when I get put into a mode of fear I live in a rough area of Scotland and everytime I've got into a fight something possesses me I know this for a fact as I can't control myself I'm an observer watching my family / Friends say I change they say my eyes change and I look evil I personally do think possibly through my own personal experience I» am possessed as I act out of character I've lost interest in many things I've recently I decided it's time for change I've lost my faith I've been trying to connect with God and feel his love which I used to feel the presence of the holy spirit everytime I try connect I get a feeling of abandonment I just think if I am possessed could these entities stop me connecting with «God» I can say from my heart of hearts «JESUS CHRIST HAS COME IN THE FLESH» I think it's more to do with the persons own personal fears which I have noticed my fears have changed if I had to be truthfully with myself I fear God which I know I'm not supposed to just I can't explain it I guess if you ever need a test subject I'm up for the challenge like I said I'm on journey to find myself and my travels have brought me hear I'm going to hang around for a wee while there's lots of good information to be plundered loin a rough area of Scotland and everytime I've got into a fight something possesses me I know this for a fact as I can't control myself I'm an observer watching my family / Friends say I change they say my eyes change and I look evil I personally do think possibly through my own personal experience I» am possessed as I act out of character I've lost interest in many things I've recently I decided it's time for change I've lost my faith I've been trying to connect with God and feel his love which I used to feel the presence of the holy spirit everytime I try connect I get a feeling of abandonment I just think if I am possessed could these entities stop me connecting with «God» I can say from my heart of hearts «JESUS CHRIST HAS COME IN THE FLESH» I think it's more to do with the persons own personal fears which I have noticed my fears have changed if I had to be truthfully with myself I fear God which I know I'm not supposed to just I can't explain it I guess if you ever need a test subject I'm up for the challenge like I said I'm on journey to find myself and my travels have brought me hear I'm going to hang around for a wee while there's lots of good information to be plundered loin many things I've recently I decided it's time for change I've lost my faith I've been trying to connect with God and feel his love which I used to feel the presence of the holy spirit everytime I try connect I get a feeling of abandonment I just think if I am possessed could these entities stop me connecting with «God» I can say from my heart of hearts «JESUS CHRIST HAS COME IN THE FLESH» I think it's more to do with the persons own personal fears which I have noticed my fears have changed if I had to be truthfully with myself I fear God which I know I'm not supposed to just I can't explain it I guess if you ever need a test subject I'm up for the challenge like I said I'm on journey to find myself and my travels have brought me hear I'm going to hang around for a wee while there's lots of good information to be plundered loIN THE FLESH» I think it's more to do with the persons own personal fears which I have noticed my fears have changed if I had to be truthfully with myself I fear God which I know I'm not supposed to just I can't explain it I guess if you ever need a test subject I'm up for the challenge like I said I'm on journey to find myself and my travels have brought me hear I'm going to hang around for a wee while there's lots of good information to be plundered loll

God does not contradict the divine self, is true to the divine intention, loyal to the divine character, acting always in ways that are congruous with the divine final goal of the rule of love.

Important points of transition, both collective and individual, somehow need to be acknowledged and accentuated by special acts and symbols; graduation from college continues to be such an event, and the widespread impersonal character of diploma presentations does not satisfy the need for marking the time in a special way.

He will always act consistently with His character, but He is creative enough to do that in different ways!

In summary: both in order to foster the relationships that nourish our own growth and in order to create in ourselves the broadest and best character, we do the best for ourselves when we act in that way which is also best for others — in lovIn summary: both in order to foster the relationships that nourish our own growth and in order to create in ourselves the broadest and best character, we do the best for ourselves when we act in that way which is also best for others — in lovin order to foster the relationships that nourish our own growth and in order to create in ourselves the broadest and best character, we do the best for ourselves when we act in that way which is also best for others — in lovin order to create in ourselves the broadest and best character, we do the best for ourselves when we act in that way which is also best for others — in lovin ourselves the broadest and best character, we do the best for ourselves when we act in that way which is also best for others — in lovin that way which is also best for others — in lovin love.

But it could also be an act of manipulation to groom the pastor to perceive the abuser's prior offenses and character in a way that allows him to begin to groom and abuse future potential victims.

True to that vision, The Goldfinch remains a largely secular story, and its characters often act as if God does not exist: They live for the moment, sin boldly, and speak in profane ways.

In this argument, if the character of a particular local church were found to be Dionysian, the explanation would be that a deep paradigm of Dionysian norms and dynamisms informs the way the parish values and acts.

but, im ok with this vardy transfer... it shows us many things: 1) wenger is changing, something some of us have been demanding for a long time; 2) it shows that wenger is taking risks: think about it, he is buying a men for a not cheap price, knowing he could not getting anything after, with a future sell i mean... this is an act that shows wengers intentions to win something, the buy is not motivated by any financial or economic reason but only for a «get the f epl once again» reason... this is an act that shows us hungry, even if we fail, we could said we try... first ever, we really try; 3) finally but very important... vardy is the kind of player we need... he is a warrior, a fighter... he has character... look at how he celebrate his goals... full of energy... he, like alexis, can motivate the team when the things are not going in our way (something wenger cant do because of his age and because he has never been an active coach on the pitch)... the vardy transfer, if it finish well, is a demostration of a change, and a good one... lets take care of winning things and do nt look the economic side for once... vardy is a bit old, but we can give a chance to welbeck after maybe, or akpom... u are not thinking about the future when we talk about ibra... guys: u complain when wenger do nt spend or because he is always looking for the bargain when u are the guys who has to pay the very expensive tickets... u complain when wenger buy the always for the future guy... like morata... stop to complain for everything and be consequent with yourself... i would love auba, but it is not going to happen... lukaku is awesome but the asking price is stupid... lets try with vardy, give us the throphy..

The way they act is very slapstick and reminds me of a certain pantomimic characters which why I think they're the best mascots in the sporting world

Using Podio as our interactive platform will allow us to make decisions and discuss our motivations as we — acting as our «characters» in this fictional school district — make our way toward successful school breakfast implementation.

On World of Warcraft don't your characters / avatars sometimes act in ways that reflect what you type?

He concludes that the only way to beat such distractions is to develop certainties about what is central to one's own self «to undergo a period of deliberately acting in the ways that mould one's character to one's desire».

Obviously these characters look and act the way they do because in the videogame they have special traits for the gameplay, in the movie its just off the wall nonsense.

Fastvold's idea of creating mystery amounts to watching characters behave in bizarre or erratic ways, leaving room to theorize what past traumas could cause someone to act in such a way.

A much more restrained Xavier Dolan after his pretentious previous film, and he displays an assured direction and firm control of this suspenseful thriller, even though the narrative seems to move too fast as the characters start to act in ways that are not always convincing.

They're all impressive - large, well engineered monstrosities with actors thinking and acting in ways that humans never think or act - and not one of them has the pure humanistic love that this film has for its characters and for people in general.

Running over two hours, Depp's character continues to evolve but little can be noticed in the way he acts.

The two characters act as mirrors of his own experiences and behaviors in a way that allows Bale to essentially act against himself.

Dion's character is written in such a clumsy and obvious way that Sturgess's only option is to drench a lot of acting sauce on his scenes and then proceed to chew»em all up.

Broken Age tries to end on a heartwarming final scene, but its an ending that it doesn't feel like the game earned, with Act 2's stagnant characters never maturing or developing in any way that would give the scene the emotional weight it seems to think it evokes.

Brilliantly acted by Jackson, Tarantino's longtime muse, this alternately deplorable and pitiable character is in some ways the true villain of the piece.

A well - acted, if not terribly well - crafted, character - driven drama without much in the way of a purpose.

But I think what makes this show truly stand out is the lead character Tara's anguish and suffering that through Toni Collette's Exceptional acting is able to portray in a way that makes us feel and resonates within us sympathy and a deep emotional connection for her.

It's well - acted in every scene, realistic in its character development, set in a place that feels like a town down the street, and always level in a way that so many directors find it hard to control.

The two leads (Broadway legends Celia Johnson and Trevor Howard) act as if they were still on the stage, their facial expressions, the way they hold one another, the way they carry themselves in these desperate times, really spoke volumes about the way the characters interacted with each other.

And several of the characters are a little over the top in both the way they're animated and how they act.

Yet again, since The Danish Girl doesn't develop its characters in a before - and - after sense, and keeps Einar's / Lili's internal reasoning at arm's length (the reasons Einar / Lili act the way he / she does is never really explored), it is difficult to connect with Lili.

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

Shandling chose well throughout the series» run and — from the veteran to the novice, the theater - trained acting teacher and character actor to the comedy troupe star in his most subtle role — they all tend to feel the way Tambor does: «It changed my career.

None of these other characters really matter though, they are in a way just extra props for Petit's act.

It takes a similar plot (a girl's inexplicable obsession with a jerk as the crux of a police investigation), similar structure (flashbacks and an unreliable narrator expose the truth of the jerk's vanishing act), similar setting (a gothic academy), and even a similar conclusion (Abandon's is a million times sadder, if atonally winking in and of itself), but Gaghan, besides sparking with his characters in a way that is foreign to the makers of The Hole (there, director Nick Hamm is less interested in compulsion than in repulsion), has no use for sensationalism — The Hole is a piece of tabloid reportage next to Abandon, which wallows humanistically in the epidemic of loneliness.

Dominic West was given a darker narrative to run with as Noah in the second season and it provided him an opportunity to develop the character in an optimal way that showcased his acting abilities.

How does having acting experience influence the way you create characters in the scripts you write for the actors who will play them?

Though the narrative shares some obvious similarities with the three - act structure of the first movie, «Catching Fire» is superior in just about every way, including stronger, emotionally - charged performances from Lawrence and Hutcherson and better character development for the other tributes, who are more than just numbers and faces this time around.

One moment, they're behaving in the most loathsome ways; later, they're performing acts of kindness you wouldn't think these characters are capable of.

Not surprisingly, the acting here is consistently superb, from Ronan adding another wonderfully complicated character (with a perfect American accent) to her repertoire to a supporting turn from Metcalf that gives her the rare opportunity to dig into her talents on the big screen in the way she gets to on stage and television.

If only Michell didn't have to swing for the fences and go for the riveting finale, which threatens to unravel all that the story had built up to that point, with a silly story of obsession that causes every single character of the movie to act in a way that no one would ever act in reality, merely for the contrivance of making this a thriller.

Scene after scene demonstrating how awful he is (how about that post-coital bedroom scene, acted so well by McDonald) play out with little to no relevance to the ongoing narrative and aren't done in any particularly nuanced way as to help form more than a one dimensional perception of this character.

The narrative trips itself up somewhat with a messy third act that falls into predictable realms of police corruption and overly convoluted, poorly explained schemes to benefit the hierarchy while threatening the lives of our main characters (for some reason) but the lack of coherency can't get in the way of Creevy's skill for adrenaline - fueled action filmmaking and that is where Punch really delivers.

It's truly in the Oasis where the character really comes to life but even there, Wade acts like a typical teenager who falls in love easily (way too easily) and simply wants to win the grand prize.

In many ways, the real protagonist is Oldman's scientist character, acting as advocate for the transhumanized Murphy.

Cassel's character Gregori acts as surrogate father to the kids, but also trains them in more violent ways than most regular upbringings would offer.

The only weak links in the cast are Kevin Nash, who still can't act his way out of a paper bag, and Amber Heard, whose character (a potential love interest for Mike) is such a wet blanket for a majority of the movie that it grinds to a halt whenever she's onscreen.