Sentences with phrase «characters all moved at»

Your character moves at a slow pace, and some of cultural humor is outdated.

What you notice immediately is that this film and its characters move at their own pace.

Your character moves at an alarmingly fast pace for an FPS.

That wouldn't be so bad if the game played a bit faster, but the character moves at a more leisurely and plotting pace.

The decision to do this is intentional, of course; unlike excuses of a «Cinematic Experience», Guilty Gear's characters move at a frame rate that is more in keeping with that of traditional animation and anime in particular.

Sure, Outcast isn't a game that puts emphasis on combat, but given the tremendous amount of rabid enemies constantly shooting at you, you'll need to fight some people every now and then, and it's not very enjoyable, given the input lag, overall dated aiming system, very slow camera movement, and the fact your character moves at a snail's pace.

Not exact matches

Over the last fifteen years or so I have seen (and been moved by) many of the aspirational / inspirational billboards sponsored by The Foundation for a Better Life, an organization that promotes common - ground character virtues while trying at the same time to avoid being a partisan in our contemporary....

Joining a club of arsenal s stature has its ups and downs.There is a requirement of how our players should perform when on the pitch.The following is a list of players who were wrong to choose arsenal.Aaron ramsey - Even though he is the most favoured of all players at the club now.I cant help but think how it would have gone for Him if he decided to search for other greener pastures.He was a clear talented footballer during his time at cardiff but he hasnt been raised with the discipline at arsenal.You can always see ramseys all round strengths but sadly Its not helping him or the club with his foward moving pleasurr.He is so Over used and its sometimes difficult for him to get used to the rythm of the game.With time you realise he gets low ib confidence and his engine gets wasted.He needed somebody who would have managed him properly and with care and that person is certainpy not wenger.You would have been better off at Manu mate.Calum chambers - Came us a very talented player from southampton with raw talent.He was very good at first but wenger found a way to reduce his level of confidence.His inexperience was left exposed and wenger did nt do anything to resolve that problem and instead He looked for other talented players.Alex oxlade chamberlain - Another very talented player who needed only his skilled sharpened and his character modelled.That and he was ready to become a world beater.But wenger decided to let him run and run like a headless chicken causing him to be often injured and damaging his confidence.Who knows what would have happened to him gad he decided to look for more greener pasture.He is surely a much better player than this.Theo walcott - Another player who was tipped to have a very bright future.He had it in him.But all he needed was an appropriate manager who would nurture him with discipline and help him with his talent.But on Coming to arsenal he was given Much more responsiblities putting more weight on his shoulders on top of that another player who was recklessly managed with his talent and never coming off age because his character wasnt properly shaped.Mesut ozil - Al right i agree he perfoms well just recently.But imagine all the legendary players he was often compared to during his time at real madrid.On coming to arsenal he found no rotation often overused, suffered many injuries and his confidence dwindled.It is pretty clear arsene does not take any responsibility for players.And when at arsenal you have to be your own manager.You need not rely on your manager otherwise you might continue being the same player for the next many years.That is why each and every player are what they are because of their own efforts and wenger had nothing to do with it.Van persie was the same player for over 7 years untill he himself decided to change.Wenger only organises and prepares tge team while the rest is in your court.It is not what so many people make it out to be.Thats why we need to pressure wenger more than our own players.They are their own self managers and wenger needs to take that responsibility

They said he was a difficult character, wouldn't listen to experienced players and so on, but he was a great example of a player making the right move at the right time.

Such a move would have been out of character for the 24 - year - old and he spent five hours at the Spurs training complex at Enfield.

T moved into a toddler / junior bed a while ago (at 14 months) and I'm really not a fan of Character bedding so seeing the gorgeous Cute Babies — Bedding for Babies and Kids was a relief — I love this Japanese Dolls cot bedding and I've added it to my basket for today

The stock 1950s characters lined up at the bar comparing campaign stories, plotting their next moves and generally shooting the concordant breeze.

New York State Police Superintendent George Beach praised the character of Davis at an Army base in northern New York where Gov. Andrew Cuomo and other dignitaries saw hundreds of state troopers move hats from heads to hearts as they passed the casket of their fallen brother.

The game controller - style joysticks and buttons allow the camera operator to change perspective within the virtual 3 - D space; move the camera down and tilt it up and the monitor displays a CGI character from below, just as if you were pointing a real camera at a real actor.

This is a favourite Nolan trope, also used in his mind - bending hit Inception, in which time moved at different speeds depending on the dream state his characters were in.

At almost three hours long the film does feel overstretched, with a set - up period of at least 45 minutes which moves at a languorous pace as it doles out arguably unneeded exposition and character motivatioAt almost three hours long the film does feel overstretched, with a set - up period of at least 45 minutes which moves at a languorous pace as it doles out arguably unneeded exposition and character motivatioat least 45 minutes which moves at a languorous pace as it doles out arguably unneeded exposition and character motivatioat a languorous pace as it doles out arguably unneeded exposition and character motivation.

Sheen is pretty gripping as the main character, and the movie keeps moving along at a brisk pace, changing locations to keep things interesting and really building towards the climax as we go deeper and deeper down the rabbit hole.

Sure the animation was a standard for Disney between the 1940's and 1970's, where you can see certain characters move in the same way as other characters from earlier or later films, but that was solely due to the limitations in the animation room at the time.

At the age of four, Norah moved with her mother to a Dallas suburb, where she grew into a woman, beautiful in both form and character.

Sheen is pretty gripping as the main character, and the movie keeps moving along at a brisk pace, changing locations to keep things interesting and really

Only in the last half - hour do the usual Emmerich absurdities pile up: I laughed outright at the character who, past 65 and diagnosed with a massive brain tumor that will kill him within months, can not be stopped by a ferocious beating, being stabbed in the neck with a sharp implement, then being crushed against a wall by an SUV moving at a minimum of 30 mph.

Sheen is pretty gripping as the main character, and the movie keeps moving along at a brisk pace, changing locations to keep things interesting and really building towards the climax as we go deeper and

for example, at one part the 2 main characters are on top of a moving helicopter and manage not to fall off by running in place super fast on the spinning blades.

Even though they've been drafted on a computer, those spineless blobs bear all the physical simplicity and facial expressiveness of Aardman's best - loved clay characters, and even at the height of their derring - do, Roddy and Rita move like they're in a movie from another, less slick era.

Knightley's character flirts with Manic Pixie Dream Girl preciousness, but imbues the character with a humanity that transcends the type; she's got a lovely monologue at a key moment in their arc (concerning her love of vinyl, of course) that moves the film into the realm of pathos with an almost invisible dexterity.

It is at least on par with, if not better than, Street Fighter 3: Third Strike in terms of fluidity and motion of characters and moves.

Ritter is so charismatic, and so good at toggling between sarcasm and outright pain, that a lot of this is more watchable than it should be, given the glacial pace at which the plot moves and the amount of time spent on lesser characters and filler stories.

This is Schrader at his sparest; characters rarely look warm — the cinematography by Alexander Dynan («Dog Eat Dog») accentuates the wintry bleakness — the camera rarely moves during scenes, silences and awkward pauses abound, and the score by Brian Williams is used sparingly, but always effectively.

When The Social Network was deservedly garlanding awards attention, one aspect which was widely praised was Aaron Sorkin's script; it moved through the creation of Facebook at a blistering pace, conveying both the natural impatience of the characters and the ruthlessness of the world in which they exist.

[An] amiable, rambunctious New World production, aimed ostensibly at the teen trade but more obliquely and effectively at the new wave cult... It's more cleverly cut than shot — which means that it moves quickly and energetically even as the concepts and characters disintegrate.

Crucially, it's the sort of film that breathes in concept and gently suffocates in realization, too internalized to move a wide audience with its subject and characters — at least not in the same way it's clearly moved Holmer.

I'm not one who insists that moves all be warm and fuzzy, but it would be nice to at least be able to feel something for any of these characters.

We've learned enough about the characters for the show to move on to point at hand and reveal more about the characters little by little while the plot moves forward.

When Line passes away unexpectedly, Kelly, the coach, and the rest of the players (personalities not found) face an uncertain road ahead, torn between the agony of moving forward without their beloved friend and the determination to win games «for Line,» the prepositional phrase that nearly every character in the movie says at least six times.

Small visual anomalies abound, be they framerate fluctuations in battle, strange artifacts at the border between moving objects, or characters glitching on the environment.

The four main characters players can choose from at the beginning of the game have very similar move sets when it comes to special moves.

At points, the manner in which Cox delivers his character's mental disintegration is very moving, at others it's clearly a narrative tool, by which revelations can later be used to extra dramatic effect, and sometimes mere expositioAt points, the manner in which Cox delivers his character's mental disintegration is very moving, at others it's clearly a narrative tool, by which revelations can later be used to extra dramatic effect, and sometimes mere expositioat others it's clearly a narrative tool, by which revelations can later be used to extra dramatic effect, and sometimes mere exposition.

While I love the way Gerwig and Baumbach's rapid - fire dialogue moves and breathes, it's difficult to not notice characters don't really talk to each other as much as they talk at each other, divulging random personal facts with little to no follow up.

Seyfried is very amusing and endearing, but at times her character is just needed to move the plot along.

«I see the characters and their move sets as chess pieces,» the producer explained to attendees at last week's Las Vegas - hosted Namco Bandai Global Gamer Day: «they are essential items necessary in the game and we would never sell any of those individually.»

Natalie Portman has hinted at being a versatile actress, willing to go deep to access the emotional soil for a part, but never has she committed this fully and completely, giving herself over as actors sometimes do — Robert DeNiro is Raging Bull, Meryl Streep in Sophie's Choice, Vivien Leigh in A Streetcar Names Desire, Charlize Theron in Monster, Marion Cotillard in La Vie En Rose, Dustin Hoffman in Midnight Cowboy (Tootsie, Rain Man, etc.) These are those rare occasions when the actor is eclipsed by the character, the performance that then reaches something more than likable, believable; it becomes moving art.

«What's moving to me about the story is that at the start it's this guy who just wants someone to pick up after him,» says Ethan Hawke of his cantankerous Everett character in Maudie, which also stars Sally Hawkins as legendary real - life folk artist Maud Lewis.

The exposition never quits (at one point a character moves through a crowd explaining, «They killed my son.

Though it's a bit of a wobbly mess at times, Hacksaw Ridge ultimately winds up being a deeply moving character study about an unlikely American hero.

There's a particularly heartfelt and comedic scene in American Ultra, in which Jesse Eisenberg's character, Mike Howell, stoned out of his goddamn mind, looks at a car that's crashed into a tree, and with a single tear streaming down his face — something of an Eisenberg specialty — apologizes to his girlfriend Phoebe Larson (Kristen Stewart) for being the tree that's stopping her, the fast - moving car in this metaphor.

The storyline - which follows several characters (including Mark Wahlberg's Elliot and Zooey Deschanel's Alma) as they attempt to survive during an environmental crisis - moves at an appropriately brisk pace, though it does become increasingly difficult to look past the pervading lack of tension within the film's more overtly scary sequences.

He has a lock at everything at the home, from bingo to grey - haired girls, until Jones's fast - talking, barely walking character Leo moves in and gives him a run for his social security check.

Strongly resembling the system from Tales of the Abyss, it features a 3D battlefield where characters can move about at will.

A new character trailer for Dragon Ball FighterZ gives viewers a look at Goku Black, a powerful villain from Dragon Ball Super who shares the signature moves and looks of his heroic counterpart, Goku.

Your world map is reminiscent of those older style games where you start at level one and then once you have completed that you move your character on the world map to level two and so on.