Sentences with phrase «characters are in a relationship with»

Children have stat bonuses passed on from their parents and tend to be more powerful units though their class can depend on which two characters are in a relationship with one another.

Not exact matches

When paired onscreen with actors living fully in the present — playing characters who are defined by their relationship with the lead rather than by their own complicated backstories — DiCaprio is again made to suffer.

Even if someone named Jesus with some sort of causal connection to the Jesus in the gospels existed, if you just blandly say that Jesus really existed, you sound like you are confirming the largely fictional being of the gospels rather than someone who stands oin some real but in many ways indirect, even tenuous relationship to this fictional character.

Just over half thought it should mean being «Like Jesus in His relationships with others selfless, giving time, affirming, trustworthy and caring» (which is lovely and true, but might as easily be modelled by the characters in Friends).

In a study of his earlier pictures, Kolker notes that «Scorsese is interested in the psychological manifestations of individuals who are representative either of a class or of a certain ideological grouping; he is concerned with their relationship to each other or to an antagonistic environment... [and finally] there is no triumph for his characters» (A Cinema of Loneliness [Oxford University Press, 19881, p. 162) The Jesus of the Last Temptation fits this pattern (as do Travis Bickel in Taxi Driver, Jake LaMotta in Raging Bull and Paul Hackett in After Hours) By eschewing any reference to a resurrection — and, in an interesting theological note, allowing Paul to suggest that his preaching of the risen Christ is more important than the Jesus of history — Scorsese presents the crucifixion as the final willful act of a man driven by a God who makes strange demands on his followerIn a study of his earlier pictures, Kolker notes that «Scorsese is interested in the psychological manifestations of individuals who are representative either of a class or of a certain ideological grouping; he is concerned with their relationship to each other or to an antagonistic environment... [and finally] there is no triumph for his characters» (A Cinema of Loneliness [Oxford University Press, 19881, p. 162) The Jesus of the Last Temptation fits this pattern (as do Travis Bickel in Taxi Driver, Jake LaMotta in Raging Bull and Paul Hackett in After Hours) By eschewing any reference to a resurrection — and, in an interesting theological note, allowing Paul to suggest that his preaching of the risen Christ is more important than the Jesus of history — Scorsese presents the crucifixion as the final willful act of a man driven by a God who makes strange demands on his followerin the psychological manifestations of individuals who are representative either of a class or of a certain ideological grouping; he is concerned with their relationship to each other or to an antagonistic environment... [and finally] there is no triumph for his characters» (A Cinema of Loneliness [Oxford University Press, 19881, p. 162) The Jesus of the Last Temptation fits this pattern (as do Travis Bickel in Taxi Driver, Jake LaMotta in Raging Bull and Paul Hackett in After Hours) By eschewing any reference to a resurrection — and, in an interesting theological note, allowing Paul to suggest that his preaching of the risen Christ is more important than the Jesus of history — Scorsese presents the crucifixion as the final willful act of a man driven by a God who makes strange demands on his followerin Taxi Driver, Jake LaMotta in Raging Bull and Paul Hackett in After Hours) By eschewing any reference to a resurrection — and, in an interesting theological note, allowing Paul to suggest that his preaching of the risen Christ is more important than the Jesus of history — Scorsese presents the crucifixion as the final willful act of a man driven by a God who makes strange demands on his followerin Raging Bull and Paul Hackett in After Hours) By eschewing any reference to a resurrection — and, in an interesting theological note, allowing Paul to suggest that his preaching of the risen Christ is more important than the Jesus of history — Scorsese presents the crucifixion as the final willful act of a man driven by a God who makes strange demands on his followerin After Hours) By eschewing any reference to a resurrection — and, in an interesting theological note, allowing Paul to suggest that his preaching of the risen Christ is more important than the Jesus of history — Scorsese presents the crucifixion as the final willful act of a man driven by a God who makes strange demands on his followerin an interesting theological note, allowing Paul to suggest that his preaching of the risen Christ is more important than the Jesus of history — Scorsese presents the crucifixion as the final willful act of a man driven by a God who makes strange demands on his followers.

The Bible is full of fairy tales and should only be taken as a piece of literature of great importance just as the Odyssey is, but it shouldn't be used to govern one's life, much less to help build a relationship with the biggest fictional and ever - changing character in human history.

Whatever the relationship between chapters 1 and 3, and whatever the interpretation of Hosea's personality, the prophet was in marriage covenant with an unfaithful woman; and in his own anguish and love for his wife, he believed Yahweh had revealed the nature of the relationship between Yahweh and unfaithful Israel, the specific character of the divine compassion, and the precise quality of Israel's violation of covenant.

In the former, we pray (so to speak) aloud, using words to address God; in the latter, we are not so much concerned to use words as to think about God, his revelation, his will, his character, his relationship with uIn the former, we pray (so to speak) aloud, using words to address God; in the latter, we are not so much concerned to use words as to think about God, his revelation, his will, his character, his relationship with uin the latter, we are not so much concerned to use words as to think about God, his revelation, his will, his character, his relationship with us.

It also explains why so many mistakenly think God is impressed with our level of certainty over our beliefs, when in fact the only thing that means anything to God is how faithful his people are in trusting his character and in living in relationship with him, regardless of whatever level of certainty they have, or don't have.

An alleged peculiarity of Jacob's birth and the subsequent, continuing relationship between the descendants of Jacob and Esau is etymologically explained («heel - holder» — born holding his twin brother's heel, 25:26); while the same man's character (and in their own eyes, surely, that of his descendants who bear the name) is etymologically defined in his other name, Israel (perhaps «Striver with God» 32:28).

These manuals follow a common pattern, taking up individual cases and indicating how they are to be resolved, and the directions they offer are remarkably similar in character.53 The greater number of cases discussed deal with moral perplexities — questions involving family life, economic activity, military service, political issues, the relationship of master and servant, the right use of recreation — but spiritual perplexities — involving «the great case which the Jews put to Peter and the jailer to Paul and Silas «54 undoubtedly received equal attention in actual pastoral work.

And because a man is always tempted to live down to the average of his social group, a searching test of character is involved in one's relationship with this dead level of public opinion and practice.

«In adolescence, these (character) strengths are mostly developed in relationships with caring adults,» Tough explained to me in an email about what ordinary citizens can do to helIn adolescence, these (character) strengths are mostly developed in relationships with caring adults,» Tough explained to me in an email about what ordinary citizens can do to helin relationships with caring adults,» Tough explained to me in an email about what ordinary citizens can do to helin an email about what ordinary citizens can do to help.

In one experiment, Critcher asked 186 undergraduates to evaluate 40 positive personality traits by rating them on two dimensions: 1) how much each trait reflected moral character, and 2) whether the participants would or would not be willing to have a social relationship with someone who lacked that quality.

We have therefore designed the process so that singles with complementary character traits are matched, in hope of the best chance of a lasting relationship.

While many of the characters in Dates do go on to start new relationships, it has yet to be with the person they meet on their date.

FindNewPassion.com recognizes that any business that promotes having an affair or engaging in a discreet relationship, is probably operating with a few unscrupulous characters.

For those of you who don't know, Valent Chamber is a pretty cool site that features fan fiction and original fiction with black women as the main characters and more often than not in interracial relationships.

i am a nice and good character behaving man from philippines and now residing in belgium, i want a nice and good lady to date a serious relationship with,

If you are good - looking and fun to be with, women from Indonesia might overlook a few minor character flaws early in the relationship.

hi I'm Asian lady with a big heart,, very good character, sence of humor, loving and Compassionate, loyal, and sensitive, looking for true friendship that will grow into a serious relationship which have resulted in Marriage.

Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a Create A Person - Create a Virtual Person for free, Create a Virtual Character, Create Your Own Character Online, Design a Person, Play and Create Virtual

Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a Mel B seemingly has a type since it has been claimed by TMZ that she is dating a real life Beverly Hills cop - much like the character her ex Eddie

A girl with a fine cool looking appearance ready to love a man of descent character with sincerity in heart, must be a geniune lover that is ready for true relationship cutting across sharing of both interest at heart.

Pos Singles Dating ADHD — Just like being smart or having a sense of humor, ADHD is a positive character... Here's good news for older people considering online dating — Online dating is growing in popularity among single and divorced individuals in their 50s and... «us,» and «our») and emphasized relationships with others as well as

ADHD — Just like being smart or having a sense of humor, ADHD is a positive character... Here's good news for older people considering online dating — Online dating is growing in popularity among single and divorced individuals in their 50s and... «us,» and «our») and emphasized relationships with others as well as Read More...

The goal of a dating sim is to raise your Relationship EXP with characters and after falling in love, to have a happy ending with them.

The three main players make a decent fist of their roles, and it's refreshing to have a female character whose relationship with her male counterparts isn't defined solely in terms of a potential romance.

The most «human» character is Whit Burnett; Spacey plays him with a mixture of rapier - sharp sarcasm (early in their relationship) and parental nurturing (later).

The main characters may seem like generic stereotypes — Phil is the natural leader looking to relive his college days, Stu is the straight - laced zeta male stuck in a relationship with a controlling girlfriend (Rachael Harris), and Alan is the wild card — but their different personalities mesh extremely well.

Unfortunately, Davis has roughly the same relationship with George before he hulks out, and the truth is the movie is a whole lot more interested in its CGI characters than its flesh - and - blood ones, not unlike the currently - in - release «Pacific Rim Uprising.»

But outside of everyone's complicated relationship with the Robot (and even that's a very slow burn), there's just not enough there in the story or characters that feels distinctive or compelling enough to keep going.

I really like Kai's relationship with his niece, she is a definitely an interesting young character, looking forward to see more of that in season 2.

Much of the film's emotional punch comes from the ever - optimistic Dug and his relationships with three key supporting characters: caveman tribe chief Chief (Timothy Spall), who admits he's old for... 32, Goona, a female football phenom who Dug digs (she's voiced by Maisie Williams of «Game of Thrones») and Hognob, Dug's pig pal, who's much more than a pet (he's got a little Gromit in him).

By calling the film Predators the filmmakers are evoking the relationship between the original Alien film and its sequel Aliens by implying that Predators is the rightful follow - up film to Predator and promises to up the ante in terms of action and the number of creatures for the human characters to contend with.

I watched up to episode 2 and it lost me... disappointing after how good Vikings was and I was expecting a lot more historical context and perspective in terms of character motives and their relationships with their gods and each other.

Jones was asked about her character, and while she stayed coy about her name in the film, she did let the following info slip: «It's all quite shrouded in secrecy, but I'm the Goblin's girlfriend - I'm in a relationship with him, and his accomplice.

Rooney's character at the start of Carol is already in a relationship with an over-eager boyfriend Richard, played by Jake Lacy who spoke about Richard:

+ Gorgeous visuals and excellent soundtrack + Sonic Team has ironed out kinks from previous 3D titles + Tails» relationship with Classic Sonic (and just Classic Sonic in general — he's the best character) + Plenty do / unlock after finishing story missions

Too often, however, the screenplay is too obvious in its pipe laying, littered with forced dialogue where characters must quickly assert relationships of «brother» or «uncle» for the sake of running time.

The character of Hicks [Warren Christie] is going to be in a relationship that we reveal this year, sleeping with the boss's daughter.

Although most of the movie is set in the shadow of the Victorian era, the story is illuminated with some more - contemporary notions, such as a sexual relationship between the two unmarried characters.

Deadpool is often described as Marvel's first pansexual character, but this aspect of his personality did not feature heavily in last year's hit film, in which Reynolds» title character enjoys a romantic relationship with Morena Baccarin's Vanessa.

You have characters like — these guys get off the ship and you got the Guardians in this film — are there any you think she has a particular relationship with that are not in the Black Panther movie that you're excited about?

His even more complicated relationship with Patsey (Lupita Nyong» o proving herself to be the film's scene stealer in her feature film debut), the «Queen of his field» demonstrates how McQueen doesn't leave a single character one - dimensional, and their respective demons and qualities are equally fascinating.

The actress additionally took a moment to reflect on the once - in - a-lifetime opportunity of being able to originate a role on stage, while deepening one's relationship with a character through a feature film adaptation.

Exarchopoulos takes us deep inside Adèle's skin in the film's more compelling final third, and she is especially heartbreaking when she portrays the character's attempts to move on with stunned dignity despite the crushing physical isolation she feels even years after the carnal relationship has run its course.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Goodbye Deponia is by far the most text - heavy game of the series, and much of it is simply to become more familiar with each memorable character and their growing (or deteriorating in many cases) relationship with Rufus.

Example: In an amusingly awkward restaurant sequence, bringing together Deanna with her best friend (Rudolph), the college boy Deanna met at a frat party (Luke Benward, sweetly smitten) and various other characters, there's an outrageous relationship reveal that works like crazy with an audience.