Not exact matches
In «A Good
Man is Hard to Find,» a
character named «Misfit» shoots the
family grandmother even
as she is asserting his basic goodness
as a human being.
BY PAUL SCHINDLER With a full 26
characters to spare, veteran Bronx City Councilmember Jimmy Vacca took to Twitter with something of a major status update: «After talking w / my friends &
family I've decided to come out publicly
as a gay
man.
The tabloids: The appearance of all - but - nude body - painted babes in sanitized Times Square — once home to strictly
family friendly
characters like anti-Semitic Elmos and cop - punching Spider -
Men — gave editors of the city's scandal sheets the opportunity to plaster their pages with sexy pics and indignant headlines, engaging in what one Observer contributor described
as the unbeatable paper - selling combo of «simultaneous shaming and titillating.»
«
As it begins, we see a series of
characters and events, which eventually weave together and intersect with Liev Schreiber's
character, Ray Donovan, who is a
family man with a dark Boston past.»
Where the first movie, which begins with Tyler's
character rejecting Speedman's proposal of marriage, subtly positions the masked strangers
as a warped reflection of a nuclear
family — a
man in a suit, a sexualized «pinup girl,» and a cherub - faced baby doll — Prey at Night scores its first killings with Kim Wilde's «Kids in America,» the equivalent of having Bugs Bunny lean into the frame with an arrow - shaped sign reading, «Get it?»
Even ignoring the impolitic elements of
character development, however — which again, Moffat really shouldn't have — the greater sin of The Last Post is that the writing is stodgy and unrealistic plot is
as parched for tension and excitement
as the dunes in the desert where these
men and their
families are stationed.
The difference here being Connery's
character isn't gruff and butch
as you might expect, but actually more quiet, calm, sensitive, a slightly broken
man who pines for his
family.
It's at his usual pick - up haunt one night - a bar
as sleekly and nattily appointed
as the
character's wardrobe - that Jacob first espies Cal, a
family man who has known better days and wants to drink away all recognition of that fact.
The
character,
as Ray apparently sees him, is not the charismatic hero of legend, but rather an angry young
man, driven by the atrocities his
family suffered during the Civil War to revenge himself on Yankees by stealing their money, first from banks, then trains.
That is to say,
as Wood puts it: «capitalism, the right to ownership; the home, the
family, the monogamous couple; patriarchy...» (1) Between
men, nicknaming is frequently the overt articulation of complex and fraught processes of male bonding, enabling the integration of an inexperienced male
character into a group by his more experienced, and previously integrated, elders.
Affleck plays the central
character, Bobby Walker, a suburban
family man whose $ 180,000 salary supports a plush lifestyle, and Wells follows him over the course of a year
as he suffers the humiliation, rage, despair, and self - loathing of a
man cast out of his workplace.
We finally saw our much - beloved
character getting in touch with his berserker side (without the confines of a more
family - friendly rating),
as well
as exploring his humanity within different relationship dynamics, which are
as textured
as films like LITTLE MISS SUNSHINE, CHILDREN OF
MEN and SHANE.
The new setting revivifies the harsh forces of class and gender at work in the story,
as the sweet but inscrutable title
character (Freida Pinto) falls under the spell of a wealthy young
man (Riz Ahmed) and leaves her
family in dusty Rajasthan for better wages in Mumbai and glamor at the margins of the film industry.
Ryan Gosling has made a name for himself playing
characters who live on the fringes of society: his breakout role
as a Nazi - sympathizing Jew in The Believer, a half - baked teacher in Half Nelson, a
man in love with a blow - up doll in Lars And The Real Girl, and most recently, a fledgling musician whose temper and lack of ambition prove destructive to his
family in Blue Valentine.
After many years and many movies» worth of juggling
characters, Furious 7 settles on the core trio of Dom, FBI - agent - turned - rogue - turned -
family -
man Brian O'Conner (the late Paul Walker), and Dom's girlfriend Letty (Michelle Rodriguez), who was presumed dead in 2009's Fast & Furious, then revealed
as alive and amnesia - addled in Fast 6, where she served
as a conflicted villain.
From a half - Shawnee Indian's bold choice to escape an abusive home only to find herself with a
man who will one day try to kill her, to a brave young girl's determination to protect her younger sister
as methamphetamine ravages their
family, the
characters in this remarkable novel have deep connections to the land, and a resilience that only the place they call home could create.
With unforgettably vivid
characters, mesmerizing language and page - turning suspense, Circe is a triumph of storytelling, an intoxicating epic of
family rivalry, palace intrigue, love and loss,
as well
as a celebration of indomitable female strength in a
man's world.
There are teenagers who perfectly fit the stereotypical image that the media loves so much of comic - book fans, little kids who love anime, young boys and girls out with their confused parents, cosplaying parents out with their confused children, entire
families dressed up
as the cast of Firefly or
as Star Wars
characters,, bemused grandparents being lead around with a smile on their face that suggests while they are a little baffled by the entire thing they're having a good time, middle - aged
men and women who look like they've just come straight from work and enjoy a good comic and every other type of human in - between.