Not exact matches
Yet all fiction writers (and
playwrights and filmmakers, for that matter) must make similar imaginative leaps, and will be judged —
as Styron has been judged — by how convincingly they portray the
characters whose points of view they've done their best to assume.
The screenwriter /
playwrights have processed the
characters» last words in ways that imbue them with
as much humanity
as possible.
There's the crazy housemate (Tom Hollander, funny
as a surly
playwright); there's the kooky, damaged woman close to the main
character (Lydia Wilson playing Tim's troubled sister, Kit Kat).
Writer / director Martin McDonagh - making his debut here - has infused the majority of In Bruges with a deliberately - paced, overly talky sensibility that undoubtedly reflects his background
as a
playwright, and it's certainly difficult not to admire the fervor with which both Farrell and Gleeson tackle their respective
characters and the film's ample dialogue (the actors» heavy accents does make it difficult to make out every word, admittedly).
As a character study it's near masterful, and as an examination of one brand of small town America you could never tell that it was written by an Irish - British playwright (and multiple Tony award nominee and Olivier winner
As a
character study it's near masterful, and
as an examination of one brand of small town America you could never tell that it was written by an Irish - British playwright (and multiple Tony award nominee and Olivier winner
as an examination of one brand of small town America you could never tell that it was written by an Irish - British
playwright (and multiple Tony award nominee and Olivier winner).
Instead of holding up the play's lead
character Margaret (Frances McDormand)
as a victim of hard luck, the
playwright shrewdly uses her
as an example of how choices can make or break us, and the smallest twists of fate determine our path.
Long known for his acclaimed work
as a
playwright, McDonagh's twisted yet captivating
characters and scenarios have also made for compelling film viewing, starting with his directorial debut «Six Shooter,» which earned an Academy Award in 2006 for Best Live - Action Short Film, and followed by In Bruges (shot by Eigil Bryld) and Seven Psychopaths.
Wonder Wheel tells the story of four
characters whose lives intertwine amid the hustle and bustle of the Coney Island amusement park in the 1950s: Ginny (Kate Winslet), a melancholy, emotionally volatile former actress now working
as a waitress in a clam house; Humpty (Jim Belushi), Ginny's rough - hewn carousel operator husband; Mickey (Justin Timberlake), a handsome young life - guard who dreams of becoming a
playwright; and Carolina (Juno Temple), Humpty's long - estranged daughter, who is now...
Conveying Irina's desperate insecurity
as she becomes aware that her younger lover Trigorin (Corey Stoll) has fallen in love with the winsome Nina (Saoirse Ronan), Bening makes her
character fully sympathetic even when cruelly insulting her aspiring
playwright son Konstantin (Billy Howle).
The most sympathetic reading of Wonder Wheel is that it's deliberately staged
as the work of a novice
playwright, populated with overdrawn
characters and overheated situations.
Director and writer, Kenneth Lonergan, has a background
as a
playwright so I shouldn't be surprised that brooding drama and interpersonal look into the story's
character's make for something more than the basic film drama.
Along the way its colorful story takes in a host of
characters, locations, and events, from the early Anglo - Saxon tribes; Alfred the Great's stubborn resistance to the Danes; the impact of the Norman invasion in 1066; the «arrival» of such masterpieces
as Beowulf and The Canterbury Tales, not to mention a «coarse»
playwright named William Shakespeare (who alone contributed 2,000 new words to the language!)
You can expect major doublecrossing and bloodshed in this stellar espionage thriller —
as well
as real - life
characters such
as poet /
playwright Bertolt «Bert» Brecht.
Playing himself
as a series of
characters — failed
playwright, struggling erotic novelist, or internet sleuth — Fujiwara weds fact and fiction in an art practice rich with storytelling.
Professional Skills: More than 15 years of experience in handling
playwrights» texts and creative analysis of plays and
character roles Handled play direction and director actors in different styles of acting Managed physical needs on stage
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