Sentences with phrase «characters as the faults»

As for the movie, it's loaded with as many stunning (if not stoned) characters as the faults, not the least vice of which is the lack of narrative clarity to be found here.

Not exact matches

I could not have fault Buffon for his character as a man nor what he has achieved for us but I do not want him to be our captain no more.
«it requires less character 2discover the faults of others than to tolerate» But i think Sczny was very good and can't blame him for the penalty, because he tried as much as he could to avoid contact the refree was just too harsh.
After a series of «comically bad» dates, she felt defeated, as though online dating «only made it easier to meet a whole bunch of wrong men, the kind who lied in their profiles or who had major character faults
Reynolds» superb turn as unhinged central character goes a long way towards smoothing over The Voices» various faults, which finally does confirm the film's place as a distinctive black comedy that is, in essence, an instant cult classic.
Not even Jai Courtney, an actor I have not yet seen deliver a convincing performance and yet I can't fault the fact his character comes off as a mindless drone.
It's a scene that makes sense from a character perspective, but the way it's wedged into the story stops the film in its tracks and it doesn't improve from there as only seconds later Tris and Four have to discuss Caleb's leaving, combined with the requisite «It's not your fault» moment.
That's not necessarily his fault; dramatic actors do not necessarily make it up as they go along, and had he been given half a character, Rickman could probably have played him.
The cold aloofness Hough brings doesn't seem to be entirely her fault, but it nevertheless enhances a lack of character identity, as it's unclear if Ariel is supposed to be lost and sympathetic, or a contemptible, spoiled slut whose boots were made for comin» off (she's been distraught and promiscuous ever since her brother died in that first - reel accident).
It isn't until the arrival of Harris and Pfeiffer's equally unnamed characters, referred to as Man and Woman, that the faults in Mother and Him's relationship are shown.
Reynolds holds himself about as well as he possibly could as the title character, luckily being afforded the opportunity to play him again since he wasn't at fault for the poor treatment Deadpool / Wade Wilson received in that earlier incarnation.
It's not entirely his fault, as the character is just too blatantly evil to be taken seriously.
It may not necessarily be his fault, as King's book was rather long and heavy on character development (so I've heard), not easily to squeezed into a two hour flick.
Is that her fault as an actress to not find some redeeming qualities to her or was that the point of the character as found in the script?
Trying to look at the film objectively, I can honestly say that, even if it falls short of the greatness of a Shakespeare play, as a straightforward film, Nelson's opus is overly melodramatic to a fault, with unconvincing character touches and a climax that borders on idiotic.
The character's sole fault is that she feels rather hallow, as we never gain access to her thoughts and emotions.
Before getting into how spectacular the action sequences truly are (and trust me, they save the blockbuster from plundering to the bottom of the ocean), it must be said that Oscar - nominated Kon - Tiki directors Joachim Ronning and Espen Sandberg have no idea whose story the movie should actually belong to, starting out as Henry Turner's (Brenton Thwaites) quest to free his cursed father at sea Will Turner (Orlando Bloom in a glorified cameo along with Keira Knightley as his partner Elizabeth Swann) to locate the Trident of Poseidon subsequently lifting that curse, and while the ultimate goal of the movie for all characters is finding said artifact for different reasons, by the end it's hard to fault the audience if they have forgotten all about that plot element and are just living in the moment of Jack Sparrow and company battling an army of decomposing, undead ghost pirates led by Captain Salazar.
All of these characters are colorful but so clearly labeled as such that, through no fault of the actors, they wind up having certain robotic tendencies.
The characters come off as fully lived - in with no eccentricities and faults tacked on by the writer to make them more interesting.
That's typical for Bekmambetov, a visual stylist of the Zack Snyder school — every shot is lovingly set - dressed and designed to a fault, but the editing is incoherent, the characters are a collection of coat - racks for pretty costumes, and the storyline is a checklist of familiar events and names, often with a pointed pause as they're introduced.
Despite the large cast and their laundry list of problems, The Royal Tenenbaums makes good following through on the assortment of character faults as well as the various complicated and entangled relationships.
The sophomore feature from director Andrew Wagner is a marvelous, nuanced work with rich characters and complicated relationships, and he embraces their faults with as much love as their generosity.
Despite people finding fault in the lack of bloody kills, I personally enjoyed the quieter end to the story, as it turns this one - dimensional revenge thriller into a deeper character piece.
More importantly, for all their numerous faults, those pieces of pop entertainment treated Wesiz's character as an equal, her strength, resilience and intelligence never in doubt for a single second.
It's no fault of the performances; Tina Fey is excellent and portrays Kim Baker as a complex character with multiple conflicting thoughts, a drive to live a fulfilling life, and superbly uses her natural comedic talent to elicit laughs regarding Kim's initial ignorance of the Afghanistan culture upon first reaching the location.
But Ross also plays one of the 22 major characters — a jazz singer, as it happens, with a suicidal cellist daughter (Lori Singer)-- and her character, as well as Singer's, is both underdeveloped and overstated, at once cursory and stridently mawkish, though this seems to be the movie's fault rather than hers.
Any of the above deficiencies in character which indicate shyness must be penalized as very serious faults and any dog exhibiting pronounced indications of these must be excused from the ring.
For all of Sebastian's faults as a character, the main antagonist is rather brilliant.
I found the story line entertaining and made me feel like I was there with the characters and I really don't understand the complaints of it being hard to understand????? The game does have its faults including that in 70 % of all the time in the boss battles you could not move as the opponents just bashed at you again and again.
With a cracking roster of characters, a deep suite of online options and more single player content on the way, it's hard to find fault with the bigger picture Capcom has in mind here and, assuming the online issues are dealt with quickly at launch and the rest of the game modes arrive as promised, this is looking like a perfect round.
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