This crescendos during the game's 2 boss battles that put
both characters at danger independently and simultaneously.
Not exact matches
This work is necessary to provide for practical theology a method and procedure (built
at least in part on an ethic of principles) and help it to avoid the
danger of associating the ethical core of practical theology with an ethic of virtue and
character.
So yeah, we all know that Black Panther, a.k.a. Prince T'Challa, is going to triumph over adversity in his bid to bring harmony to the kingdom of Wakanda, that there will be the obligatory action sequences where actual
danger is a distant possibility for both hero and bystander, and that the plot will pivot on a mysterious object of unknown origin («Vibranium,» in this case — don't worry if it sounds unfamiliar; the film's
characters will mention it
at least three - dozen times over the course of the movie).
Walton Goggins is a
character actor adept
at juggling
danger and humour in equal measure.
With a feel much like that of a cross between Arrival and Alien, you
at once try to figure out both the importance of the
characters as well as their mission and the extent of its
danger.
Under the wrong stewardship, a cast with this level of star power has the
danger of overshadowing the source material to the point that you're looking
at these
characters as Julia Roberts and Meryl Streep instead of Barbara and Violet Weston.
There is a
danger here, in asking us to watch the reaction shots of a
character who barely reacts
at all.
Instead he settled on the raffish singer - songwriter Johnny Flynn, whose slender frame and scarred face has a great deal of
character, hinting
at both
danger and vulnerability, two of the key ingredients for raw attraction.
But other
characters show up, some perceived as distinct sources of
danger by Catherine, whose apparent paranoia hits full - on Polanski levels
at a party, where a crowd surrounds her in a POV crush of hands and faces.
But overall, it had zero
character development, underused superb cast and I never really felt
at any point he was really in
danger of anything.
The episodic nature of the film, the various physical environments in which Babydoll and her fellow warrior - inmates find themselves, as well as the sexualized nature of these
characters, bear all the earmarks of a videogame, but the real world filled with real
danger that intrudes
at crucial moments raises the stakes, engaging the audience in a way that the female - centric, video - game - turned - film Aeon Flux (2005), which I also like, never quite achieves.
Wahlberg, stern and focused throughout, never flinches
at the mounting
danger as he hurtles through the smoky hallways in an effort to save as many people as possible — although he's mostly focused on saving terrified rig worker Andrea Fleyta (Gina Rodriguez, eyes bulging on cue), whose sole purpose is to give Wahlberg's
character the opportunity for a selfless act.
Our YCW School Coordinators, who are certified as crime prevention practitioners, conduct more than 300 presentations per school year
at the Miami - Dade County Public Schools on: YCW orientations, YCW installation, YCW appreciation, reporting crimes, school safety, school violence prevention, bullying & cyberbullying prevention, sexting prevention, stranger
danger, personal safety, drug prevention, gun prevention,
character education, online safety, anger management, McGruff, and much more.
For the
characters in Christina Adam's Any Small Thing Can Save You, each animal that passes through their world reflects a measured truth about love — between a husband and wife, a child and a parent, a brother and sister,
at a moment of
danger or discovery.
I close my eyes: a
character grabs me by the arm, drags me into a baffling mystery and takes off running with
danger at his heels.
At the same time, I am concerned that many proponents of Social Emotional Learning might not be aware of the increasing
danger to SEL of being «co-opted» by well - heeled and well - known groups and individuals, ranging from «school reformers» to columnists like The New York Times» David Brooks, and converted into a «Let Them Eat
Character» political strategy.