Sentences with phrase «characters getting killed»

Just when you thought that «The Walking Dead» couldn't get any crazier... main characters getting killed off, pushing the limits of cable TV... we get season four, which takes it up yet another notch.

Even with conscious avoidance over the past few weeks, I still couldn't help but find out that major characters get killed and raped in the first few episodes of the new season (my ironic apologies for that minor spoiler, though I unfortunately know exactly which characters are involved).

-- Between the brain and major organs the neck... How many movie and TV characters get killed by a broken neck (especially in spy flicks)?

After the earnest portrayals in Singer's first two X-Men films, the third, ineptly directed in 2006 by the now infamous Brett Ratner, was bleaker than its predecessors: Multiple central characters got killed off, and critics were underwhelmed.

When one character gets killed, the film never fully recovers and loses all sense of hope.

To watch a modern horror movie is often to watch all the most interesting characters get killed while the boring, blank - slate protagonist goes on to save the day.

But I agree that Martin could've written it a tad less roundabout, and it does get depressing at times, seeing every likeable character get killed or maimed.

How to Kill a Character — And Avoid Hate Mail Personally I love it when the main characters get killed off, the more the merrier, it means you can not predict where the author is going to take you as the acts unfold.

a thriller in which a lot of characters got killed off.

Not exact matches

When the best excuse for killing the character was that «get rid of anything remotely affiliated with Enzo», then it's pretty bad... and if it's just as likely «Hunter trying to show he's better than Vince», it's worse.

Anyone remember how satisfying it was to watch the character Mouse get killed off in the Matrix?

It's not about the thrills of killing zombies, this game focuses on the realtionships between characters in a zombie apocalypse scenario, and makes you see how ordinary people can get along (and indeed fall out) in this scenario.

next we have season 3 which got a little back on track with the characters and focus and then the writers do the most horrible thing to their story, kill Elle, who was probably one of the most interesting characters next to syler and Angela.

These guys have good writers and the TellTale engine supports doing that; writing directly to gamers a zombie movie in so many parts is successful and this is one of the few games I'm on my second time through and limited it may be replay wise I just love the different ways to get my characters killed and chose to slay.

Gamora (Zoe Saldana: I Kill Giants, Live by Night) gets a meaty chunk of story, too, though it might feel that way only because she has not been a character explored in much depth before, so there's lots to learn about her.

Where the first movie, which begins with Tyler's character rejecting Speedman's proposal of marriage, subtly positions the masked strangers as a warped reflection of a nuclear family — a man in a suit, a sexualized «pinup girl,» and a cherub - faced baby doll — Prey at Night scores its first killings with Kim Wilde's «Kids in America,» the equivalent of having Bugs Bunny lean into the frame with an arrow - shaped sign reading, «Get it?»

Unfortunately the show is just kinda dumb after that... the scripted dialogue ranges from generic to awful; the characters are pantomimes, you know exactly whether they're good or bad right up front, and the show lacks any sort of organic development or growth, you just don't get into it like you would on a better created and wriiten show.everything is so predictable that by the time big jim kills his nth person it's just sort of «meh whatever» time.

After that, things get frustrating for the bulk of the movie's middle section, with plenty of wheel - spinning and pointless banter to kill the time between a couple of so - so action sequences, one of which kills off an intriguing supporting character five minutes after he's introduced.

If you are going to make a character kill and rape, don't let him get off with a slap on the hand and a patch ripped off his jacket.

In the second installment of this motion picture, the lead character of The Bride continues her vengeful ways by searching for, stalking and then ultimately, attempting to kill, all of the ex-partners who tried to kill her while she was pregnant and getting married.

You got a secluded base where everyone is killed by monsters except for a single child, marines type characters to sort out the mess, crawling through vents with one character going back and blowing himself up, a helicopter pilot being killed by a monster, and finally a climax where our character fights off the monsters with a industrial machine and pushes it into a pit.

Stewart's character is so annoying as she sulks around missing Edward the vampire and pissing everyone off by trying to kill herself and get attention all the time.

With no real story and interesting characters to hold things together, it's just more run around killing random monsters, which gets old wuick.

Repetitive hack and slash which lacks character and scope.you finally get to a boss fight only to get defeated and have to slaughter the same mob you had to kill to reach the boss fight in the first place.

Miyagawa and Takemitsu contribute once again, and although the first half of the film setting up the pair's flight is a bit rote and conventional (featuring far too many plot devices advanced by one character clandestinely overhearing the conversation of another), the movie gets its blood boiling during the second half, which depicts the injustice of their plight and the rage of Iwashita's family, who want to kill her for her shameful misdeed.

He helps Jake Gyllenhaal's character, Tony Hastings get revenge on the parochial group who killed his wife and daughter, determined to exact justice on evil.

Jeff Bridges wasn't happy when a script rewrite killed off his character, but at least he got to be the main villain of an Iron Man movie, right?

It is helpful that there are two sets of villains here: the high school element played for jokes, but then there are more serious bad guys, who can actually scare us into thinking that one of the characters could get killed off.

If you're worried about your favorite character, rest assured that if they do get killed off, you'll likely see it coming long enough to mentally prepare for it.

We won't get into Ken Jeong who we're already so sick of this summer that you almost feel like cheering when his ridiculous homophobic character is killed.

I've been playing for hours trying to deliver a stupid letter going here and then going there and here and there having to save every five seconds in case I get killed, having to talk to boring, stiff, monotonous characters with no personality.

X-men just got around to it sooner, with the franchise having been around long enough that they could build to something like this and killing off characters could mean something.

It's Got: Hitchcockian tension (and Hitchcockian glee in killing off or marginalising major characters); brutal violence; cowboy morality; zombie - like assailants; an early portrayal of drive - by shootings; a driving electronic soundtrack; and a heroine with a confusingly skin - toned sweater which will have you double - taking.

This is really Tom Tykwer's (Perfume, Paris I Love You) showcase, and what the film lacks in terms of exciting and novel plotlines, it makes up for with the director's more realistic approach to the action, where the hero can get hurt, characters aren't always living or dying on cue, and one bullet isn't enough to kill every nameless henchman instantly.

Guessing which character gets it is one way to kill time during this dreadful would - be kids» movie.

Highlight: The light - saber battle between Qui - Gon Jinn (Liam Neeson) and Darth Maul (Ray Park)- they're the two most interesting characters the movie has to offer, so naturally both get killed off before the closing credits roll.

Not only will a promoted character boast better states, but they'll also be able to learn more skills, have more crests and even get a new costume, which is usually a more elegant version of what they're wearing already, or what they were wearing, but now with a lot more armour, but getting the Master Seals will not be easy as some can only be achieved by getting S Rank on certain levels in History Mode and meeting certain requirements like opening specific treasure chests with a key that you can only get by saving a certain NPC as part of a Sub Mission, or killing a character who happens to be carrying one, like a Thief.

«Famous Last Words» gets some final word from characters that were killed off.

But even when the killing flares up we're simply watching these three characters interact while unnamed soldiers, police, henchmen, and guards get caught in the crossfire or become fodder for lazy kill scenes.

The newly revealed partner character is a trucker named Dick, who's trying to piggyback on Nick Ramos» expert zombie - killing to get the heck out of the overrun city of Los Perdidos.

When Colonel Quaritch, the Stephen Lang character, got killed by Neytiri's arrows, I thought there would be a scene showing some character waking up in a chamber, thus revealing that the Stephen Lang human body was an Avatar!

It is unclear where in the film this would've been, for in the novel, Annie kills a character with a lawn mower who in the film version merely gets shot.

I was maybe thinking what Harry was - that it seems like their last idea of how to get their retired killer character back into killing, after the other movies took all of the other ideas.

Important characters are killed off early only for the action to cut back to the day before, so we get another storyline with that protagonist.

Neither character ever seems happy as their plans begin working and they get closer to killing the people who wronged them.

Get killed and respawn as an enemy character with the ability to attack the human characters.

Maybe it doesn't matter that we're not made to dislike the characters we see getting killed, so long as some violent death is depicted onscreen, which is maybe all audiences want — and all they ever secretly wanted.

This in - name - only travesty also changes the sympathetic character into a horrific killing machine, killing nearly everyone he can get his filth - constructed hands on in the most grisly of ways.

If they don't, the always - sidelined - character Doug gets killed.

As for «Morton's Fork» in particular, it had plenty of great little character moments, from the illustration of Lester as having become a criminal mastermind (or at least, as someone who has gotten really good at killing off wives), to Budge and Pepper's hilarious conversations and interactions.