Sentences with phrase «characters getting shot»

The movie's big event shows one of the main characters getting shot in the penis.

Attributes like luck can be used during combat to decrease the chances of the character getting shot, as well as landing a shot.

Violent Content — Violent and bloody content whenever a character gets shot, expect to see it realistic blood splatters and gore.

Not exact matches

I think it was a good point, tried to get it back in one shot and got out of character.

It will be a different look, but there should be space for him to create those shots, and they're obviously getting leadership from another high - character guy to go with Steve Nash and Raja Bell.»

VERDICT: It is obviously a long shot, but if anyone can use his vast managerial experience, and unique character, to get a lower league side to Wembley, it's Redknapp.

If your character in «Unreal» is shot in the back or in the back of the head, plastic, pneumatic cells in the gear will get a burst of air and jab the wearer in the corresponding area.

My inspiration comes from girls I see getting on my bus to girls getting shot by The Sartorialist to film characters.

Maybe this just helps me get in character for the shoot.

The picture gets so bogged down in inconsistencies of plot and improbabilities of character that it begins to look as if it were shot not at the U.N. but in Congress.

The participants get into cast and performances, characters and story issues, sets, production design, and shooting in Louisiana, deleted scenes and changes made for the extended cut, making their directorial debut, and a mix of other production topics.

They chat about how they got their parts, working with Malick, characters, performances and co-stars, and aspects of the shoot.

The set - up for Mrs. Weasley's (Julie Walters) big moment is fractionally but fatally rushed, and many more minor characters get only a single line or shot in which to shine.

Its most frightening moment is an unbroken shot lasting almost one minute in which Tyler's character smokes a cigarette and gets herself a glass of water, unaware that a man in a crude sackcloth mask is watching her from the far side of the screen.

Around the time you see one of the main character's thumb get shot off, you'll know that the Farrelly's have lost the ability to distinguish wincing from laughter in audiences.

Along the way, our desperate heroes get Tasered, shot at and roughed up by a crazy cast of characters, including former boxer Mike Tyson and a foul - mouthed Chinese gambler.

For her part, Ronan laughs at the idea she got through the whole shoot without questioning why her character had the name Lady Bird (but click on the video above for our conversation and you will see Gerwig explain it).

«Kick - Ass 2» added character posters for Aaron Johnson, Christopher Mintz - Plasse, Chloe Moretz, and Jim Carrey while James Wan's «The Conjuring» got its very first design, rocking an unsettling shot of a seemingly empty noose.

A shirtless guy gets shot, he falls to the ground, the main character presumes him dead yet he's clearly still breathing.

Some sequences also reference drug use; one mission requires players to retrieve drugs for a character (e.g., «I haven't shot up since the day before yesterday and I'm getting the chills.»).»

The characters are always in some sort of mortal peril, whether they're being shot at, nearly getting crushed by errant bots, or on a free fall collision course with solid ground.

The film is shot in a lurid, colourful style that, besides looking gorgeous, effectively gets us into the minds of the characters, especially when Araki uses visual trickery to portray dreams, drug trips and sexuality.

I found a lot of the overhead shots really helped make us feel like they were a can of sardines, and it was about finding the right distance to be far enough away from our characters so we could get these graphic, composed wide shots that look like little dioramas, with our people stuck inside, that never felt like we were breaking a wall.

It's Got: Hitchcockian tension (and Hitchcockian glee in killing off or marginalising major characters); brutal violence; cowboy morality; zombie - like assailants; an early portrayal of drive - by shootings; a driving electronic soundtrack; and a heroine with a confusingly skin - toned sweater which will have you double - taking.

We get a quick shot of Isaac's character and it looks like he has silver makeup around his eyes in the hospital.

As Run The Jewels pulses on the soundtrack, we also get new shots of the movie's cast — not just title character Chadwick Boseman, but also his friends and enemies — in action, facing off with swords, guns, and good - old mystically powered martial arts.

Following on from the Comic - Con promo image [see here], we've now got a batch of new stills from 20th Century Fox's upcoming X-Men spinoff Deadpool, which includes a new shot of Ryan Reynolds» Wade Wilson along with supporting characters Weasel (T.J. Miller), Copycat (Morena Baccarin), Ajax (Ed Skrein), Angel Dust (Gina Carano) and Negasonic Teenage -LSB-...]

Shot with a level of realism we rarely seen in Indian cinema, this film combines sharply engaging characters with an involving story that really gets under the skin.

While we don't get to hear a lot of their music (most likely because they couldn't get the rights - they don't even say the name «The Beatles» once), the film is so masterfully directed, beautifully shot, and well acted, that I easily became wrapped up in the story and the characters.

Instead we get a script packed with cliches, countless forced speeches and stereotype characters, from the hot - shot player, to the ignored wife, to the worst stage parent in the history of high school football.

Regardless, the effect of limiting the film to the Dunst - Hartnett storyline is twofold: first, we get to enjoy many many many shots of pretty young actors being pretty, walking in slow motion, rolling around in the grass, etc; second, none of the other characters ever mean anything to us.

So dedicated was Franco to getting it right, revealed Dave, who plays Sestero, that he stayed in character for the entire «Disaster Artist» shoot — even while directing.

He handles the role well, even if his character is just another bad guy to get shot.

Instead, we just get more of the same — more extreme violence, more excessive bloodletting, more hollow characters who state the obvious political points the movie tries to make, more running and hiding and shooting, more people in masks jumping into frame to do terrible things.

What could feel clichéd in many movies is done in a spectacularly innovative way in BIRDMAN because although the premise is straightforward, director Inarritu has created something remarkable by getting up close and personal in the characters faces and — even more extraordinarily — doing the entire film in one shot.

The film is full of both marked and unmarked point of view shots, allowing us to both get a sense of the subjective view of certain characters as well as allowing us to view the scene through a camera freed from some of the imposed restraints of restricted movement that are characteristic of early sound filmmaking and classical Hollywood cinema generally.

She follows the advice of her late mother to «have courage and be kind,» a phrase that is uttered so often in this film that, if you chose to play a drinking game where you drank a shot each time you heard it, you'd be dead before the main character got transformed for the ball.

The characters in these movies exist in a Twilight Zone where thousands of rounds of ammunition are fired, but no one ever gets shot unless the plot requires him to.

When the gang finally does get down to doing actual police work there are confrontations involving guns — some characters are shot on screen and we see mild blood effects.

Jared Leto is well known for the extreme lengths he goes to in order to get into character, but his alleged antics during the shooting of Warner Bros.» DC blockbuster Suicide Squad certainly raised a few eyebrows.

In place of real characters, we get placeholder archetypes and a heaping helping of noise and clatter to go along with seeing many shots of towns being ripped asunder by giant tornadoes.

It is unclear where in the film this would've been, for in the novel, Annie kills a character with a lawn mower who in the film version merely gets shot.

Getting shot in the back is an instant death, thanks to the big fuel tanks characters wear.

We get standard close - up or medium shots on characters taking part in a one - on - one conversation, but the design is never stimulating and says nothing about the moment other than, «I'm showing you this because I have to.»

And then in 2006, I needed a thesis film to graduate from NYU, so we took an excerpt from the feature film, shot it as a short and it's great because it allows you to workshop the material and get close to the characters.

2:00 pm — Sundance — Che (parts 1 and 2) Sundance is getting an early shot at Steven Soderbergh's opus about South American freedom fighter Che Guevara, starring Benicio Del Toro as the titular character.

The nastiest character gets his comeuppance and there is a token shoot - out to make the wait worth our while.

We also get some special shots of characters in action like Birdo and a few Goombas.

Billy points out the best spot to have a final showdown, which characters will get shot and why, and he gets quite angry if Marty or Hans does something to interfere with how this is all working out in his head.

The TV spot is a much more conventional affair featuring more action shots of the human characters while poor Godzilla gets shot in the groin by quite a lot of tanks.