Sentences with phrase «characters in a better movie»

If only they were given better characters in a better movie...

Not exact matches

Well, what you choose to do next is what we call in the movies the «character - defining moment.»

Marvel has a pretty well - established history of remixing and streamlining the best and most iconic of the many looks each of its characters have sported over the years for their big - screen adaptations (in a funny bit of symmetry, the movie designs usually end up influencing how a character will look in the comics afterward).

We only included the characters who died in the movie prior to that moment who are probably dead for good — the vanished characters will most likely come back somehow in the next «Avengers» movie.

That's fine, though, because what the movie does so well is zero in on its core group of characters while also highlighting that there is a larger world than just them.

The inner and outer character conversations at the dinner table in the movie trailer, as well as the final credits, hint at the reality that we all experience in the business world.

McDormand, Rockwell, and Woody Harrelson are so good in Three Billboards that I think a lot of voters have totally forgotten the less successful aspects of the movie: How every white character is immensely colorful but every black one is a cipher, that whole thing about Woody Harrelson's big dick (stop!

Stories like these helped me recognize the «good» within people; not the 2 - dementional stereotypical characters that we tend to see in moviesand associate as «bad guys» (dark eyes and a goatee); that is just movie makeup that plays on the social consciences of that era.

If in the case of the movie Contact again, even if Foster's character stayed with him, bought him presents, took care of him when sick, got him b - day cards or cried at his funeral, someone could always say «Well she could be a psychopath and is just pretending to love him because its expected of her or she expects to get something out it like inheritance.»

When they make a movie of my life, they'd better cast a character actor in the lead.

Who do you think is the best example of a well written strong female character in TV and movies you've seen in the last few years?

The sweetest parts of the movie occur in scenes between these two characters where they begin to understand one another better.

The characters in his movies aren't just criminals and cops, good guys and wise guys.

Well - known Ellies: Ellie May on the Beverly Hillbillies; Carl's wife in the Pixar movie Up; the main character in Cougar Town.

The findings — gathered from just over 300 participants in three age groups averaging 8, 12 and 13 years old — have implications for marketers as well as parents navigating a world where children encounter cartoon characters in a variety of media, from books to graphic novels, TV shows, video games, movies and more.

«Robert Lanza is the living embodiment of the character played by Matt Damon in the movie Good Will Hunting.

As you can imagine, this limits the number of substances that technically meet the definition of «nootropics,» and as Bradley Cooper's character found in the movie «Limitless,» substances that offer incredible benefit and seem too good to be true often are.

I felt exactly the way the movie wanted me to feel — in awe of characters like Glinda the Good and terrified of the Wicked Witch of the West, with all of her evil doings and demonic intent.

Well, the «movie» is a lot more than that - music, poetry and so on, but we will talk about fashion, as it was also one of the main characters in «Lemonade».

Diane Keaton's character in «Because I Said So» (a terrible movie, but one that I've watched several dozen times nonetheless) wore full skirts with wide belts the entire 97 minutes... Her clothes were the best part of the movie LOL!

Fast and Furious is his claim to fame, and if he handles the famed space opera in the same way as he handled the neon drifting adolescent movies, we're in for good deal of paper - thin character development.

Here's the full trailer of She's Dating The Gangster as Kathryn Bernardo and Daniel Padilla portray the characters of the best selling novel Prince Harry's girlfriend appears in newly released pictures from London - based 2015 gangster movie Anti-Social.

While Campbell Scott plays a hugely unlikeable character (which wouldn't be a problem if the script didn't want audiences to sympathize with him), Jesse Eisenberg is as good as always in his first - ever movie.

The production is slick, the Maine scenery is bracing, the characters are well - acted, and in a mumbo - jumbo movie with a few loose ends, the makeup central to the plot and applied by Greg Cannom and Bob Laden to Robert John Burke in the leading role is most admirable.

Even if is not perfect for his awful villains, some unfunny jokes and the character of Captain Underpants not appering much in the film, is still better than any animated movie like Cars 3 o LEGO Ninjago Mmovie like Cars 3 o LEGO Ninjago MovieMovie.

It will be in that moment that you lose your status as Awesome Person Who Takes the Kids to the Movies and Buys Them Candy because it is then that you will have to explain to your child that, in real life, Jim Carrey's character would be considered a delusional pet hoarder endangering the lives of creatures that need special care and that the mean zookeeper is the good guy and not some kind of animal prison warden kidnapper.

... flat characters, flat animation, a bland rock soundtrack... Titan A.E. might as well be Titanic A.E. (as in, the ship that sunk, not the movie that scored.)

But the great leaps forward in CGI don't necessarily make for better movies, and Shrek the Third comes across as a little tired and uncertain, introducing a parade of new characters that seem more like distractions and diversions than significant figures.

In the end, this is again a very good horror comedy which needs to focus less on the main characters (lets face it, they are cliches and the interest of this whole movie is to the idea behind it) and more on the variety of monsters that were created for this film.

Throw in Neil Patrick Harris — once again playing the Bizarro World version of himself — shattered and reinforced redneck stereotypes and a delightful take on Dubya [here, he may not speak real good English, but he's slyer, smarter and mellower than we are expecting] and the result is a solidly funny movie that Says Something more by highlighting the characters of Harold and Kumar than by the political jokes.

And while this could've been akin to HOSTEL in Las Vegas, director Todd Phillips drenches his characters in this sort of, dark desperation which works well to create a seriously funny movie.

In «Paprika,» this connection between dreams and movies is worked to a fare - thee - well, but there are other levels of representation, too — Internet sites, which characters enter bodily, and, appearing now and then, a kind of collective unconscious, in which a parade of toys and icons (including the Statue of Liberty) march through an enormous city with a menacing, throbbing insistence that borders on the fascistiIn «Paprika,» this connection between dreams and movies is worked to a fare - thee - well, but there are other levels of representation, too — Internet sites, which characters enter bodily, and, appearing now and then, a kind of collective unconscious, in which a parade of toys and icons (including the Statue of Liberty) march through an enormous city with a menacing, throbbing insistence that borders on the fascistiin which a parade of toys and icons (including the Statue of Liberty) march through an enormous city with a menacing, throbbing insistence that borders on the fascistic.

When I first saw the trailer for this movie I thought it was good to be another awful horror film, but the twist led by the characters played by Bradley Whitford and Richard Jenkins makes this one of the most inventive horror films I've seen in a while.

It sounds predictable, and it is, for there's not a single surprise in the whole damn movie except for Carrey himself, who sells it pretty well even if this character is a bit like the ones from Liar, Liar and Yes Man.

The best thing that can be said about Bats vs. Supes is that it's rapid collapse at the box office may finally be enough to convince Warner Brothers to remove Snyder from any future DC Comics films and give them to those who've show an ability to deliver movies with coherent character, narrative and emotion in addition to pure spectacle — and preferably all of the above.

While Iron Man bounced back with Iron Man 3 and Captain America flourished with his own trilogy of films, Thor was left behind; a character that, like Hulk, seemed best utilized in team - up movies.

The movie's tendency was seeming to want to tell the story of this almost «forgotton» work camp in WWII as well as the emotional struggles each character took with them, they do a great job at following the emotional struggles, but not so much what actually happend or why they have them.

With snappy writing and well - drawn characters, a skilled director can build an entertaining movie around a formula, as we saw in last year's Forgetting Sarah Marshall.

But what's a woman's ability to choose matter to Thomas, who we're constantly told from every other character in this stupid movie, is clever, bright, good, virtuous, and a prized talent in the making.

Jeremy Renner's character doesn't go through any development at all through the movie and Gemma Arterton was a useless character as well, and seemed to only be in the movie to show her body off.

In fact, you can probably find better written female characters in movies from the 1940s and 50s than you'll find in this moviIn fact, you can probably find better written female characters in movies from the 1940s and 50s than you'll find in this moviin movies from the 1940s and 50s than you'll find in this moviin this movie.

The most unforgettable characters in the movie are the best ones: Lily Tomlin's housewife, who loves her deaf sons.

But I understand, as should you, that they were trying to distill the best and more understandable elements of the comic book into the movie and that's why we don't get all the secondary characters or girls in bikinis.

And then perhaps my favorite character, T'Challa's sister and tech expert Shuri (think Q in the James Bond movies), is played by the little - known British actor Letitia Wright, who's probably best known for a Black Mirror episode in the States.

Even though they've been drafted on a computer, those spineless blobs bear all the physical simplicity and facial expressiveness of Aardman's best - loved clay characters, and even at the height of their derring - do, Roddy and Rita move like they're in a movie from another, less slick era.

These guys have good writers and the TellTale engine supports doing that; writing directly to gamers a zombie movie in so many parts is successful and this is one of the few games I'm on my second time through and limited it may be replay wise I just love the different ways to get my characters killed and chose to slay.

A man talks about a character sleeping with her boyfriend's best friend in a movie.

The acting was okay for the most part (Marsden and Perabo were pretty good but Glenn and Thornton gave two of the most wooden performances I've seen recently), the attacks by the bear were not that well made but it could've been worse but, ultimately, the movie is entertaining and in the end you really care for the 3 main characters (Perabo, Marsden, Jane).

It's never mawkish or manipulative, and its characters are so well - established both in the writing and in the performances that the movie ultimately does the hard work of earning those damp Kleenexes.

Review I have seen this movie twice, probably the third romantic movie that compelled me to do that, and the reasons are quite simple: It's probably impossible that anyone can't relate to young Josh Hutcherson's character, an 11 year old with a normal middle class life and problems (parents initiating divorce); that its surprise by the rediscovery of a young classmate (Charley Ray) initially as an unexpected friend and later as something else... The well crafted work of director Mark Levin is based on the mutual discovery of all these feelings (mostly new and uncontrolled) that evolved in Josh's character and in another particular viewer: you.