Not exact matches
Much like the success of last year's Warner Bros.
film Wonder Woman helped change the conversation around a female superhero movie helmed by a woman director, a box - office smashing debut for Black Panther could pave the way for a similar paradigm shift
in Hollywood with regard to how
studios approach big - budget stories about
characters of color.
The
film's European locations, sets (
in Rome's Cinecitta
studios) and photography are unusually striking; Rachel Portman contributes an elegant score; and Holm (who played the emperor once before
in 1981's «Time Bandits») embodies the
character with an effortlessly regal charisma.
It achieved success, despite being shown
in 811 theaters worldwide and having a relatively low box office gross.The
film's love scenes between Colin Farrell's
character and the then 14 - year - old Kilcher caused some controversy, resulting
in the
film studio deleting several scenes with Farrell to avoid child pornography accusations.
Yet... Hiromasa Yonebyashi's latest effort is the first
film of a subsequent
studio; «
Studio Ponoc» founded from his former employers at Ghibli hence the
character designs look so similar honoring their past legacies
in this latest animated offering from the Japanese.
At the moment a direct movie adaptation of the comic can't be made by any
film studio due to rights issues; several major
characters who appear
in the comic (including Hawkeye and the Incredible Hulk) are part of Marvel's Avengers
film franchise, and therefore aren't available to be used as part of the X-Men movie franchise.
However, it's still too overly detailed with useless subplots (Dwarf / Elf love triangle), extra
characters that were not
in the book, and the sense that this last
film was just unnecessarily stretched out just because the
studio decided to make three
films instead of just two.
The
film assembled one of the
studio's finest voice casts, led by Albert Brooks and Ellen DeGeneres, gave them a ton of great gags and memorable
characters (the surfer dude turtle and the «One Flew Over The Cuckoo's Nest» homage
in the dentist's office first among them), and then grounded it
in with a deep bass line of thoroughly relatable pathos.
Who would have dreamed that Thor, one of their most stoic
characters, would star
in one of the
studio's goofiest
films?
The
film hits theaters on March 16 and is one of the few major
studio films to ever feature a gay
character in the lead role.
We've previously only seen the first trailer for the
film, but thanks to a presentation by the animation
studio today, we now have a better idea of the cast, their
characters, and just how they'll look
in the finished
film.
While much has been teased regarding where each
character finds themselves
in the
film, there's still quite a bit that the
studio hasn't shown.
But she has no interest
in tilting the delicate balance she has found as a movie star with
character - actor range — high - profile enough to carry
studio films yet low - profile enough for audiences to believe her as everything from a magical nanny to a bloated binge drinker.
In 2017, there were exactly zero trans characters in any major studio fil
In 2017, there were exactly zero trans
characters in any major studio fil
in any major
studio film.
The young girl plays Athena with that certain Disney charm that many female
characters had
in the
studio's past live - action
films.
The
characters of these
films had more
in common with the genially goofy, wisecracking eccentrics of Bringing up Baby and You Can't Take It with You (both 1938) than they did with real - life
studio folk.
The casting choices are also a liability, with Kunis laboring to look even slightly domestic or even just lived -
in as a
character with a long history with a one - dimensionally self - centered husband and two precocious kids that look like they were freshly pulled from the Movie - Kid rack at the
film studio prop store.
This has been on my must - see list ever since it was announced, and that excitement has only grown with each new reveal, from the casting of Chris Pratt
in the lead role, to landing Vin Diesel and Bradley Cooper to voice the movie's CGI
characters, to the strong buzz emerging from early screenings that have pegged it as one of the
studio's best
films to date.
I suspect «Fast Times» couldn't be made today and remain intact, at least not
in big -
studio form; a
character has an abortion, for example, and the
film never judges her for it.
The
films from major
studios were also put through the Vito Russo Test, a set of criteria to analyze how LGBTQ
characters are included
in a
film.
A
film festival darling with his expressionistic
character drama «George Washington»
in 2000, he remained on that path with his next three features — «All the Real Girls,» «Undertow» and «Snow Angels» — only to take a hard right turn into the
studio comedy arena with «Pineapple Express,» and he stayed on that route with «The Sitter» and «Your Highness.»
The drop
in on - screen LGBTQ representation is a speed bump
in GLAAD's call to action to have the seven major
film studios to have 20 % of their major releases include LGBTQ
characters by 2021 and that 50 % of
films include LGBTQ
characters by 2024.
Instead, Hany Abu - Assad «s
film almost feels like a throwback to the golden age of the New Hollywood movement, when filmmakers and
studios were interested
in character - driven stories.
In the report, GLAAD urged
studios to do better by including LGBTQ
characters directly tied to the
film's plot.
How is it that a major
studio film — one
in which marks the first time these legendary
characters meet / fight / team - up onscreen
in a live - action feature — that cost hundreds of millions of dollars to make, has been
in the planning stages for years, and is the catalyst for their own shared universe of interconnected
films doesn't seem to know one thing about its title
characters outside of names and costumes?
Back when the
studio was still
in its infancy, it was still slowly working towards creating a cohesive universe where
characters could pop from one
film to the next, culminating
in the formation of the Avengers.
At the
film's Los Angeles press day, Woodley talked about how Jennifer Lawrence encouraged her to take the role, what she shares
in common with her
character and how they differ, what inspired her to take a course
in urban survival skills, what the experience was like doing many of her own stunts, her most memorable sweaty palm moments, zip - lining over the streets of Chicago and climbing the Navy Pier Ferris Wheel, her challenging fight sequence finale with Theo James, working again with Miles Teller, and what she learned about herself
in the process of making her first large scale
studio movie.
While «Avengers: Infinity War» has been 10 years
in the making, selecting the greatest ensemble of Super Hero
characters for the
film fell squarely into the laps of directors Anthony and Joe Russo, who were tapped by Kevin Feige to helm the
studio's biggest
film to date.
The popular
character will appear
in a yet - to - be-confirmed Marvel
film after the
studio struck a deal with Sony Pictures.
«The
studio have asked me to think about writing a sequel and it is one of the ones that I might do a sequel to because I think there's somewhere more to go with it
in terms of the
characters,» Edgar said during an interview with Empire «s
film podcast.
Case
in point, the
studio has recreated a collection of classic movie posters for the
film, using the
characters» avatars instead...
Though Altman's
films compare with Coppola's as chamber music does with grand opera, their work
in the 1970s exemplifies what ultimately became the prevailing style of American
film direction
in that era: maverick resistance to
studio - imposed time and budget constraints, insistence on directorial authorship, reliance on location shooting, use of improvisational acting, an emphasis on ensemble playing rather than star performances, Fordian gatherings — weddings, church services, parties, dinners — as exponents of group
character (both Altman and Coppola had Catholic upbringings), and a revisionist approach to the mythic archetypes of the Hollywood genre
film.
The erotic fascination underlying all this is constantly visible
in the way that Piñeiro and DP Fernando Lockett
film faces, often
in long gliding takes that move seamlessly from wide shot to close - up — see the radio
studio scenes
in The Princess of France and the extended scene
in Viola
in which the camera hunkers down between three
characters talking
in a car at very close quarters.
From the very beginning, Doctor Strange felt like an outlier
in the interconnected men -
in - capes world of Marvel Comics, though the
character's debut
in the equally dense Marvel Cinematic Universe follows the company's
film -
studio formula closely: Doctor Strange is an origin story, a love story, a framework for vintage pop songs and huge action set - pieces.
Hopefully this
film will earn Pixar enough goodwill to see them through next year's Cars 3 — a franchise which may make the
studio a huge amount of money
in merchandise, but which can't claim to have particularly endearing
characters.
While its presence
in the
studio's
films is played up largely for laughs and
character work, the Walkman and the music held on its cassettes have profoundly shaped the look and feel of the movies.
Back
in 2000 the Walt Disney Company's consumer products division struck gold when it launched the Disney Princess franchise, packaging classic
characters from the
studio's animated
films into an array of dolls, games, and other products; sales for this year alone are projected at $ 4 billion.
What I find most impressive is the confidence the
studio is showing
in you by already planning for your
character, Cyborg, to have his own stand alone
film in a few years.
Lloyd ventures that the island is a
character and points out that a lot of the
film was shot
in a
studio.
and included a heap more
characters, as well as plot points, and that rubbed the
studio — always keen to fit
in as many sessions of a
film a day it can — up the wrong way.
With the
film hitting the theatres this summer
in the UK, the
studio has released an extended TV Spot called «One Family», which introduces us to all the main
characters in the movie.
Deakins showers most of the
film's scenes
in gold color schemes, which smartly function as a literal visual metaphor to the
film's Golden Age Hollywood setting, especially
in terms of the grand
studio sets that introduce the professional work of several key actor
characters.
In response, the advocacy group is asking
studios to have 20 % of major
studio releases include LGBTQ
characters by 2021, with 50 % of
films including such
characters by 2024.
GLAAD's annual study assessing inclusion
in films of 2017 found an «alarming drop»
in LGBTQ
characters in last year's major
studio releases.
The assumption, with Larson's casting, is that the
studio would likely sign her on for a multi-
film deal, with her
character potentially making a cameo
in another Marvel
film prior to Captain Marvel «s release.
The
film the
studio held back
in development hell for years based on a
character it forcefully ruined
in X-Men Origins: Wolverine has become the
studio's most lucrative superhero.
The
studio did release a surprise today, though,
in the form of a behind - the - scenes featurette, which provides us with a first look at the
character Riley
in whose head much of the
film will take place.
The dataset is from IMDB and contains the year, title, names of the
characters, actors, and actresses from 3 million
films during the time period of 1894 to 2026 (
films in future years are ones that have been announced by production
studios or are currently
in production and slated for a future release date).
Playing all the
characters in the
films herself, while working directly on every detail of post-production, Maclean's creative process involves
studio based green - screen techniques, custom prosthetics, costume, and voice actors.
In the film, characters are played mainly by non-professional actors, and it is set in an artist's studi
In the
film,
characters are played mainly by non-professional actors, and it is set
in an artist's studi
in an artist's
studio.
Our lawyers have also represented
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