Sentences with phrase «characters in this film do»

Which characters in this film do you find to be the most interesting?

Though a feisty Indian character in the film does constantly berate England for its colonizing ways, there is something very sad about watching Abdul being so passive and mistreated.

The Glass House is a tired suspense thriller, one that loses steam quickly when the audience figures out all the character motivations before the characters in the film do.

While they do excel at that aspect of the characters, it's still an instance where they could be replaced with plenty of other villains and the results would be the same, which is a shame as all of the characters in the film do have decent chemistry with each other.

One is that many of the characters in the film did not exist in reality, but rather, they are amalgams of several real - life people not associated with Woodroof, that have been turned into single supporting characters, ostensibly for the purpose of broadening the film's scope, as well as putting in more supporting stars like Leto and Garner.

Every single character in this film does something idiotic at one time or another.

Most characters in the film do not provide such a generous epithet for him, though, with Michael Shannon's stern security guard Strickland simply referring to the classified experiment as an «affront.»

«Characters in films don't know whether they're in a comedy or a drama,» Carell said of his oblique angle on du Pont.

Not exact matches

Think of your emotions as a film you're watching on Netflix: Just as you don't have control over the characters or the plot in the film, you can't control the way you feel in reaction to an event or situation.

«Panther» will end up over $ 600 million in foreign grosses and set precedent in destroying the truism that films starring mostly black characters do not perform well internationally, particularly in Asia.

«I didn't find the character representative of me,» Miller says, saying that he appeared «smug» in the film.

You don't have to get far into most feature films to see some impact of money and wealth, but some movies put money front and center as the main feature, almost warranting its own mention as a character in the credits.

It's not hard to see that the characters in this film have lost something of themselves to both what they have experienced and what they have done.

I also thought that the film was pretty hard to follow, because the characters didn't always stay in character.

It is more about human characters doing whatever it takes under extreme circumstances to stay alive in terms of «action film» techniques.

This list is limited to those that focus mainly on Jesus» life story as told in the Gospels; thus, it does not include films about characters who are only peripherally connected to Jesus, such as Ben - Hur (1925, 1959).

Characters in zombie films are willing to do terrible things to each other because of the fear of zombies and the urge for self preservation, while, in the real world, things like the use of torture (or «advanced interrogation»), preemptive war and drone strikes were being debated as options to fight a threat even scarier than zombies: terrorism.

There's a scene in the film where Krasinski's character and Emily Blunt's character (who are husband and wife in the film as well as real life), share a romantic moment together as they both wear one earbud, and listen to a song — JUST LIKE JIM AND PAM DID.

Churches need to foster discussions of character by using films or case studies that present difficult choices in work or relationships, situations in which people must ask themselves, «What does it mean to do the honest, decent thing here?»

It's hard to find a film or television character portrayed by a Black actress that does not personify the StrongBlackWoman in some way.

After all, what Allardyce was invited to contemplate, then filmed enthusiastically contemplating, was a silly thing for the England manager to do but an entirely in - character, maybe even predictable thing for Allardyce to do.

The things that annoy me most in a film / book are characters that I find unbelievable (when the intention is for them to be believable) and when a character behaves or talks in a way that doesn't fit the personality that the writer has created.

Duncan Smith, who is personally targeted for criticism by characters in the film, said he did appreciate some of Loach's previous work.

Did you get involved for the same reasons as the main character in the film, Stephen Myers?

So although these emperor penguins don't dance like the fleet - footed characters in the 2006 animated film «Happy Feet,» they still perform some pretty fancy footwork.

Do you have a special place, where you feel amazing, where you feel like you are in a film and you're the main character?

Boom boom, ready to use my body Using the entire city of Seoul as my stage Nod, nod, your head I don't want to be locked up Gather the crowds, let's break Highly Anticipated Film The new film in the Marvel Cinematic Universe, Black Panther, hits theaters on February 16, so let's explore the title character's

As one might expect, the film details the multitude of ways in which these characters are different and the few but critical ways in which they are alike, but it doesn't satisfy itself with those points.

The film doesn't find space to fill their characters out in more than broad swaths, but manages to make them both unappealing, having a superheroic pissing match that turns into literal grappling over the moral high ground.

Even if an hour of film that is pure character development is added back in, that doesn't change the fact we're still starting with two - and - a-half hours of celluloid that has none to start with.

Narrated by Paul Robeson, the film employs a cast of familiar if not stellar character actors in a story of how certain enemies within the US have done their best to suppress their fellow citizens» rights to freedom of speech, freedom of religion, freedom of assembly and freedom from want.

Hopefully the emotions poor out of the book as well as it did through these characters in the film.»

For some reason someone thought the casting of «Xzibit» and «RZA» was a good move for this film, errrr no, they add nothing in their roles and I don't understand why they were even considered when simple more toned down characters would have been better.

I don't know if it's the pixel count, or the rendering algorithms, or something new the animators have been smoking, but the «realism» of the characters and environments is quite strikingly more vivid than in either of the first films.

There are, one assumes, whole swaths of the book that develop Jack as an emotional character while he's not doing much of anything, but that doesn't — can't — work in a film.

At one point in the film, a character is accused of «profiteering off the miseries of others» and that is exactly what Zombie will do to you if you see this movie.

All in all, though, we don't fall in love with any of these characters, we don't root for the film's one «couple» (who we think all along will unrealistically be granted a predictable Hollywood ending), we can't remember the jokes after the fact and, most important, we aren't consistently entertained.

While the previous films in the series have been just that — parts of a sequence designed to get us here, each with their own beginning and end — the first and second parts of Deathly Hallows are two halves of the same film, and to approach them as separate entities means missing just what director David Yates, writer Steve Kloves, and a host of storytellers and performers have done: They've made a five - hour fantasy epic that balances effects - driven battles with some very real character moments, and one that isn't afraid to have its heroes pay a high price for their convictions.

What the film does is reimagine other horror films as meta - narratives, except in those cases, the characters never discover the truth about the artifice of their world, as Marty does, just like another fool, Truman Burbank in Peter Weir's The Truman Show, a horror film in its own right.

The only complimentary thing about the film is the description of being a low - budget sexploitation feature in which the characters are amateurs and don't even remove their bathing suits.

The character is, textually, struggling with the weight of his responsibility to the world, but the film doesn't dramatize it much and it doesn't give Cavill many scenes in which to portray it beyond brooding.

There's not a moment in the film she doesn't look and sound completely out of character for the role.

No, it's the paper - thin characters and utterly predictable storyline that does the film in.

While Klein reportedly did not wish to be a part of the film, the absence of any mention of his character seems odd, especially given that Shannon Elizabeth's Nadia is mentioned briefly in the film, though her character does not appear.

Having all just finished college, each is deciding on what path to take in life, and its Jim who has chosen the most shocking path for the group of friends as he has chosen to ask his girlfriend Michelle, the infamous flutist of the first two films (the wonderful Alyson Hannigan, which, ya know, she is so good in it, we did nt need the other girl characters, which is sad to say, but eh, this was always about the guys so who cares?).

These character beats almost always work in the moment of individual films, as they mostly do in Infinity War.

The film doesn't always work as a genre exercise, but it's a winner as a character study, in large part because of how committed Hagan is to playing Janie's derangement.

The Iranian characters form the film's weakest link, in my view, as they do in the novel.

Hannah was given too little to do in the first film, and she does her very best to make Tarantino's samey, show - off, adolescent dialogue feel as though it could have come from her character's mouth.

While the choreography is generally fairly minimal (at least for this sort of mega-production), first time film director Phyllida Lloyd (who helmed the original stage version) has woven together a tightly edited and exceedingly well shot film that capitalizes on the music wonderfully while never worrying too much about such nettlesome items as character or motivation, providing enough other movement that one ultimately doesn't miss huge dance numbers a la Robbins or Fosse that much in the long run.