Sentences with phrase «characters in this smile»

It could be Sarah Silverman's character in I Smile Back, a suburban housewife afflicted with addiction and possible manic depression.

Explore six connected Disney - themed worlds and discover more than 100 Disney characters in this smile inducing life simulation game.

Not exact matches

«I recently spoke at a university where a student told me it was such a shame that Nigerian men were physical abusers like the father character in my novel,» says Adichie with a wry smile, «I told him that I had just read a novel called «American Psycho» and that it was such a shame that young Americans were murderers.»

But the GM leaned on what he had uncovered about Marcus» character and disposition in researching the prospect, about his work ethic, about how his commitment to the game was always accompanied by a smile.

I love creating little characters from shrink plastic and fimo and it's great to see people smile when they visit my stall at local markets in and around Oxford.

However, Diekola's once upon foot soldiers have an axe to grind with him, alleging that when he was in the good book of the governor, and was smiling to the bank everyday; he only helped himself and his children; while the allegation against Lasun is his strong character.

«The Parisienne retains her little imperfections, cherishes them even (the gap in her smile or her slightly crooked tooth, her prominent eyebrows or strong nose): these are the signs of a certain strength of character and allow her to feel beautiful without being perfect.»

They feature a cat eye and a smiling tooth inspired by the beloved character from the film Alice in Wonderland.

Let her wear her favourite cartoon characters and see her break out in smiles.

You're not in an Armani ad, so smile and let them know that you're a warm, friendly and engaging character who is worth the effort of communicating with.

I am a woman who finds deep care and humble commitment in her heart and thrives to excellence in service for man and that i can spend the rest of my life with, I am a woman that has a winning personality and clean straight forward character: always with a smile on her face and a warm open inviting he...

Soon enough it's clear that Mac has mere hours left (despite eating captured fish and drinking precious rainwater), and when he asks Louie if he's «going to die tonight,» the sudden response of «maybe,» however casually delivered, feels jarring in a genre wherein so many characters would have smiled and lied to their ailing cohorts.

Neither cracks a smile, which is its own kind of victory, but nor do they crack the code of these «characters,» two men united by circumstances that look, in movie form, not so stranger than fiction after all.

The kind of character who spouts pithy lines like, «when science shits the bed, I'm the one they call to change the sheets,» with a smile on his face, Morgan's Russell is a definite winner in a film that already has a lot going for it.

I really really dislike the main character like he's actually in real life gonna get the girl of his dream, are you serious??? He has a crooked smile, wears pajamas all day outside of his house and talk's like a gay poet, I just think he sucks as an actor, uggh I don't know why I dislike him so much after this movie.On the other hand Rachel Bilson is very cute and not as bad of an actor This movie solely focuses on telling the story and making us like the characters for themselves.

The screenplay, by Eric Pearson, Craig Kyle, and Christopher Yost, gives each of the characters something worthwhile to do and something amusing to say, and when its various strands are tied together in time for the momentous finale, even the most superhero - wary viewers will have smiles on their faces.

Characters will jump and twirl and come out of nowhere in spaceships to save the day, and as you guide them through one over-the-top action scene after another, it's tough not to smile at the cartoonish demeanor and scale.

Samira Wiley and her megawatt smile almost made us forget the horrible things we'd just seen on Orange is the New Black; Thandie Newton stole the show from its leads while Emily Browning made an originally underwritten character into something of a hero in American Gods.

I don't think there's been a smile in any of the shows so far - characters or viewers.

Jennifer Morrison as the girl with the Pepsodent smile is an attractive catch and some character depth, but she's awash in a sea of morons.

Both have a stake in Wilson's wellbeing, and it's a tribute to «Love & Mercy» that the two characters play like real people trying to make Wilson smile.

It's later, as he and Omar draw closer together, that he seems more natural and at ease, more inclined to smile and look characters directly in the eye (and, it must be said, to show real affection toward Omar, as in one scene where he playfully licks him).

Hallisay looks like he could have appeal in the right role, but not this one, as his character is so underwritten as to leave the actor that plays him with nothing to do but smile and look handsome.

The rest of the cast aren't too shoddy either, props to Sam Rockwell for his performance as Dixon and Peter Dinklage always makes me smile, although I wish he wasn't always the token dwarf and just another character in a film.

Capping the mystery of Huppert is the fact that she's able to do this with no or little «furniture» to bolster the characters — at most, a whimsical fur hat in Paris Follies, or perhaps a slightly different smile, or the corners of her mouth drawn in a slightly new tautness, but that's it.

Baker, cast as a Stetsoned, suit - wearing gunman at the Organization's beck and call, confirms his standing as one of the most dangerously dynamic young character players in the business; the monumental violence of the man, so disturbingly out of directorial control in his Walking Tall Savior - with - a-big-stick role, is here mesmerizingly contained by both director and actor, whose most lethal gesture is to smile.

When she finally gives into a smile when around her love interest, our heart and soul is in that character's arc.

Being Cruise, he is a character we instantly like, winning the audience over with his care - free smile and witty one - liners in the face of danger.

But from Stanley Tucci's day - glo smile as Caesar Flickerman to Elizabeth Banks» poodle - topiary hairstyles, the film's theatricality never overshadows either its ideas or its deeper resonance, and even with an expanding ensemble competing for screen time, each character gets a moment not just to shine but to define him - or herself in startlingly human terms.

For starters, and I think I have to give a nod to favorite character actors like Lance Henriksen and Keith David who always make me smile when I see them pop up in something.

Were it not for Anne Hathaway's Catwoman - ish Selina Kyle, there wouldn't be a single character in «Rises» who cracks a smile.

As Thanos smiles and stares out over a sunrise, at peace with his devastating decision to commit mass slaughter in order to prevent the galaxy's resources from being used up via overpopulation, it's difficult not to wonder how Marvel would resurrect some of these characters, not to mention have them battle back against the despotic conqueror.

Prince Tamino and the rustic bird - catcher Papageno lost in the woods aren't so different from the characters in search of love in Smiles Of A Summer Night.

There's very little English dubbing in the game, but the localised voice cast all do a decent job with their characters, and the hyperactive hard rock opening theme will elicit a smile from even the most hardened of gamers.

The actual Jack and Jill is far more sinister, nothing less than a feature - length actualization of the «piano man» scene from the same film, in which Sandler's George Simmons character, in a stream of smiling - aggressive invectives, makes it clear just how deeply and thoroughly he holds his audience in contempt.

Whilst likely to induce smiles for audiences acquainted with the characters, the continual emphasis on preceding efforts in both the concept and content — complete with music cues — intermittently elicits the intended wistfulness, but not rollicking enjoyment.

Even though the Banek character gets the upper hand over his bosses and is able to force them to return what they wrongfully took, after getting to know his shark of a father - in - law throughout the picture, it seems unlikely to me that he would agree to return a dime without kicking and screaming, much less agreeing to do so while smiling.

The characters are laughable, whilst the beginning and end have taste, the in - between is completely bland and the only time I had a very positive reaction is whenever the gorilla George made rude gestures (a giant monkey flipping Dwayne Johnson off is going to put a smile on anyone's face).

While the literary fans will most likely be split as far as how Yates and Goldenberg have chosen to adapt the Rowling opus, fans of the movies can finally have something to smile about, and one can only hope that future film versions will continue this new trend on sticking to the basics to tell a story in an appropriately cinematic fashion, leaving the side stories and whimsical superfluous characters better left to the realm of the richly - developed book forms.

Fans of Domino (Zazie Beetz), a mutant with the ability to be «lucky» and a fixture in the X-Force comic books, will also be pleased with such an effortless and smile - inducing introduction to the character.

British actress EMILY BLUNT constantly smiles in public in a bid to dismiss her perceived reputation as nasty and unfriendly.The star is often associated with being rude because of her cold characters in The Devil...

Matthew Fox is the ostensible star as Jack, the doctor who steps up as group leader in the first episode, but it quickly settles in as a dense ensemble show with characters who have vivid backstories: tough, raven - haired beauty Kate, whose fair looks hide a rough outlaw past (Evangeline Lilly), con man Sawyer (Josh Holloway) who hides his bitterness under a country - boy voice and a suspicious smile, Iraqi communications specialist and Gulf war veteran (he fought on the other side) Sayid (Naveen Andrews), steely survivalist John Locke (Terry O'Quinn), who has a mystic, one might say miraculous, connection to the island, pregnant single mother - to - be Claire (Emilie de Ravin) running from a fortune - teller's prophecy, washed - up rock star and heroine addict Charlie (Dominic Monaghan), Korean couple Jin and Sun Kwon (Daniel Dae Kim and Yoon - jin Kim) with mob connections and no English skills (or do they?)

His face never seemingly changing expression (not once in the movie do I recall seeing him smile), he plays the role of an awkward, maladroit character with radiating confidence; the chemistry between himself and Fiennes is seamless.

Included is Sho Kosugi: Martial Arts Legend, a new 21 - minute interview with the actor about him and his career; The Making of Black Eagle, a 36 - minute featurette with Sho Kosugi, director Eric Karson, screenwriter Michael Gonzales, actors Doran Clark, Shane Kosugi, and Dorta Puzio; Tales of Jean - Claude Van Damme, a 19 - minute featurette with many of the same people speaking about their experiences working with Van Damme; The Script and the Screenwriters, a 27 - minute featurette with Michael Gonzales and Eric Karson discussing the film's development; a set of 11 deleted and extended scenes, all of which are in the extended cut and offer up a tiny bit more story and character development more than additional action or carnage; trailers for the film itself, D.O.A.: A Rite of Passage, Attack of the Killer Tomatoes, and Savannah Smiles; a fold - out poster; and a DVD copy of the film, which offers up all of the same extras.

So, let a listing of some of the major characters suffice to bring an anticipatory smile to your face: Harry Shearer as Victor Allan Miller, best - known for playing a frankfurter in television commercials; Eugene Levy as Morley Orfkin, Miller's worthless agent; John Michael Higgins as Corey Taft, clueless publicist; Jennifer Coolidge as Whitney Taylor Brown, superfluous producer / financier; Ed Begley Jr. as Sandy Lane, stylist to the semi-stars; Parker Posey and Christopher Monyihan as romantically entangled co-stars; Bob Balaban and Michael McKean as the screenwriters; Jane Lynch and Fred Willard as hosts of an «Entertainment Tonight» - like TV show; Michael Hitchcock and Don Lake as TV film critics; Ricky Gervais and Guest himself as the director of «Home for Purim.»

Little moments earn smiles: the parking - lot meeting between Annika and Megan; the latter's attempts to explain to her budding - yuppie friend (Ellie Kemper) that twisting the nipples of a giant, plastic Buddha is a joke about nipples, not a joke about Buddha; and the scene in which Rockwell's character, acting as a surrogate for the audience, demands answers from the stranger sleeping on the floor of his daughter's bedroom.

Perhaps all would be forgiven if M: i: III were competently - directed (while M: I - 2 is one of the stupidest films ever made, as John Woo is one of the best action directors of the past twenty - five years, damn if it's not beautiful, coherent, auteurist stupidity), but it's a glassy - eyed, dead thing complete with superfluous flashbacks to events we don't care about involving characters we don't recognize, an interminable party sequence in which Cruise trots out his smile like it was a weathered, beaten - down trophy wife, and a smug, self - congratulatory conclusion full of high - fives, victory arms, and shit - eating grins.

In MP9, the characters were doing a pose, now it's just the character looking to the side with a smiling face.

In that film, the characters wrote off the plot with a crooked grin and a sarcastic chuckle, and the effects themselves often existed just to present a gag (a giant cartoon logo made of marshmallow that terrorized New York City with a happy smile on its face, for example).

The philosophy is important, naturally, but it's in the character moments — the smile of a woman's face through some glass, the synchronized disco dancing, the feeling of both opulence and austerity — that gives the film what I hope will be a lasting presence.