Stephen King's
characters live side by side in the...
Not exact matches
For many centuries there lay
side by side in one of the famous archaeological sites two enormous obelisks, cut with great skill out of the
living rock of Egypt, dressed down to the proper shape, then deeply inscribed with hieroglyphic
characters.
Roger Rabbit is a film in which humans and cartoon
characters (toons)
live side by side in a kind of shaky harmony.
One man's treasure is another man's trash, and for all of the admirable qualities, great
character touches, and extensive looks into the
lives of 19th Century seamen, more mainstream audiences will likely be bored
by the perceived lackadaisical plotting and unnecessary
side stories.
I was reminded more than once of the Black Mirror episode «Fifteen Million Merits,» in which Daniel Kaluuya's
character lives in a small white box surrounded on all
sides by TV screens and is permanently plugged in to a goofy media network of avatars, pornography, and reality television.
Its central
characters are shysters; they
live on the wrong
side of the law, fleece the innocent and, like addicts, remain locked in a cycle of risk and repeat, trapped
by the thrill of the grift.
Judi Dench brings merciless truth - telling to her role as a society arbiter; Sutherland is deeply amusing as a man who
lives surrounded
by women and considers it a blessing and a fate, and as his wife Blethyn finds a balance between her
character's mercenary and loving
sides.
That
character is Christine McPherson (Saoirse Ronan), nicknamed (
by herself) Lady Bird, a young woman in her senior year of high school literally
living on «the wrong
side of the tracks» in Sacramento circa 2002.
Live by Night is no exception; to this reviewer the film almost reads as a clumsy marriage between Michael Mann's Public Enemies, in overall style and milieu, and Miami Vice, if Colin Farrell's
character was on the other
side of the law.
Her unsteady countenance, flanked
by makeup artists and crew members affixing a squib to the
side of her head above the wig line, first seems symptomatic of her inability to grasp the
character, but each time the film returns to it, the implications change with further knowledge of Christine and how Kate interprets her
life and untimely demise.
While it might seem that the values associated with
character education are eternal and wouldn't change with the evolution of technology, the fact is that enough has changed that we need to call special attention to the unique issues associated with
living side by side with the immensely powerful machines of our own creation, within a massively interconnected digital community.
While it might not be possible quite yet to experience the
lives of the fictional heroes and heroines we've walked
side by side through
life with for a little while, and sometimes who'd want to (think of just about any
character from a Stephen King novel).
Stay: At Cambria Shores Inn, happy hour in the motor lodge — style courtyard is like Best in Show come to
life, with dog - owner
characters snacking on comp hors d'oeuvres — pooches in arm or
by their
side — as they chat and watch the ocean from Adirondack chairs on the lawn.
Live Action pieces are very well integrated, telling a
side -
by -
side rendition of related instances and
characters which often include the primary cast.
Your player
character's grunt as they go in for an attack, the explosion of grenades thrown from overhead
by a floating phantasm as well as the crack from a pistol of an undead soldier sounds real and helps to breathe
life into supporting
characters that all too often feel one -
sided and flat in
side - scrollers.
features fictional animated
characters and
living, breathing group members
side by side!
They've tried to combat the games short
lived campaign
by giving each
character their own mini mission to play through but even those can be completed in an hour or two tops which is somewhat disappointing, although the missions themselves do try and show case a lot of the franchise's lighter, humorous
side and they do it well.
Edward Burra: Striptease, Harlem c. 1934 — one of the most distinctive of 20C British artists, Burra had a totally unique vision of everyday
life and here he presents the gritty and the magical
side -
by -
side in
character studies drawn from his time in Harlem, New York in the 1930's.