Sentences with phrase «characters move from»

As the characters move from distrust to friendship and from friendship to love, A Fine Balance creates an enduring panorama of the human spirit in an inhuman state.

Leo Tolstoy's tale of ball gowns, steam engines and lives ruined by affairs has been injected with a burst of visual flair by the Atonement auteur, staging much of the action within a 19th Century Russian theatre, where characters move from scene to scene as if in an epic, shifting play.

Whatever character arcs the respective actors were on, the final cut of the film makes them out to be forgettable plot devices, helping the principal characters move from clue to clue via some thin «conflict» and «resolution.»

Since only a few of the characters move from one story to the next, there aren't enough opportunities for these great actors to spark some chemistry and play off one another.

The arc is routine, as the character moves from thrill - seeking of the physical variety to seeing how far he can take his multi-level scheme — from confidence to arrogance.

Not exact matches

How do you decide it's time to move on from a character or storyline?

The improved character of market action is not evident from standard «trend following» evidence such as moving - average crossings and so forth.

Although this move has had a lot of criticism lately, the exchange argues that it's crucial to keep the platform clean and away from nefarious characters.

That an event moves toward its final cause (which is its subjective aim)... means that it has a «vector character,» that it is a passage from immediacy of the present into the future.

As he moves from one subtribe to another, the hablador simply talks, bringing news from other portions of the tribe, and serving, in the words of one of Vargas Llosa's characters, as «the memory of the community.»

Jean Paul Sartre's character Pablo Ibbieta, in the short story «The Wall,» would have no dramatic impact, and the story would never have been written, because persons in Ibbieta's position would invariably have learned from God that the Ramon Grises of this world had moved back to whatever was the analogue for them of the gravedigger s shack.

Reversing the words of the first scene's title, Bergman has moved his principal characters from panic to a kind of knowing innocence.

Although this move does take with great seriousness the contextual character of theology, it does so in a way quite different from that to which the workgroup is committed.

There must be «measurable strategies... that require the university to deepen its Catholic character, moving it from where it is now to where it wishes to be in the future.»

This would involve moving from the existing recognition of the socio - political character of the text in its original setting to that of the socio - political meaning of the text in the contemporary setting as well.

We pray for our brothers and sisters around the world, dying and starving and losing some cosmic lottery that we didn't ask to win and, from far away it looks like we are all losing but there are stories of redemption there, too, and isn't prayer more about us being changed into God's character than actually about moving his hand in our direction?

In this way persona evolved in signification from simple and static mask to complex and living character, moving from the exterior to the interior, from the superficial appearance to the substantial reality.

Motion is only apparent, and is derivative from shifts in character of actual occasions in the historic route, no one of which really moves.

Joining a club of arsenal s stature has its ups and downs.There is a requirement of how our players should perform when on the pitch.The following is a list of players who were wrong to choose arsenal.Aaron ramsey - Even though he is the most favoured of all players at the club now.I cant help but think how it would have gone for Him if he decided to search for other greener pastures.He was a clear talented footballer during his time at cardiff but he hasnt been raised with the discipline at arsenal.You can always see ramseys all round strengths but sadly Its not helping him or the club with his foward moving pleasurr.He is so Over used and its sometimes difficult for him to get used to the rythm of the game.With time you realise he gets low ib confidence and his engine gets wasted.He needed somebody who would have managed him properly and with care and that person is certainpy not wenger.You would have been better off at Manu mate.Calum chambers - Came us a very talented player from southampton with raw talent.He was very good at first but wenger found a way to reduce his level of confidence.His inexperience was left exposed and wenger did nt do anything to resolve that problem and instead He looked for other talented players.Alex oxlade chamberlain - Another very talented player who needed only his skilled sharpened and his character modelled.That and he was ready to become a world beater.But wenger decided to let him run and run like a headless chicken causing him to be often injured and damaging his confidence.Who knows what would have happened to him gad he decided to look for more greener pasture.He is surely a much better player than this.Theo walcott - Another player who was tipped to have a very bright future.He had it in him.But all he needed was an appropriate manager who would nurture him with discipline and help him with his talent.But on Coming to arsenal he was given Much more responsiblities putting more weight on his shoulders on top of that another player who was recklessly managed with his talent and never coming off age because his character wasnt properly shaped.Mesut ozil - Al right i agree he perfoms well just recently.But imagine all the legendary players he was often compared to during his time at real madrid.On coming to arsenal he found no rotation often overused, suffered many injuries and his confidence dwindled.It is pretty clear arsene does not take any responsibility for players.And when at arsenal you have to be your own manager.You need not rely on your manager otherwise you might continue being the same player for the next many years.That is why each and every player are what they are because of their own efforts and wenger had nothing to do with it.Van persie was the same player for over 7 years untill he himself decided to change.Wenger only organises and prepares tge team while the rest is in your court.It is not what so many people make it out to be.Thats why we need to pressure wenger more than our own players.They are their own self managers and wenger needs to take that responsibility

these were groundbreaking stuff... they had issues with Khabib team and they really fought it out for real... not some fake PR move throwing whatever to the bus injuring others... trash talk was always there, from Tito ortiz to Chael Sonnen, but Chael was / is more comical about his thing and he is playing a character....

As the main character, Sage, moves from a rundown orphanage into a large palace, treachery and deceit begins to unfold chapter by chapter, twist by twist.

As a result of facing such serious dilemmas, the characters must actively move from lower - level to higher - level reasoning over the course of the book.

Mysterious characters from the city surrounding the hospital will be crucial in determining the baby's fate, as will a workaholic British doctor with whom Mariam finds herself falling in love... Alice Allan's debut novel is an original, vivid and moving story about attachment and loss.

Unfortunately, the petulance and near - Marxist character of Winnie rather distracts from the fast moving plot.

New York State Police Superintendent George Beach praised the character of Davis at an Army base in northern New York where Gov. Andrew Cuomo and other dignitaries saw hundreds of state troopers move hats from heads to hearts as they passed the casket of their fallen brother.

It was the transfer of Nigeria's wealth through the patronage system to Obasanjo's allies in a move that typified the highest character of the «free market» — crony capitalism, as distinct from «state capitalism.»

The game controller - style joysticks and buttons allow the camera operator to change perspective within the virtual 3 - D space; move the camera down and tilt it up and the monitor displays a CGI character from below, just as if you were pointing a real camera at a real actor.

These complex programs automatically regulate the basics of a game, from managing memory needs efficiently for smoother play to changing the lighting as a character moves through a landscape.

The only one I can really think of is, Sam Wilson (Falcon) and as the MCU moved away from Captain America: Winter Soldier, I kept seeing his character shunted to the sidelines.

Decline with Grace: In Click: An Online Love Story, the main character Renee gets an email from someone halfway across the world looking to meet someone willing to move for him.

Sure the animation was a standard for Disney between the 1940's and 1970's, where you can see certain characters move in the same way as other characters from earlier or later films, but that was solely due to the limitations in the animation room at the time.

As the multiple narrative strands move from character to character — a sympathetic insurance assessor (John Ortiz), a curmudgeonly pack rat (Bruce Dern), a widow (Burstyn) picking through the remnants after a house fire — the would - be medley quickly devolves into a series of actorly monologues on a thesis.

Like the 1997 Austro - German production, I was unquestionably distanced from the actions out of a human need to dissociate with the stories and characters who move along in Haneke's violent, pseudo-sexually abhorrent world.

Moving from an uptight funeral director on SIX FEET UNDER to a serial killer on DEXTER, to Beat Generation figure David Kammerer in KILL YOUR DARLINGS, Michael C. Hall continues to illuminate humanity in transformative, complex characters.

Right when you think the film is about to kick into gear and start moving faster, it flashes back to a moment from the past where two character talk for extensive periods of time.

No Cheesy Boss, no endings, no nothing... Animation is great until you realize how many moves were cut from characters, and how few characters there are.

Unlocking the characters and trying out everyone's moves is fun enough to distract you from any of the flaws in the gameplay.

I understand that there are limitations given the small company, but even moving the character felt sluggish, shooting (while not an important aspect) was incredibly stilted and uneventful, and the animations range from passable to awkwardly stilted.

Even though they've been drafted on a computer, those spineless blobs bear all the physical simplicity and facial expressiveness of Aardman's best - loved clay characters, and even at the height of their derring - do, Roddy and Rita move like they're in a movie from another, less slick era.

He moves swiftly from scene to scene, yet he allows the actors space to define their characters.

The script is particularly weak, being more concerned with moving from one joke to the next via predictable plot points than it is about developing the characters and moving our fantasy world on a little bit.

Great character transformation captured in his performance as he moves from self serving to selfless.

Pretentious bit of navel gazing is slow moving but okay until Segal's character crosses a line from which the movie never recovers.

Screenwriter Peter Morgan and director Fernando Meirelles» 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century.

Now, this isn't a film that will instantly have you singing his praises from the rooftops but what it is, is a slow moving but deeply involving drama that pays attention to it's characters and their subtleties.

From his Oscar - winning and unforgettably moving adaptation of To Kill a Mockingbird (1962) to such introspective original works as Tender Mercies (1983) and The Trip to Bountiful (1985), Foote had a way of crafting characters who speak directly to the soul with honesty and sincerity.

The Blu - ray's top menu plays sound clips from the performances and from the pervasive presidential campaign while moving the cover's characters and graphics across a patriotic backdrop resembling the packaging.

The destructive nature of the family's inability to move on from the past starts being heavily telegraphed by characters having heart - to - hearts with the tree's branches, or those same branches invading the house in calamitous ways.

Kapur allows spectacle to dwarf and choke his characters, who move like Tudor - style Barbies from palace to sea battle to beheadings.

And just as Haneke respects these characters (and us) too much to trivialize them through overemphatic contrivance or too - easy intimations of emotion, so too does he exclude all non-diegetic music from the soundtrack, so that when we do hear the music played and appreciated by these inveterate music lovers — as when the characters do, finally and unavoidably, betray their unwanted, overpowering grief — it's something rare, precious, truly sublime, and profoundly moving.