Sentences with phrase «characters moving about»

Instead, you're treated to nothing but quiet and the sounds of the characters moving about.

Despite the simple controls, the appeal of Gang Beasts stems from how wildly your characters move about.

On top of that, there were moments where objects would flicker because of the camera as your character moves about.

Add to that the fact that your character moved about as fast as a lethargic Hutt waking up on a rainy Sunday morning, this game deserves to be shot!

The characters moved about the screen in game looking for a hidden portal while the portal lit green or red indicating how close the portal was.

Not exact matches

We've made about five other films, but in the intervening years, the show business industry has moved entirely toward movies where the main characters have capes and tights.

We pray for our brothers and sisters around the world, dying and starving and losing some cosmic lottery that we didn't ask to win and, from far away it looks like we are all losing but there are stories of redemption there, too, and isn't prayer more about us being changed into God's character than actually about moving his hand in our direction?

Xhaka was a big money name to move to the club this summer and although he has mixed reviews about him so far, I'm sure that he's going to be a real dominant character for the club.

these were groundbreaking stuff... they had issues with Khabib team and they really fought it out for real... not some fake PR move throwing whatever to the bus injuring others... trash talk was always there, from Tito ortiz to Chael Sonnen, but Chael was / is more comical about his thing and he is playing a character....

Mysterious characters from the city surrounding the hospital will be crucial in determining the baby's fate, as will a workaholic British doctor with whom Mariam finds herself falling in love... Alice Allan's debut novel is an original, vivid and moving story about attachment and loss.

The gameplay consisted of not only moving the character through the game environment, but also making a dozen multiple choice decisions about the character's actions in an unfolding fictional narrative.

While Elephant, on one hand, focused on the time and space factors that converge unrelated people to those tragic incidents, Uwe Boll is more concerned about the characters - and this is a sympathetic and surprisingly moving drama that relies on decent performances.

Right when you think the film is about to kick into gear and start moving faster, it flashes back to a moment from the past where two character talk for extensive periods of time.

But no matter how realistically these characters move or blink or smile, there's always a coldness about them, particularly around the eyes, that makes them a little spooky.

You find out more about that process is the 5:29 «Bringing the Characters to Life,» which includes interviews with the animation staff, as they talk about how they worked with their own reference videos to figure out how the «actors» move.

The script is particularly weak, being more concerned with moving from one joke to the next via predictable plot points than it is about developing the characters and moving our fantasy world on a little bit.

Such things may not seem important to the casual observer, but the creative team had to make important decisions about how the characters move and behave, committing to a look that mirrors how the plastic pieces appear in real life: They can be taken apart and reconfigured, but they don't bend (the way they do in Lego videogames).

In part an homage to tobacco farming, in part a story about standing up to «the man», and in part a love story, or perhaps better put, a story of young ladies falling all over themselves for Troy Donahue's character, a young man who has moved in to a rural farming area with his mother, played by Claudette Colbert.

5 Star Wrestling is all about the characters each coming with their own original theme music, massive move set and spectacular finishing manoeuvres which look and feel different depending on the characters physical condition when executing the move.

We've learned enough about the characters for the show to move on to point at hand and reveal more about the characters little by little while the plot moves forward.

Once he's moved into the director phase of filmmaking, it's about actors sticking to his script while digging into their skill set to bring their own perspective into the character they're bringing to life.

He talked with us about playing such a massive character, his other quality roles (even Dr. Strange) and Manchester United recent moves.

This is all about the audio stutter bug where the controller become unresponsive for a few seconds while the character keeps moving.

Why isn't the story moved along and we find out more about these characters as the movie plays out?

Bill Murray potters in and out spouting something about the future and Danny McBride substitutes moving his hands around a lot for a real character.

The Faulkner novel it most closely resembles is The Sound and the Fury, which unfolds over four days, beginning with the viewpoint of the character who understands the least about the events taking place — an idiot named Benjy — before moving backward in time to the viewpoint of Benjy's brother Quentin, then forward to the viewpoint of a third brother the day before Benjy's narrative, and concluding with a third - person description of the day after Benjy's account.

«What's moving to me about the story is that at the start it's this guy who just wants someone to pick up after him,» says Ethan Hawke of his cantankerous Everett character in Maudie, which also stars Sally Hawkins as legendary real - life folk artist Maud Lewis.

Trevorrow has seemed to be making all the right moves, with a broad new cast: Chris Pratt, Bryce Dallas Howard, Judy Greer, Omar Sy, Lauren Lapkus, also Nick Robinson, the kid from «Kings of Summer,» which you'll find discussed elsewhere on this list, and BD Wong as a legacy character (rumors continue to swirl about another, «unexpected» returning character, but no - one's said it's a human...).

Though it's a bit of a wobbly mess at times, Hacksaw Ridge ultimately winds up being a deeply moving character study about an unlikely American hero.

Strongly resembling the system from Tales of the Abyss, it features a 3D battlefield where characters can move about at will.

Price: $ 59.99 Rating: Teen Genre: Fighter Subject Matter: Once you've mastered the moves of your favorite character, Tekken 6's 3D fights are all about timing and tactics.

Brolin initially seems like a grating and throwaway character (I knew little about this event), but is revealed to have a little bit more depth as things move on.

You can select any character that you unlocked from Story Mode to then move about a hexagon - style board engaging in random battles with specific objectives.

What's remarkable about the poetry in The Seventh Victim is that it manages to coexist gracefully with a fast - moving plot, over a dozen important characters who have complex and nuanced relationships, and a running time of only 71 minutes.

Gordon - Levitt tends to play characters who are a couple of moves ahead of the competition, but you wouldn't figure the young child star of capturing a major unspoken facet about a large chunk of the population.

One aspect the game moved away from was climbing towers (one of the characters even joked about how they won't make you climb radio towers all day).

After some fun banter with the entire panel — Hemsworth joked about the new sex - change of his character being his chance at an Oscar, Elizabeth Olsen says she's been practicing staring at pencils for months willing them to move, and Robert Downey Jr. asks that she soon release him from the spell she cast on hims as «it burns» — we finally get a trailer for Avengers: Age of Ultron.

Emma Fuhrmann: The film is about Morgan Freeman's character Monty who moves in next door to where my family lives.

And while it initially seems like John Debney's generic musical score is going to be the only source of mood establishment, something funny happens: setup established, the characters begin to move about like butterflies emerging from cocoons, displaying tenfold more emotional nuance than one might rightfully, albeit cynically, expect from such a film.

Also, whether I'm objective or not, I will say that what Meryl Streep does in this movie, building a narrative about her character with each line, move, and gesture, is, even by her standards, astounding.

I felt as though I was watching the slow decline of Kate's character — Her bike is stolen, relationships didn't work out for her, she was downsizing to a smaller apartment, she was messy and sloppy in her living conditions and relationships (she didn't rush her friend to the hospital when he hurt himself helping her move), she was about to lose her best friend to marriage (where she would have no place), she was starting to sleep around with the guys at work, her job was going nowhere, she was shallow, and if she continued to drink at the same rate she'd most likely incur health problems, lose her job and wind up living under a freeway overpass.

Moving on from the Spider - Man Civil War cameo, the magazine confirmed that Mark Ruffalo «s Hulk would not appear in Civil War, and served up some intriguing tidbits about two characters who will.

Another little change is that while you can't manually move your characters about the field mid-battle, they can be moved by the monster's attacks or their own special attacks — thus moving into or out of range of AOE healing and buffing.

But just as this set introduces us to what could be a riveting story, even the film's seemingly mundane details that might have given character and depth, such as Joe's quip about so - called T.K.'s (telekinetics) being «assholes who think they're blowin» your mind floating quarters,» are really only expository moments designed to move the plot forward.

The pace moves along swiftly, we care about the characters, and the payoff is brilliant — even if Channing Tatum and Daniel Craig don't dress as dapper as George Clooney and Brad Pitt.

These portraits summarise the film: it is a minor tale in its scale and cinematic form, but the performances and the writing are so intimately drawn that it becomes an unexpectedly moving character study about welfare and painful upbringings.

Once you get past the fact that it isn't a biopic about its writer Jon Ronson's time playing keyboards for the late musician and comedian Frank Sidebottom (an easy mistake to make, given Gleeson's character is called Jon and plays keyboards in a band fronted by a man called Frank, played by Michael Fassbender from beneath a papier - mache head almost identical to that sported by Sidebottom), Frank turns out to be a funny and moving meditation on mental illness and the corrupting power of fame, even of the minor variety.

Devastating is about the only way to describe it; characters will face off against dozens of enemies at a time, unleashing massive attacks which throw them back or colossal finishing moves which call upon Zelda's light arrows or even the power of the Triforce.

What moved me most about the film was its sympathy for its characters as well as its belief that the time to make up your mind about people is never.

We follow the character of Mike Howell (Jesse Eisenberg, «Night Moves»), a small - town man of simple concerns including drugs, his girlfriend Phoebe (Kristen Stewart, «Clouds of Sils Maria») and... well, that about covers it.