The Bridge depicts
characters on both sides of the law as well as both sides of the US / Mexico border (in El Paso and Juarez).
Not exact matches
Taylor's film does not just have the
law on its
side, but extraordinary, human elements
of character and compassion.
His bald head and hangdog features seemed to register well with audiences no matter which
side of the
law his
characters were
on, and his Brooklyn accent (which he could hide effectively) even worked well in Westerns.
Its central
characters are shysters; they live
on the wrong
side of the
law, fleece the innocent and, like addicts, remain locked in a cycle
of risk and repeat, trapped by the thrill
of the grift.
They're these types
of grizzled
characters who had one foot
on the
side of law and order and the other foot in the bad guy's camp.
Live by Night is no exception; to this reviewer the film almost reads as a clumsy marriage between Michael Mann's Public Enemies, in overall style and milieu, and Miami Vice, if Colin Farrell's
character was
on the other
side of the
law.
At the very beginning these two
characters do not seem to have much in common — having spent a great deal
of time
on opposite
sides of the
law — but by the end we see just how similar they really are.
The end
of the film features a «battle royale» between the motley array
of mostly no - name costumed good guys and costumed bad guys, which begs the question as to how most
of these
characters who are seeing each other for the first time can draw the distinction between them to make sure they are only fighting nemeses
on the other
side of the
law.