Action stories commonly feature more male
characters than female ones, even when the main character herself is female.
Barratt and Farnaby are also far more assured writing male
characters than female ones, with both Davis and Andrea Riseborough (phoning it in as an Isle of Man policewoman) having little to do but look on dumbfounded.
Not exact matches
Even though only about 9 % of
female characters have names in the text, there are more
than one hundred «eleventy» (111) women's names that are preserved.
The film must contain more
than one female character; these
female characters must have a conversation with
one another; and that conversation must be about something other
than a man.
If not an elaborate feminist update, then at least a fully - fleshed - out
female character with more
than one or two lines of backstory.
Clementine herself has established in A New Frontier that she is more
than worthy of being
one of gaming's most beloved
female characters, displaying a growth and complexity that few
female characters in the past have been allowed to have.
There are also two
female characters (Ruth Wilson as the Ranger's sister - in - law and Helena Bonham Carter as a
one - legged brothel madam) who are here for no apparent reason other
than to keep the movie from being an all - boys show.
Male
characters again outnumbered
female characters by more
than two to
one.
It's a very male - skewing movie in more ways
than one (the
female characters are beyond secondary) and you can not argue there is an element of the Academy that falls for those types of films.
Plenty of other
female critics, besides me, are flagging the problem, which includes a scarcity of substantial and complex
female characters in narrative films, whether Hollywood or indie, that fail to pass the Bechdel test (at least
one scene with two
female characters who have names, talking to each other about anything other
than a man).
Chadwick Boseman was the picture of heroic cool, Michael B. Jordan was
one of the best movie supervillains of all - time and Lupita Nyong» o, Danai Gurira and Letitia Wright all got numerous opportunities to shine in a film that was more
than willing to let the
female characters take on almost an equal weight of the film's action.
Everything about it promises negligibility, and the promise is kept: a less -
than - super star (Coburn), a
female lead whose potential has scarcely ever been fully realized (Lee Grant), some
character actors who stopped getting — or making — good parts some time ago (Andrews, Hendry), a forgettable British sub-leading man who muffed his
one big chance (Jayston — Nicholas of Nicholas and Alexandra), an anonymously pneumatic foreign blonde (Christiane Kruger), an English hack with conspicuously unimaginative pretensions to distinction (Hughes), and above all the tiresomely formulaic genre in which doublecrosses are so taken - for - granted by the audience that no degree of geometric complication can do more
than increase the boredom.
Mr. Almodovar is such a terrific story teller and visual artist and absolutely no
one produces better
female characters on film
than he.
But I'm also happy that Jackson's Middle Earth is
one where more
than two named
female characters in the entire history of the setting have ridden into battle alongside men.
Eve's
character shows that screenwriters Robert Orci, Alex Kurtzman and Damon Lindelof can't seem to write more
than one decent
female character into the film beyond Uhura and resort to literally stripping down the
character when they run out of exposition.
One glimpse of her taut, dignified and tougher - than - leather character leading Wakanda's all - female special forces squad known as the Dora Milaje — or as one character gapes, «some Grace Jones - looking chicks» — and anyone who wants to stay alive in the 21st Century will quickly realize they've undervalued Africa at their own per
One glimpse of her taut, dignified and tougher -
than - leather
character leading Wakanda's all -
female special forces squad known as the Dora Milaje — or as
one character gapes, «some Grace Jones - looking chicks» — and anyone who wants to stay alive in the 21st Century will quickly realize they've undervalued Africa at their own per
one character gapes, «some Grace Jones - looking chicks» — and anyone who wants to stay alive in the 21st Century will quickly realize they've undervalued Africa at their own peril.