Sentences with phrase «charcoal nude study»

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Depicting his nude model reclining in a twisted pose, her head turned towards the viewer, this beautiful charcoal drawing (est: # 1.5 - 2.5 million) is a study for Matisse's famous painting «Nu rose», now in the Baltimore Museum of Art.
Tracking Lovell's drawings, installations, and sculptures as he studied European painting and then broke away from that paradigm, the show will include such works as Rite (1997), an oil stick and charcoal work on paper in which a man's nude body appears to be consumed by foliage.
Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52
The exhibition features «Akt und Flasche (Nude and Bottle),» one of his major diptychs from the late 1970s, and a four - part work, «Birnbaum I (Pear Tree I)» from 1978, alongside large pastels, portraits and a series of intimately - scaled charcoal studies of birds, houses and trees.
This talk follows Robert Henri's journey from the dissection room at PAFA, through endless studies from the nude at the Académie Julian, and back to (reluctantly) drawing from casts at the École des Beaux - Arts before coming to his own «unscienced» approach to the body, which developed into increasing formalised pedagogy at the Charcoal Club in Philadelphia and the New York School of Art.
Figurative male nude drawing made of graphite, charcoal, and conte crayon on Arches paper 30 x 20 inches, unframed This unique life study drawing of a standing male nude was made...
Art historian Robert Hobbs singles out the artist's charcoal nude figure studies from this period.
There are two charcoal drawings in one room of the gallery from that period, both from 1938, titled «Nude Study from Life.»
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