I used Kendall
Charcoal on these pieces of boy's furniture and I love the colour!
Gold lounge chair («Louis XV Lounge Chair» # 311); fabric («Calais» /
Charcoal on Wheat # 2104/05): Rose Tarlow - Melrose House, 323/651 -2202, rosetarlow.com.
Drapery («Calais» /
Charcoal on Wheat # 2104/05): Rose Tarlow - Melrose House, 323/651 -2202, rosetarlow.com.
We painted our master a dark gray on 4 walls and
charcoal on the fourth.
Charcoal on the ground reflects the distribution of different post-fire regenerations of trees and charcoal survival associated with successive fires.
Except under exceptional circumstances, like in southwest USA where several trees are living for thousands of years (Swetnam 1993; Lloyd & Graumlich 1997), most long - term fire histories rely on other direct fire evidence like macroscopic
charcoal on and in mineral soils (Filion 1984; Payette & Gagnon 1985; Filion et al. 1991; Desponts & Payette 1993; Lavoie & Payette 1996; Carcaillet 2001; Asselin & Payette 2005b; Talon et al. 2005).
BILLY CHILDISH Man and Woman Leaning on Boom (Oyster Catchers, Thames Estuary 1932), 2012 oil and
charcoal on linen 72.05 x 108.07 inches 183 x 274.5 cm LM17199
WHITEFIELD LOVELL, «Having,» 2000 (
Charcoal on wood, found objects, 108 x 72 x 45 1/2).
CHRIS OFILI, «Ovid - Desire,» 2011 — 12 (oil, pastel, and
charcoal on linen).
His use of mixed media — including greasy oil, wax, and
charcoal on fine linen — belies the sophistication behind his off - the - cuff bricolage style.
Oil and
charcoal on canvas.
Susannah Phillips Untitled 2014 Gouache and
charcoal on paper 6 x 8.5 inches Signed and dates on the reverse (LBFA #SP -7312)
Charcoal on tracing paper.
Jack Tworkov, Untitled (ACD), 1956,
Charcoal on paper, 19 1/2 x 25 in.
John Marin (American, 1870 - 1953) Middle Manhattan Movement (Abstraction, Lower Manhattan), 1928, transparent watercolor with graphite and
charcoal on textured watercolor paper 26 1/4 x 21 1/2 in.
Charcoal on paper, 38 × 25 in.
Acrylic, oil, and
charcoal on linen, 20 x 18 in.
(window) Girl Leaning Against Chair, c. 1965 ink,
charcoal on paper 18 x 15 inches EBd 3 7.
Fabricated chalk and
charcoal on paper, 8 1/8 × 8 in.
During the following two years he paints little, but draws continuously in ink and brush or in
charcoal on paper.
The exhibition does not include any of Matter's larger
charcoal on canvas works, which she began in the 1970s.
This piece is made of
charcoal on cut paper along with various common household materials — including vinyl tiles and latex paint.
Helen Frankenthaler Mountains and Sea, 1952 Oil and
charcoal on unsized, unprimed canvas 86 3/8 x 117 1/4 inches (219.4 x 297.8 cm) Helen Frankenthaler Foundation, N.Y. on extended loan to the National Gallery of Art, Washington, D.C. Photograph courtesy the National Gallery of Art.
Group of Trees, 1920 Ink and
charcoal on joined paper, mounted 8 3/8 x 13 3/4 inches signed and dated lower right with monogram
The drawing on the left «September,» 1979, pastel and
charcoal on paper, 38 1/4 x 40 3/4 in.
Untitled (St. Louis Rams, Hands Up), 2016,
charcoal on mounted paper, 100 x 146 in (image).
Willem de Kooning (1904 - 1997) Untitled, circa 1965 Gouache, watercolor, and
charcoal on paper, 9 1/2 x 7 1/4 inches Signed lower center: «de Kooning» NFS
Also a rare chalk and
charcoal on paper sketch entitled Portrait of Christopher Dark (1977) sold for # 53,000.
Njideka Akunyili Crosby, «Ike Ya», 2016, acrylic, transfers, colored pencils, and
charcoal on paper 213.4 x 233.7 cm.
For instance, April Gornik's undeniable adeptness at capturing realism and mood in her landscapes, is here shown on works with heightened intensity using only
charcoal on paper.
This exhibition will present an overview of Eamon O'Kane's large scale drawings in
charcoal on paper as well as a number of wall drawings in charcoal.
The paintings «Eis que surge» and «Nuvem», both
charcoal on canvas, by Gustavo Speridião, and the sculpture «Óculos para Ernst Lanzer # 3», by Otavio Schipper, were made last year and will be shown for the first time.
At first, he used ink and
charcoal on paper before realizing that each drawing was a piece of art in itself and moving on to more inventive ways to transfer pigment to paper.
Edward Hopper, Self - Portrait, 1945; Fabricated chalk and
charcoal on paper, 22 x 14 15/16 in.
Dawn to Dawn, 2006
Charcoal on wooden barn door, industrial spool disc, chain, newel post, wooden shovel, earth 97 x 219 1/2 x 40 inches (overall)
Once an image has captured his attention, Lovell draws freehand in
charcoal on the panels, which range in size from small, hand - size discs to multiple large pieces that extend across a museum wall.
This 1987
charcoal on paper Modernist landscape is by San Francisco painter Jack Freeman (1938 - 2014).
Charline von Heyl, Hibiu Habibi, 2011, acrylic and
charcoal on linen, 2.1 x 2 m. Courtesy Friedrich Petzel Gallery, New York; photograph: Larry Lamay
In the evenings, he used
charcoal on scraps of paper to draw what happened each day.
Reinhardt would ask his students to make self - portraits in pencil and
charcoal on fine paper and then, when the drawing was finished, he would direct them to erase it and start over, a process continued on the same piece of paper throughout the term.
Robert Longo, Untitled (Nov. 8, 2016), 2016,
charcoal on mounted paper.
Mixed media, oil and
charcoal on canvas.
Piet Mondrian (Dutch, Amersfoort 1872 — 1944 New York), Composition with Double Lines and Yellow (unfinished), 1934, oil and
charcoal on canvas.
The first American museum show in over 30 years dedicated to this defining decade in their production, the installation features two major, large - scale «
Charcoal on Paper Sculptures»: To Be With Art Is All We Ask (1970) and The Tuileries (1974).
Calming, soothing and engaging oil and linseed - dipped
charcoal on canvas abstract painting by Sophia Dixon.
Oil and
charcoal on linen, 125 × 78».
This circa 1950
charcoal on paper nude drawing in black and white is by Santa Fe artist Seymour Tubis (1919 - 1993).
This 1948
charcoal on paper portrait drawing in black and white is by Santa Fe artist Seymour Tubis (1919 - 1993).
Amir Chasson, The Trap, 2010, oil and
charcoal on linen and household paint on canvas About The Artists Amir Chasson Born in Israel, British artist Amir Chasson received his MFA in Fine Art from Goldsmiths University, London, in 2010, preceded by an MA in Design from Middlesex University (2007).
MELEKO MOKGOSI, Detail of «Democratic Intuition, Exordium,» 2013 — present (oil and
charcoal on canvas).