It has become imperative to reflect on what are often highly psychologically
charged worlds of images, the ways they are reproduced, and represented.
Not exact matches
The
images of isolated substances, the supremacy
of mind over lifeless matter,
of a God supremely unaffected by the vicissitudes
of the
world yet supremely «in
charge, capable
of repairing any cosmic malfunction, are stereotypical male
images.
At least this is the case with normal perception, where we both have a sensory
image and project it onto some region
of the environment.2 Whitehead
charges both the empiricists and Descartes with having isolated the experiencing subject from the
world by leaving the body out
of their interpretations.
We have all seen pictures taken in the
World War, a man with helmet and gas mask, half erect and
charging with fixed bayonet — the
image of God?
would be the perfect job for him as he is a football teacher and philosopher
of the beautiful game just
image the football
world with wenger in
charge of the big picture.
Every time I talk about body
image issues, I can preemptively hear the
charges of «first
world problems» being leveled at me.
The storybook
images of stunning landscapes and lavish settings are a visual feast (Tarsem shot the fantasy scenes piecemeal all over the
world over the course
of four years) and the narrative innocence
of wild turns and impossible feats (like traveling from China to New York to Paris on horseback in what seems like a day) is a
charge.
The title for the exhibition, Lost & Found, refers to Joe's creative process — finding long - lost
images and reinventing them as often politically
charged artworks — and his reinvention from the commercial
world of work to finding his way as an artist.
By converting an
image of an American military base into custom - designed wallpaper, Zittel metaphorically transforms a highly -
charged landscape into pure aesthetic decoration and encourages a different way
of viewing and thinking about the
world.
The juxtaposition
of these
images gives his paintings a mystery and
charge that intrigued the art
world in the 1980s and made him a leading artist
of what is commonly known as the return to painting or post-modernism.
But in his later career, before his death in 1995, he took on clients who didn't seem to fit with activist
image — an Islamic fundamentalist
charged with murdering a rabbi, a terrorist accused
of bombing the
World Trade Center, a teenager
charged with participating in a near - fatal gang rape, and members
of the Gambino organized crime family.