Fresh: Riffing on John Carpenter's Starman, writer - director Jeff Nichols has crafted a sci - fi
chase film whose gravely naturalistic style adds to its sense of portent.
Riffing on John Carpenter's Starman, writer - director Jeff Nichols has crafted a sci - fi
chase film whose gravely naturalistic style adds to its sense of portent.
Not exact matches
CHASING TRANE is the definitive documentary
film about an outside - the - box thinker with extraordinary talent
whose boundary - shattering music continues to impact and influence people around the world.
Adam Shankman's new
film / musical Rock of Ages tells the story of a small town girl Sherrie (Julianne Hough) and a city boy Drew (Diego Boneta),
whose separate journeys to
chase their dreams of stardom bring them together on the Sunset Strip.
Directed with the equal energy by British director John Hough,
whose lean, high - powered action scenes are energized by the dynamic, almost child - like performances of his thrill - addicted characters, it's a classic of seventies speed cinema, where car
chase and stunt
films were really about rubber hitting — and leaving — the road.
Cutting down to the
chase, The Golden Child is one of those
films that could have been respectable if they didn't stick in the world's hottest comedian into it,
whose fans are going to expect constant wisecracks and irreverence, doing just what he did for another
film originally meant to be serious, Murphy's superstar - making Beverly Hills Cop.
«It isn't about the making of the worst movie ever — it's about people
chasing the American dream,» says Goldberg,
whose production company with Rogen, Point Grey, is making the
film.
I
chased The Other Side Of Hope with a
film whose existential metaphors and appreciation for the drudgery and social habits of working stiffs couldn't be more different from Kaurismäki's droll, Capra-esque humanism: Good Luck (Grade: B), a striking documentary mood - piece by the American experimental director Ben Russell (Let Each One Go Where He May, A Spell To Ward Off The Darkness).
There are also nods to well - known New Zealand works of the 1970s from the likes of Kiwi filmmakers Peter Weir (especially his zoom shots), Geoff Murphy (
whose Goodbye Pork Pie inspired the car
chase sequences) and Roger Donaldson (elements of his Sleeping Dogs are woven in here), as well as to classic Hollywood action
films, from The Terminator to First Blood to The Fugitive to a catchphrase made popular by Michael Bay's Bad Boys 2.
Creevy effectively utilizes the
film's locations, especially the German resort town of Monschau,
whose narrow, winding streets set the stage for one particularly nail - biting car
chase (shades of John Frankenheimer's Ronin).
A
film - length commentary by Evans (who, despite being involved in an ever - deepening river of crap since helming the original, has his entire career neatly encapsulated by the two Sandlot
films) provides such indispensable nuggets as the fact that a BMX stunt rider («
whose name escapes me») performs the stunt riding during the
film's extraordinarily boring bike
chase sequence and that «this dog could really run!»
It is this array of characters that really give the
film its soul, turning it into less of a
chase thriller and more of mood - piece that revolves around a (not so sweet) country,
whose inhabitants and climate can spell death in an instant.
The Enemy Below (Kino Classics, Blu - ray), a World War II submarine drama based on the novel of the same name by Commander D. A. Rayner, stars Robert Mitchum as Captain Murrell, the newly - appointed commander of an American Destroyer in the South Atlantic, and German star Curd Jürgens making his American
film debut as Commander Von Stolberg, a German submarine commander
whose mission is imperiled when the American warship gives
chase.