Sentences with phrase «chase film with»

A heist - romance - chase film with a diverse and truly remarkable selection of songs, high energy, more than a few comedic moments (the Mike Myers mask sequence is brilliant) and a recurring Monsters, Inc quote requires a strong lead, and young Mr. Elgort aces the test.

Starting off as a survival tale and chase film with shades of Jeremiah Johnson, Man in the Wilderness and Death Hunt, Seraphim Falls follows Gideon (Brosnan) as he is chased through the frozen, wooded mountains of New Mexico by Carver (Neeson, utilizing his old Next of Kin drawl) and his cadre of bounty hunters (including Michael Wincott and Ed Lauter).

Long - starved action fans may well rejoice at the release of Shooter, a drawn - out chase film with gunfights and explosions and clearly defined «good» and «bad guys».

A chase film with tinges of science fiction in the margins, this is a thriller that does not burden its audience or overcomplicate its narrative with extraneous exposition, allowing you as the viewer to piece many of its mysteries together yourself.

In one early scene, Offerman's superior officer demands (after an opening chase filmed with an atypical aesthetic) that they go through their next mission (movie) exactly the same way they did their first one.

Not exact matches

Jay Leno rides along with director Jeff Zwart as he films a car chase from the back seat of a customized Porsche.

This park was made famous during the filming of Home Alone in 1990 (scenes include a wild police chase across a skating rink with gazebo backdrop).

Please join us for this FREE event, with a viewing of the film, Chasing the Dragon, and an interactive panel discussion on opiate and other...

When she's not starring on the TV show «Extra» with Mario Lopez (see his workout here), she is filming her reality show, Chasing Maria Menounos.

From here on out, War of the Worlds is one lengthy but always gripping chase film as the massive alien tripods stalk hapless humans over hill and dale, blasting them into ash with vicious, serpentine ease while the military runs afoul of their seemingly invincible shields.

«The Rock» is great like he always is in films like this, and the ending chase scene brings the goods, with a terrific supporting turn from Jon Bernthal as one of his workers who decides to help him out not knowing what he is getting himself into.

Characters have chased MacGuffins across the cosmos, wasting two thirds of the film getting from one place to another, and not actually wrestling with their inner demons.

This film does seem a lot more pointless and the ending gets racked up into a silly hollywood - like chase, and with some gratuitous cinematic and editing

Of course, «The Peacemaker's» real selling point is action, and Leder proves herself a crackerjack action director, with some seriously intense set - pieces — a train wreck that opens the film, a horrifying nuclear blast, a car chase in a crowded plaza, a foot chase through the streets of New York and, best of all, a nail - biting standoff on a bridge between a truck armed with nuclear weapons and military helicopters.

CHASING TRANE is the definitive documentary film about an outside - the - box thinker with extraordinary talent whose boundary - shattering music continues to impact and influence people around the world.

His revelations verge on going too far but by the end you realise that you've witnessed a film that crosses all sorts of genres; it's an introspective drama, a restrained chase movie and an imaginative Sci - Fi and it tackles all the tropes with a deftness and skill.

This film does seem a lot more pointless and the ending gets racked up into a silly hollywood - like chase, and with some gratuitous cinematic and editing decisions made that shows this films wants to be something new but can't let go it's predecessor.

Restraint seems an odd word to apply to a film this crowded with car chases, gunplay, sneering bad guys, panicky good guys and one gleefully gruesome instance of ad - hoc, back - alley, gunshot - wound surgery.

Its only when we get to the last half hour or so of the film that things get exciting with those two chase sequences, up to then its seriously average.

I've certainly seen worse Disney films, and I've definitely seen worse more recent films with a similar theme, (the atrocious «First Daughter» and sleep - inducing «Chasing Liberty» spring to mind!).

The film is given an opportunity to shrewdly poke fun at cable news, specifically Fox News (their new home is run by a cocky Aussie), as Ron uncannily becomes a purveyor of sensationalist non-news stories like car chases and cute animals while Veronica can't make an interview with Yasser Arafat grab anyone's attention.

After the thrill of the chase, the lookalike's escape, and the disappointment of missing the reward, the film ends optimistically with a long shot, lasting over half a minute, of all the boys and other people in the background.

Once all the main characters converge, the film picks up while Director Jonathan Mostow (U-571) appears to be using Cameron's cliff notes version on how to stage a Terminator film complete with motorcycle chase and big shootouts.

The disillusion was siphoned off to political thrillers of the period, leaving car chases, hot vehicles and anti-authoritarianism as key elements and adding country & western soundtracks and a small - business, individualist streak, in line with their appeal to the southern and midwest markets where these films were proving highly successful in drive - ins.

A murky, brain - dead stab - a-thon packed with so many inane chases, laughable special effects, and mismatched stock footage shots that it begs to be made into a drinking game, London Has Fallen is one of those rare films that is good at absolutely nothing.

If you're going to make a crime pic with all the trimmings (the hooker with the heart of gold, the car chase, the mug - headed villain) you better make the stakes count — but both these films fizzle when it matters.

Reviews from Sundance of three films that directly involve our relationship with nature, including «Chasing Coral,» «I Dream in Another Language» and «Walking Out.»

Chasing Amy - Kevin Smith managed to make a film about a straight man who falls for a lesbian without condescending to either party, while viewing both of them with eagle eyes.

The film team get to grips with the mangled Russian accents of a bevy of RADA - trained stars as Tom Hardy chases a serial killer across the 1950s Soviet Union

Unfortunately, Lek's hyperactivity isn't nearly enough to tip A Stranger In Paradise into the realm of unintentional comedy, so the film goes through its twisty - turny paces with a dullness that Boccia's whooshing pans and chase sequences can't alleviate.

Parents should know that this film includes extensive comic book - style action violence with many characters injured and killed, guns, spears, hand - to - hand combat, chases, explosions, and some strong language.

Suddenly, the film starts to tie everything together, capping off with a wild chase through a studio backlot.

The whizzing sound of cars flying from one speaker to the next during the film's motorcycle chase is treated with as much care as the subtle rumble of the Airbus from the film's cold open.

Nevertheless, this film continues the Furious theme with fast cars / vehicles, massive stunts, and killer chase scenes that take place all over the world.

«Armed and Underground: Production Design» (7 mins., 1080i / 16x9) brings production designer Jon Gary Steele into the interview mix for an insider's view of the film's carefully - aged sets (the industrial - site exterior was a real location in Fontana, CA, but the massive interior was built on a soundstage), while «Crash Course: Stunts» (11 mins., 1080i / 16x9) taps stunt coordinator Lance Gilbert to tell, among other stories, the one about crawling around on the floor with his kids» Hot Wheels cars to plan the armoured - truck chase scene with Antal.

And seriously, what kind of a film has tons of repetitive driving / chase / race sequences only to end with another one that's not anywhere near as ambitious as some of the ones before it?

The film attracted interest from a number of bidders, with Annapurna Pictures and A24 chasing after the project at different points.

Paul Feig's 2015 action comedy Spy did a tremendous job of delivering both action and comedy, and it looks like director Susanna Fogel (Life Partners, Chasing Life) is looking to do the same thing with the upcoming film The Spy Who Dumped Me.

The film bravely opens with an event for which Brown is arguably better known (certainly in lower brow circles) than for his entire discography combined, that being the drug - addled police - chase he embarked on in the days following his son's death in 1988.

Although the set - up is routine, and the chase climax with the smugglers pretty dismal as far as entertainment goes, it's in the more sizable middle parts, where the son and father switch bodies, that the film scores enough points to make for a worthwhile viewing.

Run All Night reunites Liam Neeson with his Unknown and Non-Stop director Jaume Collet - Serra for another high - concept action film - this time set in the urban jungle of NYC, during one incredibly long chase, over one incredibly violent night.

Greene, who as a film critic attacked Hitchcock's «inadequate sense of reality» and «series of small, «amusing» melodramatic situations», produced a screenplay of ersatz Hitchcock: the boy with the ball interrupting the investigation, the Ferris - wheel conversation, the chase in the sewers.

It is a film about art and the artist — of course, Mr. Turner himself but really how he chased the light and became obsessed with capturing it.

The «treasure hunt» focus is lost in this film, with A-B-C chase sequences instead, which hold little intrigue.

This film, made on an identically low budget but with a lot more confidence, feels like another step in a transformation: It waves away the somber atmosphere of his early successes to run hollering down a dark tunnel, chasing familiar motifs further underground.

Directed with the equal energy by British director John Hough, whose lean, high - powered action scenes are energized by the dynamic, almost child - like performances of his thrill - addicted characters, it's a classic of seventies speed cinema, where car chase and stunt films were really about rubber hitting — and leaving — the road.

But in the scheme of things he's just another player in a big, messy, tangled ensemble piece with a weird and wonderful cast in a free - for - all chase for the letter, the film's Maguffin in every sense of the term.

He continued to film in and around St Cleans through the late»60s and early»70s, although little of note beyond a pair of nifty chase sequences with Paul Newman in 1973's The Mackintosh Man.

But I soon began to realise it was one of the funniest films I had seen, with Jake and Elwood's increasingly farcical run - ins with the law and over the top car chases.

The Last Chance gas station played a big part in the film, and included a scene with Gunnar Hansen «Leatherface» chasing one of his victims around with a large chainsaw, the films most intense chase scene, perhaps?