Sentences with phrase «chase movie ends»

A crime chase movie ends up evolving into a three - pronged character drama in the middle of the desert and just when the movie taunts the idea of a final shoot - out, it once again goes for an ending that isn't what you expect.

Not exact matches

They are mistaken for bank robbers and chased by Wooly Bill Hitchcock the rest of the movie, they briefly become cooks for the cavalry and end up destroyign the fort, so are sent to prison, where they learn of a train robbery plot by Big Mack and his gang, which they try to foil, even if it means dressing up like saloon ladies and dancing with bank robbers.
An actual chase sequence involving Jack trying to avoid an assassin trying to clean up loose ends from earlier seems so out of place midway through the movie amidst all the scenic travelogue visuals and minimalist conversations.
His revelations verge on going too far but by the end you realise that you've witnessed a film that crosses all sorts of genres; it's an introspective drama, a restrained chase movie and an imaginative Sci - Fi and it tackles all the tropes with a deftness and skill.
After an excellent setup, the movie becomes bogged down in chase scene after chase scene on its way to its inevitable ending.
I almost chose that incredible Chinese restaurant / car chase scene that ends the movie with a thrilling bang, but that scene wouldn't have even happened without this creepy, deviously immoral moment.
To that end, we have three very strong contenders — in the lead is Jennifer Lawrence, whose character not only has a mild sex addiction, not only chases relentlessly after Bradley Cooper, but also spends much of the movie in a tight danskin top bouncing up and down joyfully.
All that matters is this movie features a scene where Vin Diesel and Donnie Yen get into a dirt bike chase, and then end up riding their dirt bikes across the ocean.
Death Proof and hence Grindhouse as a whole end on a high note with the final car chase and Bell's death - defying antics, but the dragging, plodding pace and creative misfire of Tarantino's movie is enough to put a big damper on the sum total of the Rodriguez / Tarantino double feature experiment.
The Hubcap flying off the car during the chase scene near the end of the movie was accidental.
Borrowing credit cards and stowing away on an airplane ends up altering an angry air marshal (Tony Hale), who then chases the characters throughout the rest of the movie.
Director David Gordon Green leaves the indie world for this studio film and excels in making a very vulgar comedy full of stylish montages and exciting chases — while Rogen and co-writer Evan Goldberg (also co-writer of This Is the End) construct a movie with a stupidly simple enough premise to knock off a slew of action cliche parodies, but also allow for a lot of improvisation along the way.
Assuming that we're familiar with the characters and the events of the previous films, the movie cuts right to the chase: Thomas (Dylan O'Brien) and his friends have to break into the «Last City», a WCKD - controlled labyrinth, in order to save more friends and put an end to this evil organization.
The movie begins, natch, with a dream sequence, where Tina (Amanda Wyss, a.k.a. Beth from «Better Off Dead...») is chased by a mysterious figure wearing gloves with talon - like knives on the end.
The Summer of Ethan Hawke ends in batshit - crazy fashion with «Getaway,» an over-the-top car chase movie that drives all night but never really goes anywhere.
That differentiates this movie from other Disney Channel ones that break down into generic dream - chasing you won't hold onto after the end credits roll.
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