A crime
chase movie ends up evolving into a three - pronged character drama in the middle of the desert and just when the movie taunts the idea of a final shoot - out, it once again goes for an ending that isn't what you expect.
Not exact matches
They are mistaken for bank robbers and
chased by Wooly Bill Hitchcock the rest of the
movie, they briefly become cooks for the cavalry and
end up destroyign the fort, so are sent to prison, where they learn of a train robbery plot by Big Mack and his gang, which they try to foil, even if it means dressing up like saloon ladies and dancing with bank robbers.
An actual
chase sequence involving Jack trying to avoid an assassin trying to clean up loose
ends from earlier seems so out of place midway through the
movie amidst all the scenic travelogue visuals and minimalist conversations.
His revelations verge on going too far but by the
end you realise that you've witnessed a film that crosses all sorts of genres; it's an introspective drama, a restrained
chase movie and an imaginative Sci - Fi and it tackles all the tropes with a deftness and skill.
After an excellent setup, the
movie becomes bogged down in
chase scene after
chase scene on its way to its inevitable
ending.
I almost chose that incredible Chinese restaurant / car
chase scene that
ends the
movie with a thrilling bang, but that scene wouldn't have even happened without this creepy, deviously immoral moment.
To that
end, we have three very strong contenders — in the lead is Jennifer Lawrence, whose character not only has a mild sex addiction, not only
chases relentlessly after Bradley Cooper, but also spends much of the
movie in a tight danskin top bouncing up and down joyfully.
All that matters is this
movie features a scene where Vin Diesel and Donnie Yen get into a dirt bike
chase, and then
end up riding their dirt bikes across the ocean.
Death Proof and hence Grindhouse as a whole
end on a high note with the final car
chase and Bell's death - defying antics, but the dragging, plodding pace and creative misfire of Tarantino's
movie is enough to put a big damper on the sum total of the Rodriguez / Tarantino double feature experiment.
The Hubcap flying off the car during the
chase scene near the
end of the
movie was accidental.
Borrowing credit cards and stowing away on an airplane
ends up altering an angry air marshal (Tony Hale), who then
chases the characters throughout the rest of the
movie.
Director David Gordon Green leaves the indie world for this studio film and excels in making a very vulgar comedy full of stylish montages and exciting
chases — while Rogen and co-writer Evan Goldberg (also co-writer of This Is the
End) construct a
movie with a stupidly simple enough premise to knock off a slew of action cliche parodies, but also allow for a lot of improvisation along the way.
Assuming that we're familiar with the characters and the events of the previous films, the
movie cuts right to the
chase: Thomas (Dylan O'Brien) and his friends have to break into the «Last City», a WCKD - controlled labyrinth, in order to save more friends and put an
end to this evil organization.
The
movie begins, natch, with a dream sequence, where Tina (Amanda Wyss, a.k.a. Beth from «Better Off Dead...») is
chased by a mysterious figure wearing gloves with talon - like knives on the
end.
The Summer of Ethan Hawke
ends in batshit - crazy fashion with «Getaway,» an over-the-top car
chase movie that drives all night but never really goes anywhere.
That differentiates this
movie from other Disney Channel ones that break down into generic dream -
chasing you won't hold onto after the
end credits roll.