Sentences with phrase «chase movie with»

I liked Drive, a vigorous 2011 take on Hollywood car - chase movies with noirish undertones starring Ryan Gosling, but its 2013 successor, Only God Forgives, a muddled romp (also starring Gosling) about a mama's boy adrift in the Bangkok underworld at the mercy of a gangster who performed musical numbers between bloodbaths, was parboiled by critics and avoided by audiences like an airborne virus.

Not exact matches

Attempts to keep up with changing buying behaviors are very much like a car chase scene in an action packed movie.

a blind man with a blind copy of the bible being chased around throughout the whole movie.

The word «psychopath» conjures up movie images of brutal, inexplicable violence: Jack Nicholson chasing his family with an ax in The Shining or Anthony Hopkins as Hannibal Lecter, his face locked into an armored mask to keep him from biting people to death.

Not only is PURE «an awesome hookup app» made for «awesome people» who want to cut to the chase, it wants to take back the one - night stand from misleading movies like «No Strings Attached» and «Friends With Benefits» and make it what it was supposed to be.

Outside of the fall of Erabor, the big CG battle sequences, impressive though they are to watch in the moment, could be cut down considerably — and some of the chases (especially the Radagast / orcs sequence) could have been dispensed with entirely without hurting the movie.

No recent movie about The Troubles gives the audience the emotions, the pure hatred between the two forces, with the impact of «' 71,» the credit going not only to Jack O'Connell, known to us mostly for his role as the rebellious prisoners in «Starred Up» (never mind that the dialogue was largely indecipherable), but also to director Yann Demanage for setting up realistic seeming fight scenes, a series of breathless chases, and a sense of neighborhood that Demange found not in present day Belfast but in the English town of Sheffield.

In episode 301, the third season premiere, Bette and Tina try to rekindle their sexual groove after having a child; road rage grabs hold of Alice as she chases after Dana through the streets of Los Angeles; Helena purchases a movie studio; Jenny returns with a new girlfriend.

Older studios have barraged us with more than enough eye - popping chase scenes, strung - out villains, and movie stars outrunning fireballs.

A movie with no surprises at all, a streamlined chase flick that is running on the fumes from recycled fuel.

They are mistaken for bank robbers and chased by Wooly Bill Hitchcock the rest of the movie, they briefly become cooks for the cavalry and end up destroyign the fort, so are sent to prison, where they learn of a train robbery plot by Big Mack and his gang, which they try to foil, even if it means dressing up like saloon ladies and dancing with bank robbers.

The movie - a big fat episode, essentially, with a noticeably constrained budget - is a satisfying thriller, with romantic and religious angst substituting for explosions and chase scenes.

His revelations verge on going too far but by the end you realise that you've witnessed a film that crosses all sorts of genres; it's an introspective drama, a restrained chase movie and an imaginative Sci - Fi and it tackles all the tropes with a deftness and skill.

What UFO conspiracy movie would be complete without a scene of the heroes running through a cornfield with helicopters chasing them?

Players can accept challenges to search for secret treasures, learn new skills and chase down new personal opportunities, meet new Sims with unique personalities, share their culture and bring them home, discover new styles on their travels, and share everything they encounter on their adventures with the world through personal photographs, movies, and stories.

The movie was filled with action: explosions, shooting, car chases, wrecks, heart jumping out of your chest terror and humor.

With its machine - gun editing, extremely loud (mostly rap) soundtrack, occasional music - video interlude and overall in - your - face sensibility, it's a movie that's determined to chase anyone past age 30 or so right out of theater.

Some people says videogames are as much art as movies, those people are idiots, videogames are better than movies, Videogames can express art in another dimension, and monster hunter tri expands that dimension to the point of let you even wonder what a hunter is, what a monster is, it makes you forget you are playing, it instead makes you feel you are really chasing monsters and risking your life, you can cry with this game like with no other, heavy rain?

Digging herself ever deeper into absurdity, Paula launches a pursuit with battalions of police that descends into classic 1970s chase - movie car - flipping.

I almost chose that incredible Chinese restaurant / car chase scene that ends the movie with a thrilling bang, but that scene wouldn't have even happened without this creepy, deviously immoral moment.

Filed Under: Amie Cranswick, Movies, News, Trailers Tagged With: Audrey Wasilewski, chase williamson, Fabianne Therese, Graham Skipper, Lyle Kanouse, sequence break

The whole movie is a long three - sided chase: Hanna is captured early on by Marissa when Erik leaves her on her own, after arranging to rendezvous with her later in Berlin.

Green shoots car chases with the careening, colliding immediacy of a seventies movie and doesn't hold back on the violence when unleashes a pair of hitmen on Dale and Saul and then ignites a drug war around them.

Mainly, the movie unfolds as one big, long, and very dull chase, with the beautiful princess on the run from stepmom's minions, aided and abetted by the titular Huntsman (Chris Hemsworth of Thor fame), a not - too - bright bounty hunter who becomes a chain - mail Clyde to her enchanted Bonnie.

The car chase in particular is brilliant, and Doug Liman is getting pretty nifty with his action movies (although this doesn't really come close to The Bourne Identity).

Each set - piece falls utterly flat, starting with the movie's opening scene in which the gang is chased around afield by a supposedly angry bull.

Parents should know that this movie has extended peril and violence with many characters injured and killed and some graphic and disturbing images involving zombies, guns, chases, explosions, and medical torture, as well as some strong language.

The first Jeepers Creepers movie (2001) started out promisingly, with suspenseful scenes involving a sinister character dumping bodies and a Duel - like truck - from - hell chase scene.

Despite the life - or - death stakes, this is a funky feel - good movie studded with physical comedy from a surprisingly cute creature, and genuinely exhilarating car chase scenes that employ the eponymous monster trucks with whimsy and verve.

For fans of car - chase movies, Baby Driver is aces, slamming into Walter Hill greatness territory with an energetic variety of top - notch action and invention.

With the exception of Cooper and a cameo by Jason Bateman, the movie is almost completely void of laughs (Tom Arnold is particularly awful as a dim - witted U.S. Marshal), and the car chases aren't nearly as exciting as intended.

The elaborate plot slows down the movie with car chases, bar fights and guns with real bullets just when you want to hang with the characters and get to know them better.

F. Gary Gray's «The Italian Job,» on the other hand, is nothing more, or less, than a slick caper movie with stupendous chase scenes and a truly ingenious way to steal $ 35 million in gold bars from a safe in a Venetian palazzo.

For the release of «Chasing Mavericks» in stores, Shockya is giving away prize packs with a movie Blu - Ray copy, and a «Live Like Jay» surf bracelet to 3 lucky fans!»

Executive producer Martin Scorsese and director Nick Sandow («Orange Is The New Black») weave a fascinating tale of a man obsessed with mob movies (Vincent Piazza) and his wife (recent Oscar winner Patricia Arquette) as they chase drugs and money in efforts to recreate the lifestyle.

«The Art of Action» (5:11) turns our attentions to the movie's lone car chase, which the filmmakers broke down with toy cars, storyboards, animatics, and stunt choreography.

«It isn't about the making of the worst movie ever — it's about people chasing the American dream,» says Goldberg, whose production company with Rogen, Point Grey, is making the film.

The bad news seems that it is «Gattaca, but with guns» and looks to be in danger of descending into straightforward chase movie action clichés — a sort of Marxist power fantasy version of Logan's Run in which one man single - handedly brings down The System TM.

The directing duo also knows when to accelerate the action romp with a well - shot car chase on the empty streets and a one - take where the camera pans and swirls around the movie's MacGuffin.

That new perspective is the way the film looks like an action movie, filled with car chases and fights and shoot - outs, while behaving in a way more akin to a musical (For further evidence of the musical's influence, one need only look to the opening credits, which has the hero dancing around the city, as an assortment of visual gags highlight certain lyrics).

That this frantic chase culminates with a Steven Spielberg cameo speaks to the endearing weirdness of the movie.

Fact: with his sci - fi chase / road - movie «Midnight Special,» Jeff Nichols becomes only the fifth American director to have competed at both Cannes and Berlin during the current decade.

Final Verdict: Sure, Centurion is little more than a glorified chase movie, but is there really anything wrong with that?

It isn't high on special effects, but there is plenty of action in the second half of the movie, as the story takes a turn into a militaristic thriller, complete with car chases and explosions galore.

As the only character with any hint of depth, Doyle is the audience's vessel from one chase to another — or, rather: throughout the giant chase that is the whole movie — a man as relentless as the filth and violence of the City that he struggles to defend, one drug bust at a time.

I even got them to go with me to a Vertigo screening at the Music Box (film editor A.A. Dowd informed me I was doing the lord's work); they're 11, but they barely squirmed, even though that movie can be a bit slow, what with all the snail's pace car chases at the beginning.

His best movies were emotionally autobiographical and avoided chasing laughter with easy pop culture references.

Death Proof and hence Grindhouse as a whole end on a high note with the final car chase and Bell's death - defying antics, but the dragging, plodding pace and creative misfire of Tarantino's movie is enough to put a big damper on the sum total of the Rodriguez / Tarantino double feature experiment.

A high - octane chase movie at its core, Mad Max: Fury Road drops you right into the middle of the action and expects you to keep up with this strange new world.

I loved that movie too, primarily for the chase scenes like the opening scene where 007 chases the smuggler; fights / kills the double agent in the bodego, changes into his clothes then meets the girl who takes him on another chase in her VW; and, of course, the boat chase with the corrupt politician.