In a painting like «Lovesexy» (2000), for example, sharply defined indecipherable symbols loom in and out of clean cumulus clouds on a fuchsia - pink background, while in «As I run and run, happiness comes closer» (2008), violent and brutal brushstrokes seethe over a dark background, engulfing the work's
cheery little stars and leaving the sensation of a seething Hieronymus Bosch composition.