Sentences with phrase «chief curator emerita»

This meaning and shaping are potent at The Museum of Modern Art's Louise Bourgeois: An Unfolding Portrait, a retrospective organized by chief curator emerita of prints and illustrated books Deborah Wye.

Deborah Wye, the chief curator emerita of MoMA's prints and artist books, who was also behind her first MoMA 1982 exhibition, is a leading expert on the work of the great French artist.

Not exact matches

The award will be presented to Serra and fellow 2018 winners Thelma Golden, director and chief curator of The Studio Museum in Harlem, and Agnes Gund, who is president emerita of The Museum of Modern Art in New York, at a dinner at the Getty Center in Los Angeles on September 24.

Sims, who will be receiving the Distinguished Service to the Visual Arts Award, is curator emerita at the Museum of Arts and Design, where she worked from 2007 to 2015 as the Charles Bronfman International Curator as well as the William and Mildred Lasdon Chief Ccurator emerita at the Museum of Arts and Design, where she worked from 2007 to 2015 as the Charles Bronfman International Curator as well as the William and Mildred Lasdon Chief CCurator as well as the William and Mildred Lasdon Chief CuratorCurator.

The J. Paul Getty Trust is awarded the annual J. Paul Getty Metal to Thelma Golden, director and chief curator of the Studio Museum in Harlem; Agnes Gund, president emerita of the Museum of Modern Art (MOMA) and sculptor Richard Serra, the organization announced.

Studio Museum in Harlem Director and Chief Curator Thelma Golden, Agnes Gund, philanthropist and president emerita of the Museum of Modern Art, and sculptor Richard Serra are receiving 2018 Getty Medals.

This exhibition will feature 21 objects, including photographs, prints, peace medals, and it is curated by Brandon Brame Fortune, the Portrait Gallery's chief curator and senior curator of painting and sculpture, and Wendy Wick Reaves, senior curator emerita of prints and drawings.

This book includes original contributions by Jenni Sorkin, as well as Elizabeth A.T. Smith, Executive Director of the Helen Frankenthaler Foundation, and former Chief Curator at the Museum of Contemporary Art, Chicago; and Anne M. Wagner, art historian, critic, and Class of 1936 Professor emerita, University of California, Berkeley.