It presents a Xeroxed
childhood photograph of the artist in boxer shorts or swim trunks overdrawn with intestines that stretch out to form an angular superstructure surrounding the artist's head and shoulders, like the truss work of a Byzantine halo.
Not exact matches
Photographs of Bradford from
childhood through the years animate a wide - ranging interview with the
artist conducted by curator Christopher Bedford.
More personal than before, the
photographed objects from the
artist's
childhood and youth put together form a reminder
of the lost past and the
artist's parents.
It details the
artist's attempt to re-stage a lost
photograph remembered from
childhood of his bikini - clad British mother held in the arms
of a former Lebanese boyfriend and taken on a beach close to the famous Casino du Liban outside
of Beirut where she worked as a cabaret dancer in the late 1960s.
Photographs of the
artist's
childhood home can be seen in fragments between gridlines, evoking the process
of how memories are reconstructed and how multiple viewpoints can inform a singular experience.
Boers works with several
artists who are beginning to experience an upsurge in their market, including Qiu Xiaofei, who makes mural - size expressionistic oil paintings based on
photographs and memories
of his
childhood (prices are between $ 50,000 and $ 100,000); Chen Yujun, whose collages reflect the culture
of his hometown in Fujian Province (prices range from $ 30,000 to $ 60,000); and Lu Yang, a young woman who conveys science - fiction fantasies in videos and digital prints (selling for $ 4,000 to $ 20,000).
Finding their way into the
artist's paintings and drawings are vintage family
photographs, magazine images, and
childhood relics that enhance the familiarity and nostalgia
of the compositions.
Thomas» installation, which includes several
photographs and paintings, is a recreation
of the backdrops she uses for her models, evoking the vibrancy
of pop culture in the Soul Train era and replicating the
artist's own
childhood memories.
The 20
photographs creating the grid are primarily framed drawings inspired by candid
photographs of the
artist's family and moments captured during her
childhood in Iran, featuring outdoor scenes
of leisure by the sea amongst leafy backdrops.
Tam Tran, a Vietnam - born
artist who lives and works in Memphis, is showing
photographs dealing with ideas
of childhood and self - discovery.
Living between different continents — Doig in London, New York and the Trinidad
of his
childhood; Armitage in London and Kenya, where he was born in 1984 — both
artists make lush, seductive figurative paintings derived from fused sources
of memories,
photographs, film and art history, hinting at enchanted, disquieting narratives.
In an accompanying video, the
artist meshes old family
photographs, shaky VHS footage, and amateur - looking cartoons
of extraterrestrials to convey an enigmatic story about her
childhood and a galactic conspiracy: a cross between
Shown alongside the paintings and drawings are three items which are designed to re-orientate the reading
of the work: an early 19th century Indian miniature (Rhodes spent her
childhood in Bengal and has an affinity with Indian court painting); an aerial
photograph from 1926
of the site
of Woodhenge in Wiltshire — drawing attention to the
artist's interest in what becomes visible though distance; and a
photograph by Luigi Ghirri
of an avenue
of trees disappearing into the mist.
Deep hues
of charcoal and blue allude to the colors
of the official story; newspapers,
photographs, and the small televisions
of the
artist's
childhood in a tumultuous Chile.»