The result is a trim, scrubbed work, as strange and distilled as a mid-1930s Tod Browning
chiller, where the smallest hint of sentimentality or whimsy (say, the girls dancing to a pop song) is literally short - circuited and the mirror the heroine stares into in the
final, closure - denying
shot might have been pieced together from the same glass shards seen in the unnerving opening credits.
Here is Henry Taylor's «The Times Thay Ai nt A Changing, Fast Enough», a
chilling reminder of Diamond Reynolds» video that captured her fiancée Philando Castile's
final moments after being
shot by a police officer in July 2016.